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Thread started 11/29/05 4:38pm

heckaslammin

The Time's record deal with warner bros.

Two questions:
1. When Prince intially got them the deal, did Morris recieve the bulk of the money? Seeing that the rest of the guys were more or less a touring band for the first two albums? People always talked about how underpaid The Time was by Prince but wasn't it Techincally Morris Day's record deal?

2. On the "It's about time" album that came out last year, Why is it just Morris Day's name on the album? I thought it was supposed to be a "Time" record. All of the Live recordings are The Time anyway.
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Reply #1 posted 11/30/05 10:23am

TheRealFiness

the 1st 2 time albums were Prince and morris the band were actually cats from High school. story goes prince needed a few new songs morris actually wrote "Uptown" prince bought it from morris in exchange for a deal at Warners smile prince always dug mo' as a drummer if you ask him who influenced u on the drums he'll say Mo' without a doubt.
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Reply #2 posted 11/30/05 11:26am

heckaslammin

TheRealFiness said:

the 1st 2 time albums were Prince and morris the band were actually cats from High school. story goes prince needed a few new songs morris actually wrote "Uptown" prince bought it from morris in exchange for a deal at Warners smile prince always dug mo' as a drummer if you ask him who influenced u on the drums he'll say Mo' without a doubt.

Thanks. I think it was "Partyup" that Morris wrote. I guess what I'm wondering is was it Morris' name the on the contract? Was it Prince's? Did it say the time?
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Reply #3 posted 12/01/05 5:26am

sonofblade

heckaslammin said:

TheRealFiness said:

the 1st 2 time albums were Prince and morris the band were actually cats from High school. story goes prince needed a few new songs morris actually wrote "Uptown" prince bought it from morris in exchange for a deal at Warners smile prince always dug mo' as a drummer if you ask him who influenced u on the drums he'll say Mo' without a doubt.

Thanks. I think it was "Partyup" that Morris wrote. I guess what I'm wondering is was it Morris' name the on the contract? Was it Prince's? Did it say the time?


It was supposedly Partyup. But there are stories about half of the Dity Mind album regarding others writing the songs. The worst being Andre Cymone actually writing Uptown. Cymone has never written anything half as good so I am sure thats bullshit.

The reason that the name "The Time" is not used is because I bet Prince owns it. That is why the name was "Morris Day and The Time" when they were on the road and making money independently of Prince. The first 4 albums are credited to The Time because Prince was over all of those. Its About Time is independent of Prince, NPG, Paisley Park or any other business Prince business connection - which would explain why it is Morris Day getting top billing with no mention of The Time. It may also explain why that album is so badly produced.
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Reply #4 posted 12/01/05 9:38am

heckaslammin

sonofblade said:

heckaslammin said:


Thanks. I think it was "Partyup" that Morris wrote. I guess what I'm wondering is was it Morris' name the on the contract? Was it Prince's? Did it say the time?


It was supposedly Partyup. But there are stories about half of the Dity Mind album regarding others writing the songs. The worst being Andre Cymone actually writing Uptown. Cymone has never written anything half as good so I am sure thats bullshit.

The reason that the name "The Time" is not used is because I bet Prince owns it. That is why the name was "Morris Day and The Time" when they were on the road and making money independently of Prince. The first 4 albums are credited to The Time because Prince was over all of those. Its About Time is independent of Prince, NPG, Paisley Park or any other business Prince business connection - which would explain why it is Morris Day getting top billing with no mention of The Time. It may also explain why that album is so badly produced.

Yeah, that album was really poorly produced. Honestly, the 4 new tracks I didn't mind that much. I don't think they are as bad as people say. But the way they threw together the live tracks is just plain shitty. You could tell it was really rushed.
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Reply #5 posted 12/01/05 9:17pm

GaryMF

avatar

sonofblade said:

heckaslammin said:

Cymone has never written anything half as good so I am sure thats bullshit.


I'm not a huge Andre fan or anything, but he did write all of Jody Watley's hits, which are a hella lot better than Uptown or party up.
rainbow
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Reply #6 posted 12/02/05 3:44pm

blackguitarist
z

avatar

sonofblade said:

heckaslammin said:


Thanks. I think it was "Partyup" that Morris wrote. I guess what I'm wondering is was it Morris' name the on the contract? Was it Prince's? Did it say the time?


