[quote]I'm gonna duck right now but I am a fan of Ashanti. I guess it's the ghetto princess thing. She's like the pretty good girl in the hood that's just a touch enough streetwise to know what she's talking about. I admit it, I've fallen for it. Her last cd was my summer album. Heavily sampled but by that time I was already a fan. Songs from her first album like "Rescue Me" and "It's Over" really won me over. That i borrowed from my friend, who ironically doesn't care for Ashanti anymore.
You know, it's all good. Everyone has their different tastes. I pesonally don't like her, especially after seeing her on Punk'd. Did anyone else see that, what a bitch! Anyway, when she first came out everyone tried to compare her to Mary J. but for me there is no comparison between the 2. Mary Rules! | |
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[quote]Rythm and Bullshit
You hit it right on the head!! | |
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dancerella said:[quote] I'm gonna duck right now but I am a fan of Ashanti. I guess it's the ghetto princess thing. She's like the pretty good girl in the hood that's just a touch enough streetwise to know what she's talking about. I admit it, I've fallen for it. Her last cd was my summer album. Heavily sampled but by that time I was already a fan. Songs from her first album like "Rescue Me" and "It's Over" really won me over. That i borrowed from my friend, who ironically doesn't care for Ashanti anymore.
You know, it's all good. Everyone has their different tastes. I pesonally don't like her, especially after seeing her on Punk'd. Did anyone else see that, what a bitch! Anyway, when she first came out everyone tried to compare her to Mary J. but for me there is no comparison between the 2. Mary Rules! I saw that Punk'd. I thought she handled herself somewhat well given the circumstances. (LOL) They push a bit sometimes on that show. But yeah I have to agree, the bitch did seep out. | |
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purpleone said: CinisterCee said: That's sorta what I was thinking. Namepeace still has a point. you mean with the fact that people are hard to please/never satisfied? he's somewhat right i guess. i never heard people were anxious at hearing live instrumentation again though. does the popconsumer really care about that? i wouldn't think so. the average popconsumer wouldn't even be able to seperate a piano sound from a guitar sound if you'd ask him; they're just sounds to them. why would they care if something is played live or not? they're just looking for some form of entertainment. and that soul music namepeace was refering to, with live instrumentation, DID appeal to the masses at first. only later that genre got tiring, because of overkill and a soft image. AND because of the fact that it's popular to diss something when others are doing it too (same as with saying "i'm tired of the state of today's music"). Interesting and valid points, but I guess I wasn't talking about "popconsumers." When I referred to "The Crowd," I was referring to people who purport to be fans of soul/R&B music of all ages who railed against the New Jack overkill of the early 90's and were asking for bands to go back to playing music. Now as you say, many find it fashionable to pooh-pooh the artists who are trying to appeal to them. As to the flood of new artists, you have a point about the glut of new music. There are a lot of artists -- Rashaan Patterson, Jaguar Wright, Kenny Lattimore, Ricky Fante for example -- that I haven't gotten to yet, because there are so many acts out right now. None of these guys and gals are the second coming of Al Green or Aretha Franklin, but I don't care about that. They make good, entertaining music, quite a bit of it, IMHO. And as for the "soft" nature of the music, well, the themes of love and loss are about the same as they were in the early-to-mid 60's. But there are some "edgier" artists both in sound and content. Res comes to mind. But the reigning queen of soul, IMHO, has not been mentioned here yet: Good night, sweet Prince | 7 June 1958 - 21 April 2016
Props will be withheld until the showing and proving has commenced. -- Aaron McGruder | |
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I don't think all R&B (Rhythm & Blues) is tired...the Ashanti's, Beyonce's are all surface R&B acts, I don't base my belief off what I hear on the radio...Because you don't hear
Musiq Rafeal Saadiq Will Downing and R&B in general will never be tired or dead for us Old School R&B fans, we still have the Ready For The World Surface Renee and Angela Tony Terry Freddie Jackson Troop (Spread My Wings) Alexander O'Neil Micki Howard The list could go on!!! | |
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cnutty77 said: I don't think all R&B (Rhythm & Blues) is tired...the Ashanti's, Beyonce's are all surface R&B acts, I don't base my belief off what I hear on the radio...Because you don't hear
Musiq Rafeal Saadiq Will Downing and R&B in general will never be tired or dead for us Old School R&B fans, we still have the Ready For The World Surface Renee and Angela Tony Terry Freddie Jackson Troop (Spread My Wings) Alexander O'Neil Micki Howard The list could go on!!! I agree they are surface acts and i never really listened to artists for face value....love neo soul even though it kind of became trendy as well,I still love that over the typical 106 park/TRL R&B that is getting played..... your list is on point.....Love Miki and Alexander O'neal also: Vesta Alyson Williams Meli'sa Morgan Jeffery Osbourne Earth Wind & Fire SOS Band Gap Band Cherelle Regina Belle Renee & Angela and a whole lot more. I am not African. Africa is in me, but I cannot return.
