HamsterHuey said: Cloudbuster said: They've just had another number one. Which I think makes them the only band to have number ones over five consecutive decades.
Not bad for a crap band, eh? This is in the UK, right? Nuf said. Clif Richard has number ones in the UK... Can't you just accept I do not like them? Just imagine you have a more superior taste in music than I do. Will make you feel better. I don't give a shit whether you like them or not. Each to their own. The point is I don't think they're crap. To have success like they've had for as long as they've had with all self written material suggests quite a bit of talent. And no, the single wasn't released here. It's a four year old song anyway from their last studio album which was included on a recent compilation (Number Ones)as a tribute to Maurice. It's actually the first single of theirs where he's been lead vocalist. Shame he didn't live long enough to enjoy it. | |
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GangstaFam said: EvilWhiteMale said: The last thing I want Tori to do is go back to the Pele time.
I don't want her to go back either, but I still think it's her best work. I really can't see why Tori fans go so crazy for it. I thought it was pretty lame. "You need people like me so you can point your fuckin' fingers and say, "That's the bad guy." "
Al Pacino- Scarface | |
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EvilWhiteMale said: I really can't see why Tori fans go so crazy for it. I thought it was pretty lame.
You're not a fan. | |
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EvilWhiteMale said: I really can't see why Tori fans go so crazy for it. I thought it was pretty lame.
So did I until about two years ago. | |
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Cloudbuster said: So did I until about two years ago.
Really? What changed your mind? What didn't you like about it in the first place? | |
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GangstaFam said: Cloudbuster said: So did I until about two years ago.
Really? What changed your mind? What didn't you like about it in the first place? It just hit me emotionally. I guess I could relate to a lot of it (loss, heartbreak, etc...) which I couldn't do when it was released. I always liked certain songs from it but as an album I was indifferent towards it. I don't even really know what eventually made me go back to it, but I'm delighted that I did as it's now one of my very favourite albums. I just stuck in the player one day after years of not listening to it and was like... It's fucking brilliant! | |
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EvilWhiteMale said: GangstaFam said: I don't want her to go back either, but I still think it's her best work. I really can't see why Tori fans go so crazy for it. I thought it was pretty lame. It's better than The Beekeeper. I DON'T WANT TO BE NORMAL,because normal is part of the status quo,which I don't want to be a part of- Tori Amos | |
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VinaBlue said: GangstaFam said: I actually just bought my first Kate Bush record. Haven't listened yet, but I find myself secretly wanting to hate it.
I saw a Kate Bush video on VH1-Classic and I saw nooooo similarity to Tori whatsoever. She was dancing weird, singing weird, had weird dancers and wasn't playing any instruments. listen to "Under the Ivy" by Kate. I can promise you you'll like that song. looking for you in the woods tonight Switch FC SW-2874-2863-4789 (Rum&Coke) | |
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EvilWhiteMale said: GangstaFam said: I don't want her to go back either, but I still think it's her best work. I really can't see why Tori fans go so crazy for it. I thought it was pretty lame. I think that's where Tori started creating her own schtick. looking for you in the woods tonight Switch FC SW-2874-2863-4789 (Rum&Coke) | |
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GangstaFam said: EvilWhiteMale said: I really can't see why Tori fans go so crazy for it. I thought it was pretty lame.
You're not a fan. I'm a huge fan, but I can't get into that sleepy shit. "You need people like me so you can point your fuckin' fingers and say, "That's the bad guy." "
Al Pacino- Scarface | |
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gypsyfire said: EvilWhiteMale said: I really can't see why Tori fans go so crazy for it. I thought it was pretty lame. It's better than The Beekeeper. I'm still torn on that one. "You need people like me so you can point your fuckin' fingers and say, "That's the bad guy." "
Al Pacino- Scarface | |
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AnckSuNamun said: VinaBlue said: I saw a Kate Bush video on VH1-Classic and I saw nooooo similarity to Tori whatsoever. She was dancing weird, singing weird, had weird dancers and wasn't playing any instruments. listen to "Under the Ivy" by Kate. I can promise you you'll like that song. i don't get the kate/tori comparison thing either, to be honest. tori's lyrical style is very different - far more narrative than any of kate's work whereas kate's work is very obscure. musically they are also on very different ends of the spectrum (usually). their voices have undeniable similarities but not so much that i'd ever think they sound alike. yeah, i just don't hear or see the comparisons. | |
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EvilWhiteMale said: I'm a huge fan, but I can't get into that sleepy shit.
