gman1966 said: DavidEye said: Once again,I ask...if the same songs had been given to Stephanie Mills (an artist that Reggie also worked with),would you still be sitting here insisting that they're not R&B tunes? Those songs as they were done with Madonna were not exactly rnb tunes they were more like pop songs with a rnb influence that gave it crossover appeal. If Stephanie Mills were to perform those songs they would been altered to better suit her vocal style. If they were performed as is with Stephanie it would not have worked. BUT, R&B clubs in Houston were hip to Maddy long before the public was. "Burning Up" and "Everybody" both were big in the club scene, and R&B radio. Back in the day, Majic 102 was the only station I ever heard "Everybody" on! I wouldn't call Madonna true R&B, but its certainly an influence on much of her music. Heck her music is always a hybrid of different styles. She's not an innovator, but she is always on the forefront, ready to bring the underground into the mainstream. I think this is why the R&B and gay clubs were the first to pick her up. She was cognizant of their culture, and incorporated elements into her own music Do not hurry yourself in your spirit to become offended, for the taking of offense is what rests in the bosom of the stupid ones. (Ecclesiastes 7:9) | |
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JediMaster said: gman1966 said: Those songs as they were done with Madonna were not exactly rnb tunes they were more like pop songs with a rnb influence that gave it crossover appeal. If Stephanie Mills were to perform those songs they would been altered to better suit her vocal style. If they were performed as is with Stephanie it would not have worked. BUT, R&B clubs in Houston were hip to Maddy long before the public was. "Burning Up" and "Everybody" both were big in the club scene, and R&B radio. Back in the day, Majic 102 was the only station I ever heard "Everybody" on! I wouldn't call Madonna true R&B, but its certainly an influence on much of her music. Heck her music is always a hybrid of different styles. She's not an innovator, but she is always on the forefront, ready to bring the underground into the mainstream. I think this is why the R&B and gay clubs were the first to pick her up. She was cognizant of their culture, and incorporated elements into her own music Man what are you talking about. I was going to all the hip clubs for the Brothas in Houston during that time.. BoneShakers, Club Colors etc,... I do not recall Madonna being played in any of those clubs maybe the gay clubs but I would know about that "Say it Loud - I'm Black and I'm Proud!!!" - Brother James Brown
"Make my funk the P-FUNK...I want my funk uncut...." Brother George Clinton | |
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Mr7 said: I love this album (10 years ago though ... whoah!).
I think it is possibly one of her most underrated. 'Inside of me' is just beautiful and 'Love Tried To Welcome' me is possibly one of the best songs she has ever released (IMO). I usually give that track a few extra spins when I playing the album. | |
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VoicesCarry said: See, now that would have been a much better cover. What about this for a cover? I like the doggie, but I'm not so sure it should be on the cover. It kinda doesn't make sense. | |
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I hate this album it's an overproduced snooze-fest.
This is probably the case where I have 2 agree she was jumping on a trend...She enlisted the Royalty of US r&b producers & got Nellee Hooper on board aswell..one of the founding fathers of the 'hip' Bristol sound..fooking shite.. sounds like 'Janet' left overs.. ...Your coochie gonna swell up and fall apart... | |
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Oh & about the cover...this was gonna b the original but Warner
rejected it..it's shot by Paolo Roversi ...Your coochie gonna swell up and fall apart... | |
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Listening 2 "Forbidden Love" now.... | |
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I actually like this album more than Erotica. "Secret" still sounds awesome. The samples on this album are more of my taste. | |
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DavidEye said: gman1966 said: I don't know about the Bay area, in Houston it was primarily Holiday. You said it exactly the songs were given to her. Madonna and rnb is like Prince and Country music!!! Once again,I ask...if the same songs had been given to Stephanie Mills (an artist that Reggie also worked with),would you still be sitting here insisting that they're not R&B tunes? Stephanie Mills was given Holiday to record after Mary Wilson turned it down. She too passed on the song. You CANNOT use the name of God, or religion, to justify acts of violence, to hurt, to hate, to discriminate- Madonna
authentic power is service- Pope Francis | |
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gman1966 said: JediMaster said: BUT, R&B clubs in Houston were hip to Maddy long before the public was. "Burning Up" and "Everybody" both were big in the club scene, and R&B radio. Back in the day, Majic 102 was the only station I ever heard "Everybody" on! I wouldn't call Madonna true R&B, but its certainly an influence on much of her music. Heck her music is always a hybrid of different styles. She's not an innovator, but she is always on the forefront, ready to bring the underground into the mainstream. I think this is why the R&B and gay clubs were the first to pick her up. She was cognizant of their culture, and incorporated elements into her own music Man what are you talking about. I was going to all the hip clubs for the Brothas in Houston during that time.. BoneShakers, Club Colors etc,... I do not recall Madonna being played in any of those clubs maybe the gay clubs but I wouldn't know about that that's never stopped you from commenting on things before. "Awards are like hemorrhoids. Sooner or later, every asshole gets one." | |
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My favourite Madonna album.