It was supposedly Partyup. But there are stories about half of the Dity Mind album regarding others writing the songs. The worst being Andre Cymone actually writing Uptown. Cymone has never written anything half as good so I am sure thats bullshit.

The reason that the name "The Time" is not used is because I bet Prince owns it. That is why the name was "Morris Day and The Time" when they were on the road and making money independently of Prince. The first 4 albums are credited to The Time because Prince was over all of those. Its About Time is independent of Prince, NPG, Paisley Park or any other business Prince business connection - which would explain why it is Morris Day getting top billing with no mention of The Time. It may also explain why that album is so badly produced.

Well, to chime in on this; Andre wrote the music to Uptown, not the lyrics. Andre bit the music from The Rolling Stones hit "Miss You" cuz he knew that P worshipped Mick. He had no intention on keeping the song for himself. What fucked it up for him was that P didn't give him co-writing credit, which is all Andre wanted in the first place. After Andre quit after the Dirty Mind tour, P went in and cut the music to "Do Me, Baby" which the music, the melody and parts of the lyrics was also written by Andre alone. The main reason P cut "Do Me, Baby" when he did was cuz he was pissed at Andre for quiting. "Do Me, Baby" is a cut Andre wrote when he and P was doing session work for Pepe Willie around 76. One of the main reasons Andre quit was because of P taking credit for full authorship on songs when in some cases, it was a joint effort. This happened to Dez as well. So, to add salt to Andre's wounds, P turned right back around and cut "Do Me, Baby".
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Reply #7 posted 12/02/05 4:51pm

heckaslammin

Rhastus. Are you out there? Can you help me on this?
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Reply #8 posted 12/03/05 12:04pm

Rhastus

heckaslammin said:

Rhastus. Are you out there? Can you help me on this?



I think everybody else pretty much covered it. i don't know the ins and outs of the initial record deal so i really can't comment on that.

I do think prince probably owns the rights to the name. thats probably why that greatest hits cd project collapsed since all that material is on warners and we know how good he's got along with them in the last 10 plus years. I thought the newer material on that album was OK, but you really honestly can't call it Time material since Prince and none of the original members worked on them( freeze and tori did though) The live part was the oldest trick in the book, when your on a different label and want to put out your hits make a live album or rerecord it. It is a shame that the have it out of sequence from the original show and editted language and length on the songs. Considering the lenght of the cd there is really no reason they should have done that
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Reply #9 posted 12/03/05 12:59pm

brothaluv

I think Day was trying to cash in as soon as possible. After Musicology turned out to be a hit, he saw an opportunity to make a quick buck. Why don't Morris just release an album of new material? If what's been said about Cymone, he did get an awful deal. But Dez seems to be pretty cool with his arrangement...
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Reply #10 posted 12/03/05 1:15pm

GaryMF

avatar

blackguitaristz said:


Well, to chime in on this; Andre wrote the music to Uptown, not the lyrics. Andre bit the music from The Rolling Stones hit "Miss You" cuz he knew that P worshipped Mick. He had no intention on keeping the song for himself. What fucked it up for him was that P didn't give him co-writing credit, which is all Andre wanted in the first place. After Andre quit after the Dirty Mind tour, P went in and cut the music to "Do Me, Baby" which the music, the melody and parts of the lyrics was also written by Andre alone. The main reason P cut "Do Me, Baby" when he did was cuz he was pissed at Andre for quiting. "Do Me, Baby" is a cut Andre wrote when he and P was doing session work for Pepe Willie around 76. One of the main reasons Andre quit was because of P taking credit for full authorship on songs when in some cases, it was a joint effort. This happened to Dez as well. So, to add salt to Andre's wounds, P turned right back around and cut "Do Me, Baby".


I believe all this is true. But ..... WHY DON't ANY OF THESE PEOPLE SUE????

There gotta be lawyers out there chomping at the bit to get in on some of P's $$s!
rainbow
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Reply #11 posted 12/03/05 1:30pm

brothaluv

They probably didnt have copyrights for their songs. It's difficult to argue you wrote a song when someone else had it copywritten before you. This is particularly true if the person being sued is a very accomplished musician and capable of writing a decent song in 30 minutes.
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Reply #12 posted 12/04/05 8:36am

laurarichardso
n

brothaluv said:

They probably didnt have copyrights for their songs. It's difficult to argue you wrote a song when someone else had it copywritten before you. This is particularly true if the person being sued is a very accomplished musician and capable of writing a decent song in 30 minutes.