I really don't see it as sleepy. But I could see how you might if you're not a fan of her solo piano performances. It's Tori at her most raw and exposed. I think it has proportionally the least amount of beats or band-like songs of any of her albums. But to me, there are so many songs on there that hit me square between the eyes. Of all of her albums, you can feel the anger, pain and loss the most. Songs like Horses, Father Lucifer, Marianne, Hey Jupiter, Not the Red Baron and Putting the Damage On would suffer from having a band arrangement. They're some of her most effective songs. But hey, what do I know? So I should ask, do the songs from Little Earthquakes and Under the Pink with just her and piano bore you too? | |
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SassyBritches said: AnckSuNamun said: listen to "Under the Ivy" by Kate. I can promise you you'll like that song. i don't get the kate/tori comparison thing either, to be honest. tori's lyrical style is very different - far more narrative than any of kate's work whereas kate's work is very obscure. musically they are also on very different ends of the spectrum (usually). their voices have undeniable similarities but not so much that i'd ever think they sound alike. yeah, i just don't hear or see the comparisons. I totally get the comparison. The first song I heard of Tori's was Silent All These Years and my initial thought was that there was a definate Kate influence in it. There are differences, tho'. As you say, the most obvious one is in the writing. Tori's work is often very bleak and emotionally naked and can leave one feeling rather cold. Kate's music is a lot warmer and more hopeful. Also, Tori is far easier on the ear and more mainstream which is probably why the US favoured her over Kate whose music is often just too "out there" for people to grasp. One of the main reasons why I love her. | |
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GangstaFam said: EvilWhiteMale said: I'm a huge fan, but I can't get into that sleepy shit.
I really don't see it as sleepy. But I could see how you might if you're not a fan of her solo piano performances. It's Tori at her most raw and exposed. I think it has proportionally the least amount of beats or band-like songs of any of her albums. But to me, there are so many songs on there that hit me square between the eyes. Of all of her albums, you can feel the anger, pain and loss the most. Songs like Horses, Father Lucifer, Marianne, Hey Jupiter, Not the Red Baron and Putting the Damage On would suffer from having a band arrangement. They're some of her most effective songs. But hey, what do I know? So I should ask, do the songs from Little Earthquakes and Under the Pink with just her and piano bore you too? Nah, they're cool. I think I just don't like Pele cuz pretty much ever song is just her and the piano. So I get bored of the same shit after a while. The other albums were more mixed up, so the piano tracks didn't bother me. It's not that I think the songs are bad, cuz they're not, but I just prefer a beat behind her stuff. "You need people like me so you can point your fuckin' fingers and say, "That's the bad guy." "
Al Pacino- Scarface | |
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gypsyfire said: EvilWhiteMale said: I really can't see why Tori fans go so crazy for it. I thought it was pretty lame.
It's better than The Beekeeper. Yeah, like about a million times better. | |
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EvilWhiteMale said: Nah, they're cool. I think I just don't like Pele cuz pretty much ever song is just her and the piano. So I get bored of the same shit after a while. The other albums were more mixed up, so the piano tracks didn't bother me. It's not that I think the songs are bad, cuz they're not, but I just prefer a beat behind her stuff.
