billymeade said: SoulAlive said: The title is slang for a thick roll of money, so it means that the money roll is so heavy, that it drags a man along the ground.
Can anyone verify this? I've never heard this slang outside of this song, and every description of the song is worded exactly this way, a full copy/paste from Uptown. Gah, here I go hijacking. I'll start a new thread about Murph Drag. Not to worry, I don't mind. RIP, mom. I will forever miss and love you. | |
- E-mail - orgNote - Report post to moderator |
psychodelicide said: SoulAlive said: Corporate World---the unreleased Time album from 1989
Murph Drag 9 Lives Donald Trump (Black Version) Love Machine Data Bank Shake! Corporate World The Latest Fashion Release It My Summertime Thang In June 1989, back from video shootings to "Batdance", [Prince] starts to work on a new THE TIME album, entitled [Corporate World]. The project started as a collaboration of [Prince] and [Morris Day] with some small input by [Jerome Benton] without worth mentioning. The other members of the original line-up weren't involved in the project at this time. The sessions were held at Paisley Park and lasted most of the summer. Work on the album was completed in early September 1989 and contains the following tracks: Murph drag, Nine lives, Donald Trump (black version), Love machine, Data bank, Shake!, Corporate world, The latest fashion, Release it and a reworked version of My summertime thang. Most of the tracks were newly written and tailored for the project, except Data bank was based on a jam that was recorded with the Revolution on 17th June 1986, My summertime thang was originally recorded with [Morris Day] and [Jesse Johnson] in March 1983 for possible inclusion on [Ice Cream Castle] and Nine lives was originally recorded with Cathy "Cat" Glover (lead vocals) and Margie Cox (background vocals) in December 1988 / January 1989 for a planned but finally aborted album by Cat. "Corporate World" (1989)[Corporate World] was set for release on 14th November 1989 with Nine lives planned as the first single release. However, the project was put on hold when Warner Bros. Records wanted to involve all the original members of THE TIME. The company were adamant that "Graffiti Bridge", the planned third motion picture by [Prince], should feature the complete original line-up of the band, like the successful influence in the "Purple Rain" motion picture 5 years ago. After a meeting with [Prince], it was decided that [Jesse Johnson], [Monte Moir], [Jimmy Jam] and [Terry Lewis] should participate and take an active part by writing and recording new tracks for the revised album, which later was renamed to [Pandemonium]. The additional recording sessions took place late 1989 - this time without much input by [Prince]. Murph drag, Nine lives and Corporate world are previously unreleased, but all tracks circulating on bootlegs amongst collectors. Murph drag is a minimalist funk number sporting a chattering "Controversy"-style rhythm guitar part and a synth providing lead lines like the Minneapolis sound. The song is about a dance only people with money can do. The title is slang for a thick roll of money, so it means that the money roll is so heavy, that it drags a man along the ground. A sample of [Morris Day]'s "What time is it?" phrase is used frequently during the song. Candy Dulfer supplies some saxophone lines, but her contribution is not very prominent. Nine lives is a melodic pop-number with a haunting chorus sung by Margie Cox in a soulful voice and rapped verses by [Morris Day]. He's dreaming about a mega fine lover with a heck-a-pump body sayin' good time. [Morris Day] will die from the heat generated from the moment, that their eyes meet. At the end of the song he says: "This is the '90s and everybody wants a lover, a life-long lover with nine lives". Corporate world sounds like an update of [Prince]'s electro-pop of the 1981-83 era, boasting a slightly robotic drum machine pattern and horn-like synth decorations. Some female voices, including Jana Anderson, add a multi-layered vocal to the soulful chorus. The message of this song is, that big companies should spend money to make a better world, a new-soul nation, where kids can grow up in safe. The song includes a sample of "Don't call me nigger, whitey" (1969, from Sly & the Family Stone's album "Stand!"). Thanks for the scoop, I appreciate it. That was a very interesting read. I never knew what "Murph Drag" meant until now. Interesting indeed It's fun to speculate on what could have been.What if this album had been released,as planned,in November 1989? How would it have done commercially? Would it had been considered a premature Time comeback? It's really just a Prince/Morris/Jerome album.Was it a good idea to shelve it and create another album ('Pandemonium') instead? | |
- E-mail - orgNote - Report post to moderator |
Great song. Very catchy. As already mentioned, I love the slightly dark vibe the song has. | |
- E-mail - orgNote - Report post to moderator |
SoulAlive said: psychodelicide said: Thanks for the scoop, I appreciate it. That was a very interesting read. I never knew what "Murph Drag" meant until now. Interesting indeed It's fun to speculate on what could have been.What if this album had been released,as planned,in November 1989? How would it have done commercially? Would it had been considered a premature Time comeback? It's really just a Prince/Morris/Jerome album.Was it a good idea to shelve it and create another album ('Pandemonium') instead? You've raised some very good qustions there. I love the "Pandemonium" CD, it's great. It would be interesting to see which CD would have done better commercially: "Pandemonium" or "Corporate World". Although, since this is The Time that we're talking about, and they have a HUGE fanbase, I'm sure both albums would have done well, regardless of which one was released. [Edited 3/18/10 6:32am] RIP, mom. I will forever miss and love you. | |
- E-mail - orgNote - Report post to moderator |
thesexofit said: Great song. Very catchy. As already mentioned, I love the slightly dark vibe the song has.
