Author | Message |
How do you tap into your imagination? I'm speaking more to the visual artists and writers than to the musicians, but everyone should chime in.
As I get older and more mired in responsibilities and family medical dramas and all the boring, high-maintenance stuff that comes with being an adult, I feel like it gets harder and harder to plug into that part of my brain that is random and whimsical and stream-of-consciousness-friendly. Is imagination a location that needs clear cut, regularly-weeded paths? Or is it more like a muscle that needs worked out regularly? I don't think my imagination has died away. I still have it. It just feels buried beneath a bunch of junk in my head. Has anyone sorted through their junk and found a way to keep accessing their imagination? Any exercises? Any habits or changes in ways of doing things? | |
- E-mail - orgNote - Report post to moderator |
edit [Edited 1/17/07 11:51am] | |
- E-mail - orgNote - Report post to moderator |
edit [Edited 1/17/07 11:52am] | |
- E-mail - orgNote - Report post to moderator |
I recently read something by Stephen King where he said that creativity is like finding a string in the grass. You never know where it's going to go. You just sort of spot it and follow it to see what it leads to. Often it goes nowhere, but when it does, it's an awesome thing. And, knowing where the string leads before you even follow it takes all the fun out the process, and often the end result seems stifled.
Another analogy he once said is like discovering the tip of a fossile in your backyard. You get excited by the prospect of finding anything at all, even though you have no idea what it is until you begin the process of unearthing your discovery. It's definitely all about the fun of finding out what you've got, but you never really know until you're done digging. I used to do these pencil drawings where I'd begin with a blank sheet of 8 1/2 x 11, and just start where it seemed like a hot spot at the time. Whether it was on an edge, a corner, or even smack in the middle somewhere, and the results were never the same twice. Sometimes I'd stop in one area and begin again in another, but no erasing allowed. Sometimes the whole page would end up filled, and other times I'd know just when to stop, justifying alot of blank space as part of the concept. I'm no expert, tho. I consider myself primarily a musician, however to me, filling up a space continuum is alot EASIER than a time continuum. And writing, like, music, is definitely more of a time context. But who's to say when you start writing that it's the first chapter and that all else must follow? Maybe you come up with a hot little piece of something, but realize that it's actually chapter 5 or 6, you know? [Edited 1/17/07 11:55am] | |
- E-mail - orgNote - Report post to moderator |
Untouchable said: I recently read something by Stephen King where he said that creativity is like finding a string in the grass. You never know where it's going to go. You just sort of spot it and follow it to see what it leads to. Often it goes nowhere, but when it does, it's an awesome thing. And, knowing where the string leads before you even follow it takes all the fun out the process, and often the end result seems stifled.
Another analogy he once said is like discovering the tip of a fossile in your backyard. You get excited by the prospect of finding anything at all, even though you have no idea what it is until you begin the process of unearthing your discovery. It's definitely all about the fun of finding out what you've got, but you never really know until you're done digging. I used to do these pencil drawings where I'd begin with a blank sheet of 8 1/2 x 11, and just start where it seemed like a hot spot at the time. Whether it was on an edge, a corner, or even smack in the middle somewhere, and the results were never the same twice. Sometimes I'd stop in one area and begin again in another, but no erasing allowed. Sometimes the whole page would end up filled, and other times I'd know just when to stop, justifying alot of blank space as part of the concept. I'm no expert, tho. I consider myself primarily a musician, however to me, filling up a space continuum is alot EASIER than a time continuum. And writing, like, music, is definitely more of a time context. But who's to say when you start writing that it's the first chapter and that all else must follow? Maybe you come up with a hot little piece of something, but realize that it's actually chapter 5 or 6, you know? thoughtful! | |
- E-mail - orgNote - Report post to moderator |
Hey, thanks Gangsta! I'm thrilled to see an intelligent thread for a change. Usually I loathe posting cuz all people wanna know is the color of your butt fungus on any given day or what makes your life suck. Nice when somebody uses a forum to actually inspire something worthwhile, huh? [Edited 1/17/07 12:24pm] | |
- E-mail - orgNote - Report post to moderator |
Untouchable said: Hey, thanks Gangta! I'm thrilled to see an intelligent thread for a change. Usually I loathe posting cuz all people wanna know is the color of your butt fungus on any given day or what makes your life suck. Nice when somebody uses a forum to actually inspire something worthwhile, huh?