Maybe if you made up your own mix with some b-sides and remixes it might make a difference. Say add: Hey Jupiter (Dakota Version) Putting the Damage On (Twilight Mix) Horses (Gavin's Houseback) Mr. Zebra (Librarian version) Father Lucifer (Sylkscreen remix) etc. | |
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Cloudbuster said: SassyBritches said: i don't get the kate/tori comparison thing either, to be honest. tori's lyrical style is very different - far more narrative than any of kate's work whereas kate's work is very obscure. musically they are also on very different ends of the spectrum (usually). their voices have undeniable similarities but not so much that i'd ever think they sound alike. yeah, i just don't hear or see the comparisons. I totally get the comparison. The first song I heard of Tori's was Silent All These Years and my initial thought was that there was a definate Kate influence in it. There are differences, tho'. As you say, the most obvious one is in the writing. Tori's work is often very bleak and emotionally naked and can leave one feeling rather cold. Kate's music is a lot warmer and more hopeful. Also, Tori is far easier on the ear and more mainstream which is probably why the US favoured her over Kate whose music is often just too "out there" for people to grasp. One of the main reasons why I love her. Yeah...I don't get when people can't see the obvious influence in her early work. Tori's early work that was more whimsical,dramatic, or theatrical was very Kate Bush. People think that they were only vocally similar, but a lot of Tori songs had an arrangement very similar to Kate's songs. Vocals also play a large role...that's one of the first things(if not the first)people notice.The only thing most people seem to agree with is that they were always lyrically different. Tori's not writing songs about being charmed by a man on the dance floor only to find out later that that man would become Hitler I'm sorry I just had to make a "Heads Were Dancing" reference. Tori's lyrics and music(esp. around the Boys for Pele era an up)for me are more relateable, which is why I like her. I'm more emotionally fueled by Tori more so than Kate. Every single song on Little Earthquakes with the exception of "Me and a Gun" and "Precious Things" sounds so much like Kate's music. "China"?!.....that song screeeeams Kate Bush, even down to the "ah ah ah ahh ah ahh" "Yes,Anastasia", "Mr. Zebra" and other Tori songs in that style are arranged like a Kate Bush song. typo [Edited 3/21/05 7:29am] looking for you in the woods tonight Switch FC SW-2874-2863-4789 (Rum&Coke) | |
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Ramble alert! My perspective is coming from a Tori fan first who later discovered Kate. I guess because of age reasons, I heard Tori's music first and she was more accessible. I could just turn on the tv when I was younger and see a Tori video, but not with Kate. I had to discover Kate for myself. Before Kate it was Tori this and Tori that. I just thought Tori was the greatest thing on the planet, I still think she's one of them, along side Kate. Little Earthquakes used to be my absolute fav. Tori cd, but after hearing Kate I knew I was giving Tori too much originality credit. I think that's why "Boys for Pele" is my overall fav. Tori cd now. looking for you in the woods tonight Switch FC SW-2874-2863-4789 (Rum&Coke) | |
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GangstaFam said: Maybe if you made up your own mix with some b-sides and remixes it might make a difference. Say add: Hey Jupiter (Dakota Version) Putting the Damage On (Twilight Mix) Horses (Gavin's Houseback) Mr. Zebra (Librarian version) Father Lucifer (Sylkscreen remix) etc. Well, the Jupiter Dakota Mix is one of my favorite songs. The others I still need to find. "You need people like me so you can point your fuckin' fingers and say, "That's the bad guy." "
Al Pacino- Scarface | |
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EvilWhiteMale said: GangstaFam said: Maybe if you made up your own mix with some b-sides and remixes it might make a difference. Say add: Hey Jupiter (Dakota Version) Putting the Damage On (Twilight Mix) Horses (Gavin's Houseback) Mr. Zebra (Librarian version) Father Lucifer (Sylkscreen remix) etc. Well, the Jupiter Dakota Mix is one of my favorite songs. The others I still need to find. I actually messed up. It's the version of "Way Down" on Tales of a Librarian that's significantly different. You can find the remix of "Father Lucifer" on the "Jackie's Strength" remix single. The "Putting the Damage On" mix is absolutely one of her finest moments. It's not super different, but the added touches make it even sweeter. You can find it on the RAINN benefit cd, a bit tricky to track down. And the remix of "Horses" is a house version that was to be included on a planned remix album between Pele and Choirgirl. Can't remember if that's available on anything official or not. Happy hunting! | |
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I like this thread...
Thanks G! | |
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HamsterHuey said: I like this thread...
Thanks G! Me too. Welcome H! | |
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GangstaFam said: HamsterHuey said: I like this thread...