I am not taína. Taíno is in me, but there is no way back. I am not european. Europe lives in me, but I have no home there. I am new. History made me. My first language was spanglish. And I am | |
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I was gonna touch on why R&B doesn't have the punch it used to in my earlier post, but decided not to. May as well. In truth, the idiots running the labels these days aren't real R&B heads, but pop R&B listeners from back in the day. Since rap/hip-hop makes so much MONEY, the budget a label is willing to kick in for a good R&B record has diminished considerably. Most of the producers now work from keyboards & MPCs instead of hiring real musicians. Even so, there is no major funk movement like there was in the 80s. The 80s was all about the synth funk. Most of the music put out by R&B artists was up-tempo. Now, all the rappers are putting out the fast jams, and R&B has been boxed down to be synonymous with "slow song". Labels know that in order to keep the control they have they must supress the BAND and continue to promote producer-driven music. When brothas & sistas get together and produce music, you get greatness. Try to get an R&B BAND a record deal in this day and age and watch the label divide the group up faster than you can blink. Core member this...disposable member that...blah, blah, blah...but Mtv is crawling with talentless filler bands. Let me stop before I say something to get me flamed.
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cnutty77 said: I don't think all R&B (Rhythm & Blues) is tired...the Ashanti's, Beyonce's are all surface R&B acts, I don't base my belief off what I hear on the radio...Because you don't hear
Musiq Rafeal Saadiq Will Downing and R&B in general will never be tired or dead for us Old School R&B fans, we still have the Ready For The World Surface Renee and Angela Tony Terry Freddie Jackson Troop (Spread My Wings) Alexander O'Neil Micki Howard The list could go on!!! I was gonna correct you, but durn, those ARE OLD SCHOOL ARTISTS NOW! I'm gettin' old . . . Good night, sweet Prince | 7 June 1958 - 21 April 2016
Props will be withheld until the showing and proving has commenced. -- Aaron McGruder | |
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[quote]I saw that Punk'd. I thought she handled herself somewhat well given the circumstances. (LOL) They push a bit sometimes on that show. But yeah I have to agree, the bitch did seep out.
Are you kidding me? she was a bitch before the prank even started, by saying to the driver "can't you see i'm talking to my mother"? i thought she was incredibly rude. | |
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dancerella said:[quote] I saw that Punk'd. I thought she handled herself somewhat well given the circumstances. (LOL) They push a bit sometimes on that show. But yeah I have to agree, the bitch did seep out.
Are you kidding me? she was a bitch before the prank even started, by saying to the driver "can't you see i'm talking to my mother"? i thought she was incredibly rude. She did do that but only after he kept interrupting for the 3rd time. But yeah I feel you. If she really wanted privacy or talk time with mom and she saw that the guy just wouldn't shut up, she could've had the conversation later. | |
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[quote]She did do that but only after he kept interrupting for the 3rd time. But yeah I feel you. If she really wanted privacy or talk time with mom and she saw that the guy just wouldn't shut up, she could've had the conversation later.
Exactly!! | |
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Marrk said: Most modern R&B artists today are as processed and formulaic (sp?) as 'pop' acts are. Not only is it tired, it's slipped into a coma.
Somebody need to cut off the life support. | |
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magnificentsynthesizer667 said: Marrk said: Most modern R&B artists today are as processed and formulaic (sp?) as 'pop' acts are. Not only is it tired, it's slipped into a coma.
