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Thread started 01/29/03 5:34am

toccata

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Xenophobia rhythm changes/percussion stuff

I have only just noticed the org musicians hangout and it seems there are a few people who know about percussion.

I am wondering if anyone can tell me something about Xenophobia, the version on ONA Live (which is the only I have heard). At around 5:40 the rhythm changes and some of the emphasis seems to fall on off-beats. Then at around 6:20 the same percussion sound that was providing the rhythm from 5:40 starts pumping out the beats at a rapid rate. Forgive my lack of knowledge of percussion, but I am wondering whether at this point this is John Blackwell playing this or whether it is programmed, played on keyboards or what?

I also love the bass that starts at 7:48, the shifting rhythm almost rocking back and forwards is a fantastic effect.
In a couple of hundred years historians may discover that Prince's lyrics were written by Christopher Marlowe.
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Reply #1 posted 01/29/03 8:28am

yamomma

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not off-beats but up-beats.

Count to your self like this:

1 2 3 4

then count like this at the same pace as the previous count:

1&2&3&4&

the & would be the up-beat.


The song doesn't change tempo, but rather the note patterns.


I dig those 32nd notes on the ride cymbol twards the end before they go back into the main groove.
[This message was edited Wed Jan 29 8:29:25 PST 2003 by yamomma]
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Reply #2 posted 01/29/03 9:06am

tackam

toccata said:

I have only just noticed the org musicians hangout and it seems there are a few people who know about percussion.

I am wondering if anyone can tell me something about Xenophobia, the version on ONA Live (which is the only I have heard). At around 5:40 the rhythm changes and some of the emphasis seems to fall on off-beats. Then at around 6:20 the same percussion sound that was providing the rhythm from 5:40 starts pumping out the beats at a rapid rate. Forgive my lack of knowledge of percussion, but I am wondering whether at this point this is John Blackwell playing this or whether it is programmed, played on keyboards or what?

I also love the bass that starts at 7:48, the shifting rhythm almost rocking back and forwards is a fantastic effect.


I'm no percussion expert either, but I'm pretty sure that's still Blackwell. If you listen carefully, you can hear that the beats are not completely uniform (ie. not programmed). He's an awesome drummer.

I love this track.
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Reply #3 posted 01/29/03 2:40pm

thecloud9missi
on

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yamomma said:

not off-beats but up-beats.

Count to your self like this:

1 2 3 4

then count like this at the same pace as the previous count:

1&2&3&4&

the & would be the up-beat.


The song doesn't change tempo, but rather the note patterns.


I dig those 32nd notes on the ride cymbol twards the end before they go back into the main groove.
[This message was edited Wed Jan 29 8:29:25 PST 2003 by yamomma]

I think that may be one of those 'you say tomato, I say tomato' things. Ive always know it as an on beat & an off beat & everyone I know in England calls it that. But one of my american students mentioned that in the states its normally called an upbeat & a downbeat.

Lewis
[This message was edited Wed Jan 29 14:41:11 PST 2003 by thecloud9mission]
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Reply #4 posted 01/29/03 7:12pm

toccata

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tackam said:

toccata said:

I have only just noticed the org musicians hangout and it seems there are a few people who know about percussion.

I am wondering if anyone can tell me something about Xenophobia, the version on ONA Live (which is the only I have heard). At around 5:40 the rhythm changes and some of the emphasis seems to fall on off-beats. Then at around 6:20 the same percussion sound that was providing the rhythm from 5:40 starts pumping out the beats at a rapid rate. Forgive my lack of knowledge of percussion, but I am wondering whether at this point this is John Blackwell playing this or whether it is programmed, played on keyboards or what?

I also love the bass that starts at 7:48, the shifting rhythm almost rocking back and forwards is a fantastic effect.


I'm no percussion expert either, but I'm pretty sure that's still Blackwell. If you listen carefully, you can hear that the beats are not completely uniform (ie. not programmed). He's an awesome drummer.

I love this track.


Thanks, I knew I'd get some good responses from you guys. I don't normally notice drumming particularly but after listening to ONA live and Xpectation I was starting to think is it just me or is this guy something special.

Getting back to the bit in Xenophobia I was talking about, I assume this is controlled with the bass/kick drum (forgive my percussion knowledge again - I play piano) but the thing that amazed me was the speed his legs must have been working at while he's going crazy over the top of it.
In a couple of hundred years historians may discover that Prince's lyrics were written by Christopher Marlowe.
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Reply #5 posted 01/30/03 2:36pm

thecloud9missi
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Blackwell, like me, uses the morello technique. This is the nationally accepted standard Drum grip which is designed to work with your body & the bounce of the drum skin so you get the maximum sound with minimum effort. Takes years to master but makes the physical side of drumming a lot easier & also you dont burn yourself out after only a few hours of playing. Drumming is 95% technique.
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