-----
Exactly, you don't have a claim if you can't prove that you wrote the song.
None of these people copyrighted anything. If Prince can figure this out why can't anybody else.
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Reply #13 posted 12/04/05 2:38pm

dewalliz

laurarichardson said:

brothaluv said:

They probably didnt have copyrights for their songs. It's difficult to argue you wrote a song when someone else had it copywritten before you. This is particularly true if the person being sued is a very accomplished musician and capable of writing a decent song in 30 minutes.

-----
Exactly, you don't have a claim if you can't prove that you wrote the song.
None of these people copyrighted anything. If Prince can figure this out why can't anybody else.


co-sign!!!! and some of his former associates should ought to have a clue how he operates in regardling who gets the credit to the song yet they continued to share their material with Prince, and guess what happens it is going to be on Prince's album and Prince gets the full credit since he the one calls all the shots.
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Reply #14 posted 12/04/05 3:12pm

brothaluv

dewalliz said:



co-sign!!!! and some of his former associates should ought to have a clue how he operates in regardling who gets the credit to the song yet they continued to share their material with Prince, and guess what happens it is going to be on Prince's album and Prince gets the full credit since he the one calls all the shots.


The inevitable question emerges: Is karma responsible for Prince's muscial decline? I think the man is indeed a genius. But you have to admit, his work has fallen off since Sign O' The Times. Its impossible to listen to Dirty Mind, Controversy, 1999 and Purple Rain without having an EARGASM! Sheer bliss. After that, things began to cool somewhat. Could this be poetic justice? Hey, I'm just speculating. Don't tar and feather me.
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Reply #15 posted 12/06/05 6:24am

DavidEye

blackguitaristz said:

sonofblade said:



It was supposedly Partyup. But there are stories about half of the Dity Mind album regarding others writing the songs. The worst being Andre Cymone actually writing Uptown. Cymone has never written anything half as good so I am sure thats bullshit.

The reason that the name "The Time" is not used is because I bet Prince owns it. That is why the name was "Morris Day and The Time" when they were on the road and making money independently of Prince. The first 4 albums are credited to The Time because Prince was over all of those. Its About Time is independent of Prince, NPG, Paisley Park or any other business Prince business connection - which would explain why it is Morris Day getting top billing with no mention of The Time. It may also explain why that album is so badly produced.

Well, to chime in on this; Andre wrote the music to Uptown, not the lyrics. Andre bit the music from The Rolling Stones hit "Miss You" cuz he knew that P worshipped Mick. He had no intention on keeping the song for himself. What fucked it up for him was that P didn't give him co-writing credit, which is all Andre wanted in the first place. After Andre quit after the Dirty Mind tour, P went in and cut the music to "Do Me, Baby" which the music, the melody and parts of the lyrics was also written by Andre alone. The main reason P cut "Do Me, Baby" when he did was cuz he was pissed at Andre for quiting. "Do Me, Baby" is a cut Andre wrote when he and P was doing session work for Pepe Willie around 76. One of the main reasons Andre quit was because of P taking credit for full authorship on songs when in some cases, it was a joint effort. This happened to Dez as well. So, to add salt to Andre's wounds, P turned right back around and cut "Do Me, Baby".




Wow,you know what? Come to think of it,the riff on "Uptown" does kinda resemble "Miss You" by the Rolling Stones hmmm
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Reply #16 posted 12/06/05 12:14pm

kstrat

I'm just speculating...a bit here, but are you folks certain that Morris et al
actually inked a record deal with Warner Bros? Could it be that the group was put together as part of a production deal Prince had with Warners to develop a stable of acts under his direction? Morris may have been the frontman, but it seems to me that he didn't have that much input into the bands direction behind the scenes. Especially with the a huge debacle over wages & performing & writting credits. They seemed to be treated more as side-men rather than members of a working band

Anyways...thats my 2+ cents on the topic.


Peace.....

-KSTRAT-
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Reply #17 posted 12/08/05 11:00am

heckaslammin

kstrat said:

I'm just speculating...a bit here, but are you folks certain that Morris et al
actually inked a record deal with Warner Bros? Could it be that the group was put together as part of a production deal Prince had with Warners to develop a stable of acts under his direction? Morris may have been the frontman, but it seems to me that he didn't have that much input into the bands direction behind the scenes. Especially with the a huge debacle over wages & performing & writting credits. They seemed to be treated more as side-men rather than members of a working band

Anyways...thats my 2+ cents on the topic.