Somebody need to cut off the life support. | |
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[quote] BlaqueKnight said: [color=blue]I think its ridiculous to state that an entire genre of music is tired. My answer: NO, it is not. Its changing. R&B is always changing; it always has. I think that for certain age groups, it is the change that is bothersome.
I would gladly welcome a change in R&B right now with open arms. As for R&B always changing, it USED to. Funk was in the 70s, disco in the late 70s, funk returns in the early 80s with a new wave edge, electro funk/rap (example: Planet Rock, Egypt, Egypt, etc.) from the early to late 80s, house in the very late 80s and early, early 90s, mid tempo hip hop (dominating) in the early 90s to the present. R&B used to change every 5 or so years. R&B has not changed since the early 90s, that's almost 15 years now that midtempo rap and ballads have dominated. Hip hop is more than rap, it is a "sound". All the R&B singers have that hip hop "sound" in the music they are singing over....the sound of the drum machines, etc. [b][Edited 10/6/04 15:46pm] Andy is a four letter word. | |
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vainandy said:[quote] BlaqueKnight said: [color=blue][b]I think its ridiculous to state that an entire genre of music is tired. My answer: NO, it is not. Its changing. R&B is always changing; it always has. I think that for certain age groups, it is the change that is bothersome.
I would gladly welcome a change in R&B right now with open arms. As for R&B always changing, it USED to. Funk was in the 70s, disco in the late 70s, funk returns in the early 80s with a new wave edge, electro funk from the early to late 80s, house in the very late 80s and early, early 90s, mid tempo hip hop (dominating) in the early 90s to the present. R&B used to change every 5 or so years. R&B has not changed since the early 90s, that's almost 15 years now that midtempo rap and ballads have dominated. Hip hop is more than rap, it is a "sound". All the R&B singers have that hip hop "sound" in the music they are singing over....the sound of the drum machines, etc. AHA! but the sound of hiphop has changed, so as long as that sound kept changing, that half of R&B did. | |
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"Yeah"
Single of the Year? | |
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[quote] namepeace said: Y'all are some hard people to please. I hope you weren't in the crowd in the early 90's who were crying for "real" musicians playing "real" music to come back. Let me talk about that "crowd" for a minute.
When Brand New Heavies came along, that crowd didn't buy their records, and The Crowd called them gimmicky for copping a 70's sound. Jamiroquai drops their first 2 albums, and The Crowd called them Stevie Wonder/EWF wannabes notwithstanding the nice, listenable grooves they were churning out. D'Angelo, Maxwell, Badu and Jill Scott come along, and The Crowd digs them all right, but criticizes them for not being prolific enough. Brand New Heavies and Jamiroquai.....too jazz sounding for me. D'Angelo, Maxwell, and Erica Badu (never heard of Jill Scott).....not a fast song from any of them. R&B is short for "rhythm" and blues. Ain't no rhythm if you never get past midtempo. As for older artists putting out albums and no one buying them, I definately buy them if they stay true to their form of music. I bought Cameo's "In The Face Of Funk", The Barkays' "48 Hours", and War's " peace sign....all released in the 1990s. All three of these were decent albums but never received any airplay because they were not hip hop, midtempo, ballads, or funk with a jazz flavor. They were straight out hardcore funk, which is a form of R&B. Now, the albums that Cameo and The Barkays have released since then have a hip hop feel to them so I will not buy them. I guess the two groups said, hell if they can't beat them, they might as well join them. That is a damned shame. House music is the only form of new R&B I can deal with these days and it is underground. [Edited 10/6/04 15:40pm] Andy is a four letter word. | |
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vainandy said:[quote] namepeace said: Y'all are some hard people to please. I hope you weren't in the crowd in the early 90's who were crying for "real" musicians playing "real" music to come back. Let me talk about that "crowd" for a minute.
