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Any NFO Funksters in San Fran... San Francisco will once again be the site of the funkiest place in October when the third annual Funk Festival takes over. Celebrating all things funk, the event will feature music, art and film.
This year's lineup boasts DJ Greyboy, The Headhunters, Grandmaster Flash, and Robert Walter's 20th Congress. Various venues in and around San Francisco - including Bimbo's 365 Club, the Elbo Room and the Great American Music Hall - host the concerts. With such varied events over the October 8-25 span, ticket prices are all over the map as well. Check out the official Web site at sffunk.com for the prices and how to purchase. The San Francisco Funk Fest first descended on the bay city in 2001. Even though the event was held a couple months after September 11, it managed to attract upward of 3,000 people, laying the ground for the successive festivals. | |
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Thanks for the info!
Vina, can you make it? | |
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There is a Jazz fest in Montreal that I want to hit one day. I hear that it's a musician's heaven. | |
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NFO said: Thanks for the info!
Vina, can you make it? Yeah right. You gonna pay my ticket? Flight, hotel, food... [This message was edited Wed Oct 1 8:37:26 PDT 2003 by VinaBlue] | |
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VinaBlue said: NFO said: Thanks for the info!
Vina, can you make it? Yeah right. You gonna pay my ticket? Flight, hotel, food... [This message was edited Wed Oct 1 8:37:26 PDT 2003 by VinaBlue] Yeah, well, you're on the same coast, just, 1000 miles away! That's still closer than ME! I'd like to get into the Funk Festival. Wish they'd do something like that down here. THATS IT! I'll start one this year. Camron! Tal! What can we do to get it going? The Last Otan Track: www.funkmusician.com/what.mp3 | |
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What a great web site this festival has
sffunk.com Just noticed that the Headhunters are playing (Herbie Hancock). Also notice that Ubiquity Records is a sponsor. Maybe someone wants to contact them, see if they need any giveaways...or maybe even wanna look at some NFO product. | |
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Red said: Just noticed that the Headhunters are playing (Herbie Hancock)
WITH Herbie??? I just checked out the site, and it looks like MANDRILL are also playing. Like, OH MY GOD! This is MY kinda funk band. According to Soul-Patrol.com they got a new album out as well... He who joyfully marches to music in rank and file has already earned my contempt. He has been given a large brain by mistake, since for him the spinal cord would fully suffice. - Albert Einstein | |
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MB - no, not with Herbie...but just the same, they're sss hot. Some good talent showing up, looks like a great time. | |
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Herbie Hancock was in the Headhunters? I thought he had a RECORD called Headhunter.
edit: (from their website) "But it would take keyboardist Herbie Hancock and his band of Headhunters to truly meld jazz and funk into "FUSION" of the styles with the 1973 classic "Headhunters";" [This message was edited Thu Oct 2 14:31:45 PDT 2003 by otan] The Last Otan Track: www.funkmusician.com/what.mp3 | |
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check again my friend. Headhunters have played with Herbie. | |
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The more things change, the more they stay the same. Back in 1974, Herbie Hancock decided to get himself a funky rhythm section that could throw down some booty-shaking grooves and recorded the Headhunters album. Working with electric bassist Paul Jackson, percussionist Bill Summers, and drummer Harvey Mason, along with woodwind player Bennie Maupin (the only holdover from Hancock’s Mwandishi band), Hancock managed to create an incredibly jazz/funk hybrid that most bona fide jazz musicians had been afraid to go after. With Mike Clark on drums and Hancock gone or relegated to guest status the band continued to record, putting out Straight From the Gate, Survival of the Fittest, and Return of the Headhunters.
Now Headhunters are back with Evolution Revolution, a CD that presents not only the group’s groundbreaking jazz/funk, but also some smooth sounds (“Headhunting”), R&B (“On the Shores of Amore”), straight ahead jazz (“Woody Shaw” and “Take No Prizzonerz”), blues and gospel (“Everything,” “Fonkyfried”), and African-influenced (“Yekola”). The core rhythm section of Summers, Clark, and Jackson are back, and the reunion is complete with the addition of special guests Harvey Mason and Bennie Maupin. Throw in appearances by Nicholas Payton, Donald Harrison, George Porter, Jr., Wah Wah Watson, Victor Atkins, and Irvin Mayfield, and you’ve got the makings of an incredible session. Summers and company do not disappoint. The album opens with the very brief interlude “Hindewhu For You,” which features the distinctive instrument that Summers used on the introduction to Hancock’s “Watermelon Man” on the original Headhunters album. From there we slide easily into the very Hancock-inspired “Slick It” (featuring some of the groovy synth washes heard on the original Headhunters’ “Sly” and “Vein Melter”), with Nicholas Payton providing some Miles-by-way-of-Eddie-Henderson trumpet work Next up is a sharp remake of the group’s “God Made Me Funky,” originally recorded on the band’s Survival of the Fittest album. When Harvey Mason, an original member of the smooth band Forplay, returns with his composition “Headhunting,” a track that also features Maupin and guitarist Wah Wah Watson, things begin to change up a bit, but by this time, you are definitely along for the whole ride. “Everythin” features gospel-tinged vocals from Juanita Brooks, Maisha Rose, and Paul Jackson as well as a down-home bluesy trumpet solo from Payton. “On the Shores of Amore” finds us in urban contemporary R&B territory; the piece is helped by the tasteful playing and rhythmic conception of the musicians. Victor Atkins does his best Herbie impression on both acoustic piano and keyboards. Singer Vinx Parrette has a deep and arresting voice. On “Take No Prizzonerz” Donald