Peace.....

-KSTRAT-

That's what I'm thinking.
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Reply #18 posted 12/09/05 8:19am

sosgemini

avatar

dewalliz said:

laurarichardson said:


-----
Exactly, you don't have a claim if you can't prove that you wrote the song.
None of these people copyrighted anything. If Prince can figure this out why can't anybody else.


co-sign!!!! and some of his former associates should ought to have a clue how he operates in regardling who gets the credit to the song yet they continued to share their material with Prince, and guess what happens it is going to be on Prince's album and Prince gets the full credit since he the one calls all the shots.


damn..i hate when my puter crashes mid-post..real quick:

1) umm..we are talking about a very short time period here...

2) they did get a clue..hence andre leaving...hence wendy and lisa leaving....hence tommy b and sonny t suing prince.

3) how you gonna copywrite something mid-creation?

4) these were all young kids...they didnt know what they were doing..prince was in control of the situation and manipulated his power. now, as time passed some of these folks didnt mind sharing their ideas (dr. fink and even wendy and lisa come to mind)..they understood the quid pro quo that was in place and thats fine...but whats not fine is when prince takes something (like in andre's case) without prior concent. thats theft no matter what color you paint it.

5) off the record, prince has committed to compensate some of these kats but has yet to do it.

6) prince has gone back and given wendy and lisa credit for some of their stuff...power fantastic comes to mind...maybe one or two other cases...so there is precedent for what im talking about.
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Reply #19 posted 12/09/05 10:29am

dewalliz

brothaluv said:

dewalliz said:



co-sign!!!! and some of his former associates should ought to have a clue how he operates in regardling who gets the credit to the song yet they continued to share their material with Prince, and guess what happens it is going to be on Prince's album and Prince gets the full credit since he the one calls all the shots.


The inevitable question emerges: Is karma responsible for Prince's muscial decline? I think the man is indeed a genius. But you have to admit, his work has fallen off since Sign O' The Times. Its impossible to listen to Dirty Mind, Controversy, 1999 and Purple Rain without having an EARGASM! Sheer bliss. After that, things began to cool somewhat. Could this be poetic justice? Hey, I'm just speculating. Don't tar and feather me.


I admitted there is no decade of Prince's best work like the eighties but the claimed of his musicianship declined since 1987 is being subjective. I digged Prince's song of the 90s and I even like Musicology too.
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Reply #20 posted 12/09/05 10:44am

blackguitarist
z

avatar

DavidEye said:

blackguitaristz said:


Well, to chime in on this; Andre wrote the music to Uptown, not the lyrics. Andre bit the music from The Rolling Stones hit "Miss You" cuz he knew that P worshipped Mick. He had no intention on keeping the song for himself. What fucked it up for him was that P didn't give him co-writing credit, which is all Andre wanted in the first place. After Andre quit after the Dirty Mind tour, P went in and cut the music to "Do Me, Baby" which the music, the melody and parts of the lyrics was also written by Andre alone. The main reason P cut "Do Me, Baby" when he did was cuz he was pissed at Andre for quiting. "Do Me, Baby" is a cut Andre wrote when he and P was doing session work for Pepe Willie around 76. One of the main reasons Andre quit was because of P taking credit for full authorship on songs when in some cases, it was a joint effort. This happened to Dez as well. So, to add salt to Andre's wounds, P turned right back around and cut "Do Me, Baby".




Wow,you know what? Come to think of it,the riff on "Uptown" does kinda resemble "Miss You" by the Rolling Stones hmmm

Man, the bass lines are almost identical.
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Reply #21 posted 12/09/05 11:53am

dewalliz

sosgemini said:

dewalliz said:



co-sign!!!! and some of his former associates should ought to have a clue how he operates in regardling who gets the credit to the song yet they continued to share their material with Prince, and guess what happens it is going to be on Prince's album and Prince gets the full credit since he the one calls all the shots.


damn..i hate when my puter crashes mid-post..real quick:

1) umm..we are talking about a very short time period here...

2) they did get a clue..hence andre leaving...hence wendy and lisa leaving....hence tommy b and sonny t suing prince.

3) how you gonna copywrite something mid-creation?