When Brand New Heavies came along, that crowd didn't buy their records, and The Crowd called them gimmicky for copping a 70's sound. Jamiroquai drops their first 2 albums, and The Crowd called them Stevie Wonder/EWF wannabes notwithstanding the nice, listenable grooves they were churning out. D'Angelo, Maxwell, Badu and Jill Scott come along, and The Crowd digs them all right, but criticizes them for not being prolific enough. Brand New Heavies and Jamiroquai.....too jazz sounding for me. D'Angelo, Maxwell, and Erica Badu (never heard of Jill Scott).....not a fast song from any of them. R&B is short for "rhythm" and blues. Ain't no rhythm if you never get past midtempo. As for older artists putting out albums and no one buying them, I definately buy them if they stay true to their form of music. I bought Cameo's "In The Face Of Funk", The Barkays' "48 Hours", and War's " peace sign....all released in the 1990s. All three of these were decent albums but never received any airplay because they were not hip hop, midtempo, ballads, or funk with a jazz flavor. They were straight out hardcore funk, which is a form of R&B. Now, the albums that Cameo and The Barkays have released since then have a hip hop feel to them so I will not buy them. I guess the two groups said, hell if they can't beat them, they might as well join them. That is a damned shame. House music is the only form of new R&B I can deal with these days and it is underground. [Edited 10/6/04 15:40pm] I know you hate anything that isn't fast and funky, but that's ridiculous. If we're being superficial, there is BLUES in the name, too. | |
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Sorry, hit wrong button and reposted.....meant to edit. [Edited 10/6/04 15:45pm] Andy is a four letter word. | |
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CynicKill said: "Yeah"
Single of the Year? See now that's a perfect example. "Yeah" is actually a fresh sound for an R&B listener because the crunk clap thing comes from hiphop. So maybe you all think hiphop is tired? | |
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[quote]So maybe you all think hiphop is tired?
I most definietly think hip hop is tired! Don't get me started on that one..... | |
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VoicesCarry said
I know you hate anything that isn't fast and funky, but that's ridiculous. If we're being superficial, there is BLUES in the name, too.[/quote][/quote] I love plenty of slow stuff. In the 70s, I was listening to slow stuff like: Always and Forever - Heatwave There'll Never Be - Switch Reasons - Earth, Wind, and Fire I Do Love You - GQ In the 80s, I was listening to slow stuff like: Feel Me - Cameo Slow Jam - Midnight Star Yearning For Your Love - Gap Band Say Yes - Lakeside Spend My Whole Life - Zapp Those are just a VERY few of the slow jams I was listening to in the 70s and 80s. The majority of the slow songs from the 90s to the present have a hip hop feel to them and have not changed in 15 years. Also, groups back then did fast and slow songs. Look back up at the list, all those slow songs I listed are from groups that did fast and slow songs. Everyone was not stuck on SLOW back then. As for the blues side of R&B, I do not like blues but LORD KNOWS it has not died. I am from Mississippi and that's ALL you hear is blues. Hardly anyone else over 35 down here is complaining because they are all listening to blues. Andy is a four letter word. | |
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vainandy said: VoicesCarry said I know you hate anything that isn't fast and funky, but that's ridiculous. If we're being superficial, there is BLUES in the name, too. I love plenty of slow stuff. In the 70s, I was listening to slow stuff like: Always and Forever - Heatwave There'll Never Be - Switch Reasons - Earth, Wind, and Fire I Do Love You - GQ In the 80s, I was listening to slow stuff like: Feel Me - Cameo Slow Jam - Midnight Star Yearning For Your Love - Gap Band Say Yes - Lakeside Spend My Whole Life - Zapp Those are just a VERY few of the slow jams I was listening to in the 70s and 80s. The majority of the slow songs from the 90s to the present have a hip hop feel to them and have not changed in 15 years. Also, groups back then did fast and slow songs. Look back up at the list, all those slow songs I listed are from groups that did fast and slow songs. Everyone was not stuck on SLOW back then. As for the blues side of R&B, I do not like blues but LORD KNOWS it has not died. I am from Mississippi and that's ALL you hear is blues. Hardly anyone else over 35 down here is complaining because they are all listening to blues. Sorry for misconstruing your stance. Just in the anti-Whitney thread you complained about "watered-down" funk a lot and seemed to dislike slow jams. And I wasn't saying blues had died. Just saying more than a funky dance track can qualify as R&B . But I know you know that. [Edited 10/6/04 16:04pm] | |
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CinisterCee said
[/quote]
AHA! but the sound of hiphop has changed, so as long as that sound kept changing, that half of R&B did. Hip hop hasn't changed in 15 years, the majority of it is midtempo and the very few songs that are fast have "Planet Rock" sampled in them in every possible way that it could be sampled. Andy is a four letter word. | |
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Though "Yeah" is played out I definitely think it's a contender for Record of the Year. | |
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namepeace said: Y'all are some hard people to please. I hope you weren't in the crowd in the early 90's who were crying for "real" musicians playing "real" music to come back. Let me talk about that "crowd" for a minute.
