yeah that is the thing that I don't care for, | |
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Uh..no. I wouldn't think that I'm still his spouse, and I wouldn't think that I would be head of the Estate like Sheila thought, right after Prince died. I also would've went to the Police and told them what I knew, and wouldn't have waited 2 years before the police contacted me, nor would I have told other people, to not talk to the police or implied they not speak with police, and let them know I would lawyer that person up. The last time she spoke to Prince was 2011. | |
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lol no not those that think they are his spouse
Prince and this purple culture was a like a secret society almost lol that early period, that foundational period in the 80s had a different level of intensity that the others didn't.
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I thought this thread was about Sheila | |
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Yes she is.
One thing I look for is some further insight into the recording process/experience with Prince. I'm still waiting for Morris Day to really talk about it. And Sheila E has disappointed me about it. She seems to talk from a 'dreamscape' standpoint but has not technical details when it comes to the music 1984-1986. I believe Prince, and the Revolution had more to do with fleshing out her music than she probably knows. Or like when she talked about 'recording America' but she wasn't on it and talked about Prince being concerned about something that happened in Africa which prompted him to write America... uh America has nothing about Africa. I'm thinking she might have mixed up another song... Mountains maybe? or Sign o the Times? But I appreciate Sheila but would love for her to sit down look over each album-song and try to remember stuff about the actual recording process. The music is the legacy. And I believe people hearing this Vault stuff enhances it. | |
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They all are serious musicians whether it is Shelia, all the way to Mr. Hayes, I mean but with some, like Shelia and Jill that were tied to him other ways than music there is this constant, tossing a shot here and there. They all may be 100% honest, and they are dealing with the loss, but I dont think now is the time to talk about how one should feel and who sang back up on this not you but me because you were taking a break etc... that seems to be a constant thing with Jill especially, and now at times Shelia. Seeing the Revolution in NYC last week 2 nights I respected them even more than i did last year when I saw them play, they are still dealing with it, but they are the real deal too, and they are just channeling a different form of energy. Im so done with the comments of Shelia about they were engaged and this and that, love her, but that engagement was eons ago. I also gained a WHOLE new respect for Brownmark, I always liked him but never gave him his due, but also as a close PRINCE friend too, he is coming out with a book next year and he has been sharing little notes about how things went, feelings those early days, the Rolling Stones concert getting spit at and bottles thrown, Prince was pissed off, angry, this kind of stuff I like to hear about. I dont really care anymore about HE SAID SHE SAID stuff, its really a turn off, and like I said Sheilia and Jill are infamous for doing this. "We went where our music was appreciated, and that was everywhere but the USA, we knew we had fans, but there is only so much of the world you can play at once" Magne F | |
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I had a chance to confront Sheila a few years ago after she just made the announcement she wasn't working with Prince anymore. At an event with her and her family. I was VERY upset with her for saying that. But my good friend at the time begged me not to do it. She said it wasn't the place. "That mountain top situation is not really what it's all cracked up 2 B when was doing the Purple Rain tour had a lot of people who knew 'll never c again @ the concerts.just screamin n places they thought they was suppose 2 scream." | |
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I would agree, time and place for everything.
That was a very personal thing for her, between Prince & her family She was always there when he called | |
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What I mean is before April 2016 and after. I mean in her book she talked about the romanticized side of the recording of Erotic City, but nothing else. And nothing much detail about her album process, not just who did what on what. Like you will hear details of instruments wires sound boards, keys/chords, linn triggers, fingers used, equip brands etc when you listen to interviews from the Revolution members, Susan Rogers, Family members, Jesse Johnson, JJ and T Lewis etc
And I know Sheila E is well versed in various percussion instruments and brands | |
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^^^to the highlighted, Sheila did this type of sharing at Celebration this year. I can't recall if it happened at PP or at the one off show she did at the Varsity. But it was a tech dream the way she was going on and on about being in the sound studio with him. the crowd was quiet cause she was going on and on all tech geeked out, she apologized if it was too much, but we were all like NOOOOOOOOO, please go on!!!!!!! it was awesome!!! maybe she can't do that on the daytime tv crowd. | |
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That is nice, because that is what I think most fans want to hear. It really is the music and this kind of information that shows the richness of the purple culture. I wish should world learn how to talk about this stuff in doses for interviews. | |
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She was the MUSICAL DIRECTOR on SOTT and Lovesexy---she knows all the tehcnical stuff. i saw her once and she started talking about how she set up all the samples and drum triggers for the tours etc. . . I think she assumes 'normal' people don't care about that stuff but i'm sure she could tell us all all about that if someone would actually think to ask her that stuff. . . I also think she might confuse some stuff (like America vs. Mountains) because like she said.... SHE was there more than anyone probably....but she doesn't obsess about each detail the way we fans do...... since it was just "her life"....... so she might talk about a session and say it was for "America" but really it was "Mountains" that day. . . A lot of times when you finally get to meet a musician or session payer who did a favorite song from 20-30 years ago and you'er like "what keyboard? what preset did you use?" and they're like "Oh i don't know, that was 20 years ago.... probably whatever they had in the studio."
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what do you think about her opinion on the vault release and the 1983 release? | |
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Yeah I know she knows the stuff, I've read and heard interviews by her, but it is usually the non Prince stuff she goes into detail on. I can't believe she thinks regular people don't care, because regular people buy all those magazines about Drum tech and what not. And she knows, unless she just isn't paying attention, that Prince's fan base is in depth. In a cute way, I just think she is still 'ga ga' about Prince and that time period. And probably goes more dreamy than technical.
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Shard said: a couple clips
[Edited 10/10/18 15:47pm] Wow on the story about her punctured lung. I like Sheila’s speaking voice. | |
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OldFriends4Sale said:
Yeah I know she knows the stuff, I've read and heard interviews by her, but it is usually the non Prince stuff she goes into detail on. I can't believe she thinks regular people don't care, because regular people buy all those magazines about Drum tech and what not. And she knows, unless she just isn't paying attention, that Prince's fan base is in depth. In a cute way, I just think she is still 'ga ga' about Prince and that time period. And probably goes more dreamy than technical.
I think she was most def his “work wife” and enjoyed a rich Rich artistry of creating together. I think this is why she was around And called upon so often by him. Creating together fulfilled A love language between them. One that made their love richer But unspoken as to which one was most important love or music. It may be hard for her not to go their esp for the daytime tv crowd. That crowd Typically isn’t your tech geek audience. | |
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^^^^ That 100X! | |
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I hope she will talk- or has already talked to Duane Tudahl. | |
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