4) these were all young kids...they didnt know what they were doing..prince was in control of the situation and manipulated his power. now, as time passed some of these folks didnt mind sharing their ideas (dr. fink and even wendy and lisa come to mind)..they understood the quid pro quo that was in place and thats fine...but whats not fine is when prince takes something (like in andre's case) without prior concent. thats theft no matter what color you paint it.

5) off the record, prince has committed to compensate some of these kats but has yet to do it.

6) prince has gone back and given wendy and lisa credit for some of their stuff...power fantastic comes to mind...maybe one or two other cases...so there is precedent for what im talking about.


Prince was young back then too and as a matter of fact some of his associates were older than him, but Prince even knows about copyright proceedure even back then. So are you saying because his associates were young was that the reason why they didn't know about the copyright issue? Hell I was younger than them yet because of the field i am pursue being a fictional writer, I have to know it. I don't know how much they actually knew of it, but I felt it is a MUST for a musician to have some knowledge about the issue.

You can have your work copyright in the beginning or in the middle of a creating process but most people preferred to get their work protected once the work is completed before sharing it with others. But that is not the point, and the point is that Prince's associates had a clue of his crediting policies and rather than taking it as a lesson learning they willing to share their material with him in the studio or in the jam session. All that is fine but what isn't cool is that they complained about it many years later and bitched about Prince screw them over making them out that they were bunch of clueless teenagers (which they weren't) at the time.

If Prince was so manipulate and control maniac, I always pondered why they stayed with him for more than two years, and after all none of the associates was under contract. I don't think working for Prince more than three years is a short period of time in my eyes.

Like some of the posters say, it is hard to believe how much they contribute where there's lack of proof. We all know Dez played guitar solo on Little Red Corvette, or that Lisa sang female to the song Head and that Matt performed on Dirty Mind song. I am not saying what they claim are fabrications But show me some proof of the claims that's all I asking, or else all the claims are just hearsay, and won't even stand in the court of law. lol

If they didn't have a clue about copyright before sharing their ideas with Prince then I really felt bad for them and no wonder Prince easily screwed them. That one thing I admired Prince is he knows his shit when comes to certain aspects of the law.
[Edited 12/9/05 12:57pm]
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Reply #22 posted 12/09/05 1:16pm

sosgemini

avatar

dewalliz said:

sosgemini said:



damn..i hate when my puter crashes mid-post..real quick:

1) umm..we are talking about a very short time period here...

2) they did get a clue..hence andre leaving...hence wendy and lisa leaving....hence tommy b and sonny t suing prince.

3) how you gonna copywrite something mid-creation?

4) these were all young kids...they didnt know what they were doing..prince was in control of the situation and manipulated his power. now, as time passed some of these folks didnt mind sharing their ideas (dr. fink and even wendy and lisa come to mind)..they understood the quid pro quo that was in place and thats fine...but whats not fine is when prince takes something (like in andre's case) without prior concent. thats theft no matter what color you paint it.

5) off the record, prince has committed to compensate some of these kats but has yet to do it.

6) prince has gone back and given wendy and lisa credit for some of their stuff...power fantastic comes to mind...maybe one or two other cases...so there is precedent for what im talking about.


Prince was young back then too and as a matter of fact some of his associates were older than him, but Prince even knows about copyright proceedure even back then. So are you saying because his associates were young was that the reason why they didn't know about the copyright issue? Hell I was younger than them yet because of the field i am pursue being a fictional writer, I have to know it. I don't know how much they actually knew of it, but I felt it is a MUST for a musician to have some knowledge about the issue.

You can have your work copyright in the beginning or in the middle of a creating process but most people preferred to get their work protected once the work is completed before sharing it with others. But that is not the point, and the point is that Prince's associates had a clue of his crediting policies and rather than taking it as a lesson learning they willing to share their material with him in the studio or in the jam session. All that is fine but what isn't cool is that they complained about it many years later and bitched about Prince screw them over making them out that they were bunch of clueless teenagers (which they weren't) at the time.

If Prince was so manipulate and control maniac, I always pondered why they stayed with him for more than two years, and after all none of the associates was under contract. I don't think working for Prince more than three years is a short period of time in my eyes.