When Brand New Heavies came along, that crowd didn't buy their records, and The Crowd called them gimmicky for copping a 70's sound. Jamiroquai drops their first 2 albums, and The Crowd called them Stevie Wonder/EWF wannabes notwithstanding the nice, listenable grooves they were churning out. D'Angelo, Maxwell, Badu and Jill Scott come along, and The Crowd digs them all right, but criticizes them for not being prolific enough. In the interim, Remy Shand, Res, Donnie, Dwele, Rashaan Patterson, Lewis Taylor and others come along and The Crowd doesn't pay attention, doesn't buy their records or take any initiative to support these artists. Or The Crowd dismisses them as wannabe Marvins, Stevies, Princes, etc. Artists like india.arie (whom I don't really dig personally) win handfuls of Grammys, but don't sell in large proportions a la Beyonce. The Crowd doesn't buy the records. Artists like Ledisi burble under the surface and The Crowd doesn't pay attention. Legends like Ray Charles and Al Green release records and many in The Crowd don't buy them. But listen to the radio and watch video channels, and on the basis of Mary J. Blige, Beyonce, Mariah, Usher et al., The Crowd proclaims R&B dead and tired. I'm not calling out anyone on this board, I am criticizing a mindset. We all whined about real music coming back to R&B. and real musicians come along to give us what we claim we want, and we don't buy their records because we don't take time to find out about them or dismiss them as copycats. But we can say R&B is dead, right? Guess who killed it? Amen Amen Amen!!! | |
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CinisterCee said: OK
Here we go Take it back Let's get it funky I'm a R&B junkie Janet said it best: I'M AN R&B JUNKIE, FOR LIFE!!!! | |
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BlaqueKnight said: I think its ridiculous to state that an entire genre of music is tired. My answer: NO, it is not. Its changing. R&B is always changing; it always has. I think that for certain age groups, it is the change that is bothersome. Record companies pretty much stop marketing to anyone over 25, yet their data shows that the over 25 age group buys the most music. Yes, its true. The reason that the over 25 age group is the least marketed to is because they are less likely to give in to marketing. People over 25 usually have already decided exactly what and who they like and what they are willing to buy. Its much harder to sell this crowd on a new artist. Since the record industry thrives on suckering new artists into bad deals, its MANDATORY that they be able to sell these artists at all costs. They market to the most gullible audience with the most disposable income and the most impulse buying tendencies - teen agers. In this day and age where ageism is at an all time high, teens want to see teens doing music, so they sell them pretty, untrained performers with producer-based prepackaged music or they just let them suck and market them as a sarcastic band with a care-not-for-the-world attitude, dress them in a line of clothes they can sell at GAP, Old Navy or GAP's subsidiary store Hot Topic and teens eat it up. They buy the records, the posters, the t-shirts, the key rings, etc. Its all about merchandising. The over 25 crowd just doesn't blow enough money on "stuff" for record labels to care - except when a major "old school" artist is on tour. Then they pretend to give a shit...a little.
Speak on it!!! | |
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namepeace said: Y'all are some hard people to please. I hope you weren't in the crowd in the early 90's who were crying for "real" musicians playing "real" music to come back. Let me talk about that "crowd" for a minute.