I love everything on it except for 'Bedtime Story'. | |
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BinaryJustin said: My favourite Madonna album.
I love everything on it except for 'Bedtime Story'. Is it too ex-só-hó-tieck? [Edited 10/20/04 14:57pm] ...Your coochie gonna swell up and fall apart... | |
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Martinelli said: BinaryJustin said: My favourite Madonna album.
I love everything on it except for 'Bedtime Story'. Is it too ex-só-hó-tieck? [Edited 10/20/04 14:57pm] It just doesn't fit the rest of the album! All the other songs have a dreamy languid quality and then this comes on and it sounds like somebody's stomach gurgling before a fart. | |
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BinaryJustin said: Martinelli said: Is it too ex-só-hó-tieck? [Edited 10/20/04 14:57pm] It just doesn't fit the rest of the album! All the other songs have a dreamy languid quality and then this comes on and it sounds like somebody's stomach gurgling before a fart. Prince probably wrote it, like he secretly did the entire Like A Prayer album. ...Your coochie gonna swell up and fall apart... | |
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Martinelli said: BinaryJustin said: It just doesn't fit the rest of the album! All the other songs have a dreamy languid quality and then this comes on and it sounds like somebody's stomach gurgling before a fart. Prince probably wrote it, like he secretly did the entire Like A Prayer album. Prince happens to be Madonna's secret songwriting bitch. He writes songs for her and lets her take entire credit. His most prized creation is Jimmy Jimmy | |
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Chico1 said: Listening 2 "Forbidden Love" now....
Thats one of my fave Madonna songs, and the best on the album imo. This is one of my fave Madonna cds. Better than Erotica... Did you order a pizza ma'am? Prince- UTCM | |
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I just love that album. Possibly her strongest and one of the most convincing R&B albums by a pop star (white or not). "Survival" is one of my favorite all time Madonna tracks. It's just so funky and cool. Should have been a single. While I usually love Madonna for her dance music, I think that most will agreee that "Don't Stop" was the album's weakest track, even though it wasn't bad. If the album included "Let Down Your Gaurd" instead (or as well), it would have been without a doubt her best album. Multi-producer albums tend to be a mess but this one was just tight yet varied enough. It just worked well. I would say that it's more underestimated Madonna album by the press (critics probably now see that "Erotica" was brilliant despite the controversy). It's kind of surprising that while "Bedtime Stories" sold well and had some hits (although BS and HN didn't do very well on the pop charts), it was the most tainted album of Madonna's by her controversy, which was in the past by then.
If the nineties where nothing else for Madonna they showed that she could switch it up musically and do it all well. | |
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VinnyM27 said: I just love that album. Possibly her strongest and one of the most convincing R&B albums by a pop star (white or not).