Like some of the posters say, it is hard to believe how much they contribute where there's lack of proof. We all know Dez played guitar solo on Little Red Corvette, or that Lisa sang female to the song Head and that Matt performed on Dirty Mind song. I am not saying what they claim are fabrications But show me some proof of the claims that's all I asking, or else all the claims are just hearsay, and won't even stand in the court of law. lol

If they didn't have a clue about copyright before sharing their ideas with Prince then I really felt bad for them and no wonder Prince easily screwed them. That one thing I admired Prince is he knows his shit when comes to certain aspects of the law.
[Edited 12/9/05 12:57pm]


ive given you proof..Power Fantastic was registered under Prince Roger Nelson. Wendy & Lisa had to threaten a lawsuit to get their names (and royality) for The Hits/B Side album. more proof, Sonny T and Tommy B sued Prince.

other proof? andre left. dr. fink and bobby z seem fine with their contributions (or lack of credit). theres a great interview at housequake w/ dr. fink where he declares such. and prince was the one being represented by a studio so of course he is going to be the one who is taught copywrite law.

and lets not forget these collaberations took place as "jam sessions". you cant copyright that.
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Reply #23 posted 12/09/05 3:25pm

preciosa863

sosgemini said:

dewalliz said:



Prince was young back then too and as a matter of fact some of his associates were older than him, but Prince even knows about copyright proceedure even back then. So are you saying because his associates were young was that the reason why they didn't know about the copyright issue? Hell I was younger than them yet because of the field i am pursue being a fictional writer, I have to know it. I don't know how much they actually knew of it, but I felt it is a MUST for a musician to have some knowledge about the issue.

You can have your work copyright in the beginning or in the middle of a creating process but most people preferred to get their work protected once the work is completed before sharing it with others. But that is not the point, and the point is that Prince's associates had a clue of his crediting policies and rather than taking it as a lesson learning they willing to share their material with him in the studio or in the jam session. All that is fine but what isn't cool is that they complained about it many years later and bitched about Prince screw them over making them out that they were bunch of clueless teenagers (which they weren't) at the time.

If Prince was so manipulate and control maniac, I always pondered why they stayed with him for more than two years, and after all none of the associates was under contract. I don't think working for Prince more than three years is a short period of time in my eyes.

Like some of the posters say, it is hard to believe how much they contribute where there's lack of proof. We all know Dez played guitar solo on Little Red Corvette, or that Lisa sang female to the song Head and that Matt performed on Dirty Mind song. I am not saying what they claim are fabrications But show me some proof of the claims that's all I asking, or else all the claims are just hearsay, and won't even stand in the court of law. lol

If they didn't have a clue about copyright before sharing their ideas with Prince then I really felt bad for them and no wonder Prince easily screwed them. That one thing I admired Prince is he knows his shit when comes to certain aspects of the law.
[Edited 12/9/05 12:57pm]


ive given you proof..Power Fantastic was registered under Prince Roger Nelson. Wendy & Lisa had to threaten a lawsuit to get their names (and royality) for The Hits/B Side album. more proof, Sonny T and Tommy B sued Prince.

other proof? andre left. dr. fink and bobby z seem fine with their contributions (or lack of credit). theres a great interview at housequake w/ dr. fink where he declares such. and prince was the one being represented by a studio so of course he is going to be the one who is taught copywrite law.

and lets not forget these collaberations took place as "jam sessions". you cant copyright that.


How do any of us really know what happened? What if there was a clause in Prince's contract w/Warner Brothers about such? All the claims that "fans or non-fans" seem to know astonish me..Sonny T and Tommy B sued Prince? What came out of the suit/claim? I don't see any of these "artists" who alledgedly made these claims at the top of any music billboards...whew...I'm done...
[Edited 12/9/05 15:27pm]
[Edited 12/9/05 15:27pm]
u & me, we got mad chemisty
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Reply #24 posted 12/09/05 5:00pm

sosgemini

avatar

preciosa863 said:

sosgemini said:



ive given you proof..Power Fantastic was registered under Prince Roger Nelson. Wendy & Lisa had to threaten a lawsuit to get their names (and royality) for The Hits/B Side album. more proof, Sonny T and Tommy B sued Prince.

other proof? andre left. dr. fink and bobby z seem fine with their contributions (or lack of credit). theres a great interview at housequake w/ dr. fink where he declares such. and prince was the one being represented by a studio so of course he is going to be the one who is taught copywrite law.

and lets not forget these collaberations took place as "jam sessions". you cant copyright that.