When Brand New Heavies came along, that crowd didn't buy their records, and The Crowd called them gimmicky for copping a 70's sound. Jamiroquai drops their first 2 albums, and The Crowd called them Stevie Wonder/EWF wannabes notwithstanding the nice, listenable grooves they were churning out. D'Angelo, Maxwell, Badu and Jill Scott come along, and The Crowd digs them all right, but criticizes them for not being prolific enough. In the interim, Remy Shand, Res, Donnie, Dwele, Rashaan Patterson, Lewis Taylor and others come along and The Crowd doesn't pay attention, doesn't buy their records or take any initiative to support these artists. Or The Crowd dismisses them as wannabe Marvins, Stevies, Princes, etc. Artists like india.arie (whom I don't really dig personally) win handfuls of Grammys, but don't sell in large proportions a la Beyonce. The Crowd doesn't buy the records. Artists like Ledisi burble under the surface and The Crowd doesn't pay attention. Legends like Ray Charles and Al Green release records and many in The Crowd don't buy them. But listen to the radio and watch video channels, and on the basis of Mary J. Blige, Beyonce, Mariah, Usher et al., The Crowd proclaims R&B dead and tired. I'm not calling out anyone on this board, I am criticizing a mindset. We all whined about real music coming back to R&B. and real musicians come along to give us what we claim we want, and we don't buy their records because we don't take time to find out about them or dismiss them as copycats. But we can say R&B is dead, right? Guess who killed it? My g*d, if you're not speaking the truth! Just to parrot what you said, there's a lot of R&B acts out there doing their thing, but hardly getting recognized. For instance, Vivian Green released a great debut back in 2002 and hardly no one copped. Amel Larrieux came out with a great record ("Bravebird") and hardly anyone other than me and a few kids at this board copped it. Same goes for the artists you mentioned like Res ("How I Do" -- I still spin that record), Donnie, etc. Dionne Farris dropped with "Wild Seed -- Wild Flower" (the public was too busy focusing on other ish) and we haven't heard from her since. Same with Billy Lawrence, Grenique, Adriana Evans, Olu, Lucy Pearl's debut, Cree Summer (god forbid, we throw some guitars in with our R&B and have it be recognized). Macy Gray was doing some adventurous, left-field R&B and got no love (plus, she got dropped from her label). Meshell Ndegeocello just released "Comfort Woman" last year (slept on). Les Nubians' 2003 album "One Step Forward" (majorly slept on!). Kelis' "Tasty" was a good R&B record. Raphael Saadiq is STILL churning out great stuff. Erykah's still doin' it. Floetry's debut. Seek, Sweetback, etc. You've got underground cats like Freestyle Nation (ATL), K'Alyn (DC), Jiva, and Gary E. Hodges (MPLS) doing their thing with little to no fanfare. Personally, Jill Scott, Janet Jackson, Beverley Knight and Brandy all put out great R&B albums that I happily bought this year. Judging the crux of a genre based solely on 3 or 4 oversaturated artists is what's really TIRED. | |
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vainandy said: Brand New Heavies and Jamiroquai.....too jazz sounding for me. D'Angelo, Maxwell, and Erica Badu (never heard of Jill Scott).....not a fast song from any of them. R&B is short for "rhythm" and blues. Ain't no rhythm if you never get past midtempo. Funkiness and Danceability are big for you, and rightfully so. Suffice it to say I think your definition of R&B is too narrow. But that's because I likes me some jazz. :LOL: As for older artists putting out albums and no one buying them, I definately buy them if they stay true to their form of music. I bought Cameo's "In The Face Of Funk", The Barkays' "48 Hours", and War's " peace sign....all released in the 1990s. All three of these were decent albums but never received any airplay because they were not hip hop, midtempo, ballads, or funk with a jazz flavor. They were straight out hardcore funk, which is a form of R&B. Now, the albums that Cameo and The Barkays have released since then have a hip hop feel to them so I will not buy them. I guess the two groups said, hell if they can't beat them, they might as well join them. That is a damned shame.
I agree. I slept on those joints myself. House music is the only form of new R&B I can deal with these days and it is underground.
[Edited 10/6/04 15:40pm] Agreed. Much of the new house/electronica is much groovier than the stuff on R&B. I'd also submit that much of the jazzier electronica is truer to jazz than the so-called "smooth jazz" which I for the most part abhor. Good night, sweet Prince | 7 June 1958 - 21 April 2016
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