I can't stop listening to this track. RIP, mom. I will forever miss and love you. | |
- E-mail - orgNote - Report post to moderator |
psychodelicide said: SoulAlive said: Interesting indeed It's fun to speculate on what could have been.What if this album had been released,as planned,in November 1989? How would it have done commercially? Would it had been considered a premature Time comeback? It's really just a Prince/Morris/Jerome album.Was it a good idea to shelve it and create another album ('Pandemonium') instead? You've raised some very good qustions there. I love the "Pandemonium" CD, it's great. It would be interesting to see which CD would have done better commercially: "Pandemonium" or "Corporate World". Although, since this is The Time that we're talking about, and they have a HUGE fanbase, I'm sure both albums would have done well, regardless of which one was released. [Edited 3/18/10 6:32am] I disagree. "Cooporate World" with out "Jerk Out" would have been a major flop. "Jerk Out" was a big hit for The Time & the only hit from the Pandominium album. Even though it had some hot tracks on there. My fav "Sometimes I Get Lonely".... will ALWAYS think of like a "ACT OF GOD"! N another realm. mean of all people who might of been aliens or angels.if found out that wasn't of this earth, would not have been that surprised. R.I.P. | |
- E-mail - orgNote - Report post to moderator |
I only like the 'Corporate World' tracks as outtakes. I think had they come out officially it would have been the worst Time album ever. None of it sounds like first rate material. Just a bunch of corny, bland, weak tracks, but as unofficial outtakes they are a bit interesting. If nothing else, it proves Prince doesn't know what the hell he's doing and The Vault is likely stuffed with crap, lol. | |
- E-mail - orgNote - Report post to moderator |
word.
jerk out and chocolate are the bombb cuts. pandemonium is good enough 4 me You're so glam, every time I see you I wanna slam! | |
- E-mail - orgNote - Report post to moderator |
funksterr said: I only like the 'Corporate World' tracks as outtakes. I think had they come out officially it would have been the worst Time album ever. None of it sounds like first rate material. Just a bunch of corny, bland, weak tracks, but as unofficial outtakes they are a bit interesting. If nothing else, it proves Prince doesn't know what the hell he's doing and The Vault is likely stuffed with crap, lol.
LMAO will ALWAYS think of like a "ACT OF GOD"! N another realm. mean of all people who might of been aliens or angels.if found out that wasn't of this earth, would not have been that surprised. R.I.P. | |
- E-mail - orgNote - Report post to moderator |
I agree,the 'Corporate World' tracklist is less than perfect.It really needed a strong song like "Jerkout" which could have served as the lead-off single. | |
- E-mail - orgNote - Report post to moderator |
psychodelicide said: billymeade said: Those descriptions need to be updated as "Murph Drag" was released through the NPG Music Club.
"9 Lives" is great - I love the beginning - "This is the 90's..." HA! I also love the "Nine...Nine...Nine...Nine...Nine...Lives!" opening to this song. I like how Prince wrote a song that was originally intended for Cat called "Nine Lives". I think it's cool how he played into the, "Cats have nine lives" saying. " I AM HERE.... BEHIND THE ELEPHANTS" is something special | |
- E-mail - orgNote - Report post to moderator |
I'd like to see WB (with Prince'co-operation) remaster all the Time albums in one 5 disk box-set.
All albums would include relevant b-sides/remixes The Time What Time Is It? Ice-Cream Castles Pandemonium Plus bonus unreleased album: Corporate World ..... | |
- E-mail - orgNote - Report post to moderator |
lotusflw3r said: I'd like to see WB (with Prince'co-operation) remaster all the Time albums in one 5 disk box-set.
All albums would include relevant b-sides/remixes The Time What Time Is It? Ice-Cream Castles Pandemonium Plus bonus unreleased album: Corporate World ..... this would be great! | |
- E-mail - orgNote - Report post to moderator |
psychodelicide said: billymeade said: Those descriptions need to be updated as "Murph Drag" was released through the NPG Music Club.
"9 Lives" is great - I love the beginning - "This is the 90's..." HA! I also love the "Nine...Nine...Nine...Nine...Nine...Lives!" opening to this song. I like how Prince wrote a song that was originally intended for Cat called "Nine Lives". I think it's cool how he played into the, "Cats have nine lives" saying. I think it makes more sense as a "CAT" song. As cool as "Corporate World", "Murph Drag" and "9 Lives" are, they're not as good as the tracks that did make "Graffiti Bridge" and "Pandemonium" - imho. | |
- E-mail - orgNote - Report post to moderator |
RONNYRON said: I think it makes more sense as a "CAT" song.
Cat's album was shaping up to be really interesting Prince was giving her several songs with a 'cat' theme...."9 Lives","Cat And Mouse","Cat Attack".I wonder how that album would have turned out. | |
- E-mail - orgNote - Report post to moderator |
RONNYRON said: psychodelicide said: I also love the "Nine...Nine...Nine...Nine...Nine...Lives!" opening to this song. I like how Prince wrote a song that was originally intended for Cat called "Nine Lives". I think it's cool how he played into the, "Cats have nine lives" saying. I think it makes more sense as a "CAT" song. As cool as "Corporate World", "Murph Drag" and "9 Lives" are, they're not as good as the tracks that did make "Graffiti Bridge" and "Pandemonium" - imho. The tracks "Corporate World" and "9 lives" have quite a dark vibe about them (for Time songs). I think they and of course "murph drag" are great though. Virtually all The Time songs from that era are great to me though | |
- E-mail - orgNote - Report post to moderator |