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VinnyM27 said: I just love that album. Possibly her strongest and one of the most convincing R&B albums by a pop star (white or not). "Survival" is one of my favorite all time Madonna tracks. It's just so funky and cool. Should have been a single. While I usually love Madonna for her dance music, I think that most will agreee that "Don't Stop" was the album's weakest track, even though it wasn't bad. If the album included "Let Down Your Gaurd" instead (or as well), it would have been without a doubt her best album. Multi-producer albums tend to be a mess but this one was just tight yet varied enough. It just worked well. I would say that it's more underestimated Madonna album by the press (critics probably now see that "Erotica" was brilliant despite the controversy). It's kind of surprising that while "Bedtime Stories" sold well and had some hits (although BS and HN didn't do very well on the pop charts), it was the most tainted album of Madonna's by her controversy, which was in the past by then.
If the nineties where nothing else for Madonna they showed that she could switch it up musically and do it all well. You forgot to add "In my own UNBELIEVABLE opinion!!!" Incredible lol..... "Say it Loud - I'm Black and I'm Proud!!!" - Brother James Brown
"Make my funk the P-FUNK...I want my funk uncut...." Brother George Clinton | |
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jayaredee said: Martinelli said: Prince probably wrote it, like he secretly did the entire Like A Prayer album. Prince happens to be Madonna's secret songwriting bitch. He writes songs for her and lets her take entire credit. His most prized creation is Jimmy Jimmy i heard his favorite track he gave to her was Love Makes the World Go Round... or Shoo be doo You CANNOT use the name of God, or religion, to justify acts of violence, to hurt, to hate, to discriminate- Madonna
authentic power is service- Pope Francis | |
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Chico1 said: Listening 2 "Forbidden Love" now....
"Forbidden Love" is one sexy track,isn't it? Haunting and hypnotic. | |
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VinnyM27 said: I just love that album. Possibly her strongest and one of the most convincing R&B albums by a pop star (white or not). "Survival" is one of my favorite all time Madonna tracks. It's just so funky and cool. Should have been a single. While I usually love Madonna for her dance music, I think that most will agreee that "Don't Stop" was the album's weakest track, even though it wasn't bad. If the album included "Let Down Your Gaurd" instead (or as well), it would have been without a doubt her best album. Multi-producer albums tend to be a mess but this one was just tight yet varied enough. It just worked well. I would say that it's more underestimated Madonna album by the press (critics probably now see that "Erotica" was brilliant despite the controversy). It's kind of surprising that while "Bedtime Stories" sold well and had some hits (although BS and HN didn't do very well on the pop charts), it was the most tainted album of Madonna's by her controversy, which was in the past by then.
If the nineties where nothing else for Madonna they showed that she could switch it up musically and do it all well. "Don't Stop" is the one track on the album that I would call "filler".She should have replaced it with a stronger song like "Let Down Your Guard" or "Your Honesty". | |
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Martinelli said: Oh & about the cover...this was gonna b the original but Warner
rejected it..it's shot by Paolo Roversi Warners did the right thing by rejecting that cover! Madonna looks like she just woke up with a hangover from a hectic night of drinking and partying...lol... | |
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JediMaster said: gman1966 said: Those songs as they were done with Madonna were not exactly rnb tunes they were more like pop songs with a rnb influence that gave it crossover appeal. If Stephanie Mills were to perform those songs they would been altered to better suit her vocal style. If they were performed as is with Stephanie it would not have worked. BUT, R&B clubs in Houston were hip to Maddy long before the public was. "Burning Up" and "Everybody" both were big in the club scene, and R&B radio. Back in the day, Majic 102 was the only station I ever heard "Everybody" on! I wouldn't call Madonna true R&B, but its certainly an influence on much of her music. Heck her music is always a hybrid of different styles. She's not an innovator, but she is always on the forefront, ready to bring the underground into the mainstream. I think this is why the R&B and gay clubs were the first to pick her up. She was cognizant of their culture, and incorporated elements into her own music Thanks Jedi for putting things in perspective.To be honest,I didn't hear Madonna on "pop radio" until her third of fourth single---"Borderline"---but the previous singles were played exclusively on R&B radio.When she released her first single "Everybody" in late 1982,the cover didn't even feature a photo of Madonna.This was intentional,because Warners knew that the track was more R&B than pop,and that she would have to build her base on black radio first. | |