Thanks G! Me too. Welcome H! You pleasure yourself, making me break my download-stop, don't you? | |
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HamsterHuey said: You pleasure yourself?
| |
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GangstaFam said: HamsterHuey said: You pleasure yourself?
Immediately you show off your open-mouthed emoticon... nasty. | |
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HamsterHuey said: Immediately you show off your open-mouthed emoticon... nasty.
I want a blue t-shirt with that emoticon on it. | |
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GangstaFam said: HamsterHuey said: Immediately you show off your open-mouthed emoticon... nasty.
I want a blue t-shirt with that emoticon on it. [snip- obvious gooey remark removed] | |
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AnckSuNamun said: Cloudbuster said: I totally get the comparison. The first song I heard of Tori's was Silent All These Years and my initial thought was that there was a definate Kate influence in it. There are differences, tho'. As you say, the most obvious one is in the writing. Tori's work is often very bleak and emotionally naked and can leave one feeling rather cold. Kate's music is a lot warmer and more hopeful. Also, Tori is far easier on the ear and more mainstream which is probably why the US favoured her over Kate whose music is often just too "out there" for people to grasp. One of the main reasons why I love her.
Yeah...I don't get when people can't see the obvious influence in her early work. Tori's early work that was more whimsical,dramatic, or theatrical was very Kate Bush. People think that they were only vocally similar, but a lot of Tori songs had an arrangement very similar to Kate's songs. Vocals also play a large role...that's one of the first things(if not the first)people notice.The only thing most people seem to agree with is that they were always lyrically different. Tori's not writing songs about being charmed by a man on the dance floor only to find out later that that man would become Hitler I'm sorry I just had to make a "Heads Were Dancing" reference. Tori's lyrics and music(esp. around the Boys for Pele era an up)for me are more relateable, which is why I like her. I'm more emotionally fueled by Tori more so than Kate. Every single song on Little Earthquakes with the exception of "Me and a Gun" and "Precious Things" sounds so much like Kate's music. "China"?!.....that song screeeeams Kate Bush, even down to the "ah ah ah ahh ah ahh" "Yes,Anastasia", "Mr. Zebra" and other Tori songs in that style are arranged like a Kate Bush song. Thank you. | |
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AnckSuNamun said: Cloudbuster said: I totally get the comparison. The first song I heard of Tori's was Silent All These Years and my initial thought was that there was a definate Kate influence in it. There are differences, tho'. As you say, the most obvious one is in the writing. Tori's work is often very bleak and emotionally naked and can leave one feeling rather cold. Kate's music is a lot warmer and more hopeful. Also, Tori is far easier on the ear and more mainstream which is probably why the US favoured her over Kate whose music is often just too "out there" for people to grasp. One of the main reasons why I love her. Yeah...I don't get when people can't see the obvious influence in her early work. Tori's early work that was more whimsical,dramatic, or theatrical was very Kate Bush. People think that they were only vocally similar, but a lot of Tori songs had an arrangement very similar to Kate's songs. Vocals also play a large role...that's one of the first things(if not the first)people notice.The only thing most people seem to agree with is that they were always lyrically different. Tori's not writing songs about being charmed by a man on the dance floor only to find out later that that man would become Hitler I'm sorry I just had to make a "Heads Were Dancing" reference. Tori's lyrics and music(esp. around the Boys for Pele era an up)for me are more relateable, which is why I like her. I'm more emotionally fueled by Tori more so than Kate. Every single song on Little Earthquakes with the exception of "Me and a Gun" and "Precious Things" sounds so much like Kate's music. "China"?!.....that song screeeeams Kate Bush, even down to the "ah ah ah ahh ah ahh" "Yes,Anastasia", "Mr. Zebra" and other Tori songs in that style are arranged like a Kate Bush song. typo [Edited 3/21/05 7:29am] yeah, i just don't hear it. i should say, rather, that i don't hear it anymore than i hear marvin gaye in some of prince's "sex you up" songs or how i can hear parliament or stevie or james brown in some of his funkier stuff. i don't own every kate bush record and i'm certainly not as familiar with her work as i am with tori's but i rarely, if ever, think of one while listening to the other. | |
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