How do any of us really know what happened? What if there was a clause in Prince's contract w/Warner Brothers about such? All the claims that "fans or non-fans" seem to know astonish me..Sonny T and Tommy B sued Prince? What came out of the suit/claim? I don't see any of these "artists" who alledgedly made these claims at the top of any music billboards...whew...I'm done...[Edited 12/9/05 15:27pm]
[Edited 12/9/05 15:27pm]



confuse who is talking about charts? prince wasnt blowing up them charts either..and still aint. its his tours that are blowing up. but this discussion aint nothing about discrediting prince's genius. he is a genius. however:

like i said, go to housequake and read the interviews with dr fink and dez.
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Reply #25 posted 12/09/05 8:37pm

dewalliz

sosgemini said:

dewalliz said:



Prince was young back then too and as a matter of fact some of his associates were older than him, but Prince even knows about copyright proceedure even back then. So are you saying because his associates were young was that the reason why they didn't know about the copyright issue? Hell I was younger than them yet because of the field i am pursue being a fictional writer, I have to know it. I don't know how much they actually knew of it, but I felt it is a MUST for a musician to have some knowledge about the issue.

You can have your work copyright in the beginning or in the middle of a creating process but most people preferred to get their work protected once the work is completed before sharing it with others. But that is not the point, and the point is that Prince's associates had a clue of his crediting policies and rather than taking it as a lesson learning they willing to share their material with him in the studio or in the jam session. All that is fine but what isn't cool is that they complained about it many years later and bitched about Prince screw them over making them out that they were bunch of clueless teenagers (which they weren't) at the time.

If Prince was so manipulate and control maniac, I always pondered why they stayed with him for more than two years, and after all none of the associates was under contract. I don't think working for Prince more than three years is a short period of time in my eyes.

Like some of the posters say, it is hard to believe how much they contribute where there's lack of proof. We all know Dez played guitar solo on Little Red Corvette, or that Lisa sang female to the song Head and that Matt performed on Dirty Mind song. I am not saying what they claim are fabrications But show me some proof of the claims that's all I asking, or else all the claims are just hearsay, and won't even stand in the court of law. lol

If they didn't have a clue about copyright before sharing their ideas with Prince then I really felt bad for them and no wonder Prince easily screwed them. That one thing I admired Prince is he knows his shit when comes to certain aspects of the law.
[Edited 12/9/05 12:57pm]


ive given you proof..Power Fantastic was registered under Prince Roger Nelson. Wendy & Lisa had to threaten a lawsuit to get their names (and royality) for The Hits/B Side album. more proof, Sonny T and Tommy B sued Prince.

other proof? andre left. dr. fink and bobby z seem fine with their contributions (or lack of credit). theres a great interview at housequake w/ dr. fink where he declares such. and prince was the one being represented by a studio so of course he is going to be the one who is taught copywrite law.

and lets not forget these collaberations took place as "jam sessions". you cant copyright that.


I disagreed and yes you can copyright jam sessions if they are recorded. But if the jam sessions aren't recorded and also if they performed the songs as they go along then no they can't be copyrighted. I am talking about the fact that these associates indeed had their ideas written or recorded and they even admitted that themselves that usually happened before presenting them to jam sessions or to Prince period. And therefore that is copyrighted. Since they were cool of sharing their ideas to Prince, they didn't bother to seek protection for themselves. What turns me off is that they complained about years later not getting the credit that they deserves but while they were with Prince they didn't seem bother by it and like WTF?? confuse

Like I said all the so-called proof are based on he say she say. All the interviews that the associates made in the world isn't enough proof to stand in the court of law or for me to conclude what they claim is true. Any fool can say I wrote this and that, and okay well that is nice but where is the solid proof? How much have this person contribute to a certain song before consider to be a co-write credit? Verbal claims ain't gonna cut it. However had they got protection to their material before presented to Prince then they got a case. And there are two sides to each story as well and since Prince has yet to confirm their claims and at a point even denied it hard trying to figure out who telling the truth especially since the only people were around were Prince and his associates, not the fans. And also the judge will go based on solid evidence. It like trying to pinpoint a murder on someone. Anyone can make that claimed but without any forensics proof or a credible eyewitness, the claim is bogus.