Harrison provides a great alto sax sound and some straight on jazz blowing. We’re only halfway through the album! I’ve gotta give it up for Mark Samuels at Basin Street Records: their releases really, really give the listener their money’s worth, and this one is no exception. More might be less in the hands of less skillful artists, but these guys seem to play everything well. “Gotta Be Strong” opens like a Los Hombres Calientes number (Summers is one of the leaders of that group) and never lets up on the percussion and the funky Latin piano rhythms. “Woody Shaw” pays tribute to a seriously overlooked trumpet great, allowing Payton a real chance to shine, while Mike Clark unleashes some bebop drumming. George Porter, Jr. lends his vocals to the funked out blues “Fonkyfried (If the bluenotes don’t gitcha).” We spin through some smooth jazz and another Headhunters funk special before hitting “Yekola,” an Afro-Carribean funk number that brings Summers’s Los Hombres compadre Irvin Mayfield into the mix. Congalese vocalist/guitarist Samba Ngo provides the upbeat vocals. Finally the group brings things to a conclusion with “Evolution Revolution” featuring the core rhythm section along with keyboard player Ronald Markham in a track that definitely recalls elements of the very first Headhunters album. Some of the Headhunters reunion CDs in the past have been a bit disappointing, but if you like living in the neighborhood where jazz, funk, blues, R&B, and other musical forms intermingle freely, you’ll really enjoy Evolution Revolution. | |
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Red said: The more things change, the more they stay the same. Back in 1974, Herbie Hancock decided to get himself a funky rhythm section that could throw down some booty-shaking grooves and recorded the Headhunters album. Working with electric bassist Paul Jackson, percussionist Bill Summers, and drummer Harvey Mason, along with woodwind player Bennie Maupin (the only holdover from Hancock’s Mwandishi band), Hancock managed to create an incredibly jazz/funk hybrid that most bona fide jazz musicians had been afraid to go after. With Mike Clark on drums and Hancock gone or relegated to guest status the band continued to record, putting out Straight From the Gate, Survival of the Fittest, and Return of the Headhunters.
Now Headhunters are back with Evolution Revolution, a CD that presents not only the group’s groundbreaking jazz/funk, but also some smooth sounds (“Headhunting”), R&B (“On the Shores of Amore”), straight ahead jazz (“Woody Shaw” and “Take No Prizzonerz”), blues and gospel (“Everything,” “Fonkyfried”), and African-influenced (“Yekola”). The core rhythm section of Summers, Clark, and Jackson are back, and the reunion is complete with the addition of special guests Harvey Mason and Bennie Maupin. Throw in appearances by Nicholas Payton, Donald Harrison, George Porter, Jr., Wah Wah Watson, Victor Atkins, and Irvin Mayfield, and you’ve got the makings of an incredible session. Summers and company do not disappoint. The album opens with the very brief interlude “Hindewhu For You,” which features the distinctive instrument that Summers used on the introduction to Hancock’s “Watermelon Man” on the original Headhunters album. From there we slide easily into the very Hancock-inspired “Slick It” (featuring some of the groovy synth washes heard on the original Headhunters’ “Sly” and “Vein Melter”), with Nicholas Payton providing some Miles-by-way-of-Eddie-Henderson trumpet work Next up is a sharp remake of the group’s “God Made Me Funky,” originally recorded on the band’s Survival of the Fittest album. When Harvey Mason, an original member of the smooth band Forplay, returns with his composition “Headhunting,” a track that also features Maupin and guitarist Wah Wah Watson, things begin to change up a bit, but by this time, you are definitely along for the whole ride. “Everythin” features gospel-tinged vocals from Juanita Brooks, Maisha Rose, and Paul Jackson as well as a down-home bluesy trumpet solo from Payton. “On the Shores of Amore” finds us in urban contemporary R&B territory; the piece is helped by the tasteful playing and rhythmic conception of the musicians. Victor Atkins does his best Herbie impression on both acoustic piano and keyboards. Singer Vinx Parrette has a deep and arresting voice. On “Take No Prizzonerz” Donald Harrison provides a great alto sax sound and some straight on jazz blowing. We’re only halfway through the album! I’ve gotta give it up for Mark Samuels at Basin Street Records: their releases really, really give the listener their money’s worth, and this one is no exception. More might be less in the hands of less skillful artists, but these guys seem to play everything well. “Gotta Be Strong” opens like a Los Hombres Calientes number (Summers is one of the leaders of that group) and never lets up on the percussion and the funky Latin piano rhythms. “Woody Shaw” pays tribute to a seriously overlooked trumpet great, allowing Payton a real chance to shine, while Mike Clark unleashes some bebop drumming. George Porter, Jr. lends his vocals to the funked out blues “Fonkyfried (If the bluenotes don’t gitcha).” We spin through some smooth jazz and another Headhunters funk special before hitting “Yekola,” an Afro-Carribean funk number that brings Summers’s Los Hombres compadre Irvin Mayfield into the mix. Congalese vocalist/guitarist Samba Ngo provides the upbeat vocals. Finally the group brings things to a conclusion with “Evolution Revolution” featuring the core rhythm section along with keyboard player Ronald Markham in a track that definitely recalls elements of the very first Headhunters album. Some of the Headhunters reunion CDs in the past have been a bit disappointing, but if you like living in the neighborhood where jazz, funk, blues, R&B, and other musical forms intermingle freely, you’ll really enjoy Evolution Revolution. Interesting read Red, cheers. I strongly recommend Survival of the Fittest if you're into the space-funk-jazz genre...it's what got it all started apparently...and ofcourse you all obviously have copies of Headhunters the album! He who joyfully marches to music in rank and file has already earned my contempt. He has been given a large brain by mistake, since for him the spinal cord would fully suffice. - Albert Einstein | |
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