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DavidEye said: JediMaster said: BUT, R&B clubs in Houston were hip to Maddy long before the public was. "Burning Up" and "Everybody" both were big in the club scene, and R&B radio. Back in the day, Majic 102 was the only station I ever heard "Everybody" on! I wouldn't call Madonna true R&B, but its certainly an influence on much of her music. Heck her music is always a hybrid of different styles. She's not an innovator, but she is always on the forefront, ready to bring the underground into the mainstream. I think this is why the R&B and gay clubs were the first to pick her up. She was cognizant of their culture, and incorporated elements into her own music Thanks Jedi for putting things in perspective.To be honest,I didn't hear Madonna on "pop radio" until her third of fourth single---"Borderline"---but the previous singles were played exclusively on R&B radio.When she released her first single "Everybody" in late 1982,the cover didn't even feature a photo of Madonna.This was intentional,because Warners knew that the track was more R&B than pop,and that she would have to build her base on black radio first. Do not hurry yourself in your spirit to become offended, for the taking of offense is what rests in the bosom of the stupid ones. (Ecclesiastes 7:9) | |
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DavidEye said: Chico1 said: Listening 2 "Forbidden Love" now....
"Forbidden Love" is one sexy track,isn't it? Haunting and hypnotic. Sexy? 'rejection is the greatest afrodisiac' Yeah..I guess that's sexy. | |
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Chico1 said: DavidEye said: "Forbidden Love" is one sexy track,isn't it? Haunting and hypnotic. Sexy? 'rejection is the greatest afrodisiac' Yeah..I guess that's sexy. yet.. poor is the man whose pleasure depends on the permission of another | |
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gman1966 said: JediMaster said: BUT, R&B clubs in Houston were hip to Maddy long before the public was. "Burning Up" and "Everybody" both were big in the club scene, and R&B radio. Back in the day, Majic 102 was the only station I ever heard "Everybody" on! I wouldn't call Madonna true R&B, but its certainly an influence on much of her music. Heck her music is always a hybrid of different styles. She's not an innovator, but she is always on the forefront, ready to bring the underground into the mainstream. I think this is why the R&B and gay clubs were the first to pick her up. She was cognizant of their culture, and incorporated elements into her own music Man what are you talking about. I was going to all the hip clubs for the Brothas in Houston during that time.. BoneShakers, Club Colors etc,... I do not recall Madonna being played in any of those clubs maybe the gay clubs but I would know about that But G, its possible you didn't know it was Madonna at the time (keep in mind, this was before she hit it big). I remember when I bought her first album, I was surprised when I heard "Burning Up" and "Everybody" on there, because I knew the songs from Majic 102 from months before. I had, at the time, no idea that those songs were done by the same girl who did "Holiday" and "Lucky Star". I just knew a couple of dudes who used to DJ at that time, and they knew who Madonna was long before the general public was, because they had been spinning her stuff for a long while. Do not hurry yourself in your spirit to become offended, for the taking of offense is what rests in the bosom of the stupid ones. (Ecclesiastes 7:9) | |
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CinisterCee said: Chico1 said: Sexy? 'rejection is the greatest afrodisiac' Yeah..I guess that's sexy. yet.. poor is the man whose pleasure depends on the permission of another Or... "You're confusing me 'Cause I don't know if you want me But I know that I want you And that's nothing to be ashamed of What are you gonna do? " | |
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Chico1 said: DavidEye said: "Forbidden Love" is one sexy track,isn't it? Haunting and hypnotic. Sexy? 'rejection is the greatest afrodisiac' Yeah..I guess that's sexy. Actually,I was referring to other lines in the song,such as... "take all of you inside of me" | |
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