Also you don't have to be represent by a studio to know about copyright law but I am talking about Prince associates, who all musicians, should have some knowledge about the law whether they were sign or not. Not being signed is no excuse to study the law and that goes for a musician, artist, writer, etc, That all I am trying to say.
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Reply #26 posted 12/09/05 8:41pm

dewalliz

preciosa863 said:

sosgemini said:



ive given you proof..Power Fantastic was registered under Prince Roger Nelson. Wendy & Lisa had to threaten a lawsuit to get their names (and royality) for The Hits/B Side album. more proof, Sonny T and Tommy B sued Prince.

other proof? andre left. dr. fink and bobby z seem fine with their contributions (or lack of credit). theres a great interview at housequake w/ dr. fink where he declares such. and prince was the one being represented by a studio so of course he is going to be the one who is taught copywrite law.

and lets not forget these collaberations took place as "jam sessions". you cant copyright that.


How do any of us really know what happened? What if there was a clause in Prince's contract w/Warner Brothers about such? All the claims that "fans or non-fans" seem to know astonish me..Sonny T and Tommy B sued Prince? What came out of the suit/claim? I don't see any of these "artists" who alledgedly made these claims at the top of any music billboards...whew...I'm done...
[Edited 12/9/05 15:27pm]
[Edited 12/9/05 15:27pm]


I agreed some fans do acted like they were there themselves with Prince and the associates. As for me I do believed that Prince might had stolen some his ideas from others at some point and that perhaps the associates had contribute to great songs that they didn't get credit but again that based on claimed not solid fact.
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Reply #27 posted 12/09/05 8:51pm

sosgemini

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yes..yes you can copyright jam sessions but that wasnt my point..my point was that members within the band would improvise during jams....prince would then take those ideas and incorporate them into songs...without permission.

What turns me off is that they complained about years later not getting the credit that they deserves but while they were with Prince they didn't seem bother by it and like WTF??


this just isnt the case..andre left right away..and he has always been upfront...sonny t and tommy b sued right after they left the npg. wendy & lisa have always been upfront about it....dr. fink has never had beef with not getting credit for his contributions..he was simply explaining the creative process in the housequake article...he isnt asking for anything.

blind item comment: i know an associate was promised compensation from prince for prince's "borrowing" of others music....but when it came time to pay the check was never in the mail...that, IMHO, is admition on Prince's part.

We can't expect this stuff to blow-up on the media....most of these kats are still working in the industry..they negotiate but its all kept private..because thats the smart way to handle your business..just like w&l did w/ power fantastic..the cd came out w/ only prince's name credited....then all of a sudden new cd's were made that credited w&l along with it...these things will proably continue to happen...but we aint gonna know about it...

unless prince forgets to mail the check.
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Reply #28 posted 12/09/05 10:32pm

dewalliz

sosgemini said:

yes..yes you can copyright jam sessions but that wasnt my point..my point was that members within the band would improvise during jams....prince would then take those ideas and incorporate them into songs...without permission


I don't think Prince needed permission from them especially when he can easily recorded the jam sessions and obtain sole rights to them. Morally, it is wrong of stealing idea from someone else without consent or not getting them credit for it, but if you willing to share your ideas publicly and freely, and not seeking ANY protection for them, then what's the point of that person getting your permission for it? confuse Like I said they knew the risks that of Prince not fairly conpensate or credit them for their work. After all they have the choice to not present their best and most compassion material to Prince unless there is gurantee that they going to get the credit for it. Like I said that all goes back to the members knew little about copyright law at the time and also they willingly to feed Prince of their creative input that isn't Prince's fault.

this just isnt the case..andre left right away..and he has always been upfront...sonny t and tommy b sued right after they left the npg. wendy & lisa have always been upfront about it....dr. fink has never had beef with not getting credit for his contributions..he was simply explaining the creative process in the housequake article...he isnt asking for anything.


The keywords u used they were upfront about it after they left and I just said so in my previous post but not in those words. But yes in Andre's case he left abruptly while many stay for many years then complained years later wasn't please about the way Prince's so-called shadiness of how he credited people. Again, none of the members weren't under contract, and they weren't obligated to put up the bullshit.



I am going to find and read that Fink Housequake interview since I think he is very informative and always have something interest to say.
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Reply #29 posted 12/10/05 3:27am

potroastpony

According to Jelly Bean. prince wrote the lyrics to party up and the music came from a song morris use to do with an old band. I'll try to find it again.
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