Good threads abound. You just have to know where to look for them. (Scully-ism) But yeah, this is a good one. I have plenty of thoughts on this, cuz I deal with the same thing on a daily basis. | |
- E-mail - orgNote - Report post to moderator |
Anx said: I'm speaking more to the visual artists and writers than to the musicians, but everyone should chime in.
Your wacky comments are indication that your imagination is in tact. Sometimes being in a place where stream of consciousness work flows freely you are also in a place of vulnerability...at risk of getting "caught up" in the work.
As I get older and more mired in responsibilities and family medical dramas and all the boring, high-maintenance stuff that comes with being an adult, I feel like it gets harder and harder to plug into that part of my brain that is random and whimsical and stream-of-consciousness-friendly. Is imagination a location that needs clear cut, regularly-weeded paths? Or is it more like a muscle that needs worked out regularly? I don't think my imagination has died away. I still have it. It just feels buried beneath a bunch of junk in my head. Has anyone sorted through their junk and found a way to keep accessing their imagination? Any exercises? Any habits or changes in ways of doing things? Discipline and imagination don't always go together. So maybe it frightens you to go to a place where you know you are at risk of being held captive, especially as grown up life seems to need you more. Crazy dilemma. Why do you like playing around with my narrow scope of reality? - Stupify | |
- E-mail - orgNote - Report post to moderator |
Sometimes I reverse Prince songs to get inspiration.... | |
- E-mail - orgNote - Report post to moderator |
anon said: Anx said: I'm speaking more to the visual artists and writers than to the musicians, but everyone should chime in.
Your wacky comments are indication that your imagination is in tact. Sometimes being in a place where stream of consciousness work flows freely you are also in a place of vulnerability...at risk of getting "caught up" in the work.
As I get older and more mired in responsibilities and family medical dramas and all the boring, high-maintenance stuff that comes with being an adult, I feel like it gets harder and harder to plug into that part of my brain that is random and whimsical and stream-of-consciousness-friendly. Is imagination a location that needs clear cut, regularly-weeded paths? Or is it more like a muscle that needs worked out regularly? I don't think my imagination has died away. I still have it. It just feels buried beneath a bunch of junk in my head. Has anyone sorted through their junk and found a way to keep accessing their imagination? Any exercises? Any habits or changes in ways of doing things? Discipline and imagination don't always go together. So maybe it frightens you to go to a place where you know you are at risk of being held captive, especially as grown up life seems to need you more. Crazy dilemma. well, i think i'm good with responsibility, but my mind needs to be centered and focused in that world. and i think i'm good with imagination, but i need to let myself go to that place and commit to it as well. it's why other than little goofy comments on the org, i can't do creative writing at work. i have to be able to go deep into the writing and when i get jerked out of it with the stuff they pay me to do here (heh), it completely ruins my flow. some people can write at work. i don't know how they do it. on the other hand, it's really difficult to write at home, because i feel a complete lack of structure. writing at a coffee shop or at the library is helpful, though deadlines are the best thing in the world for me. | |
- E-mail - orgNote - Report post to moderator |
Anx said: anon said: Your wacky comments are indication that your imagination is in tact. Sometimes being in a place where stream of consciousness work flows freely you are also in a place of vulnerability...at risk of getting "caught up" in the work.
Discipline and imagination don't always go together. So maybe it frightens you to go to a place where you know you are at risk of being held captive, especially as grown up life seems to need you more. Crazy dilemma. well, i think i'm good with responsibility, but my mind needs to be centered and focused in that world. and i think i'm good with imagination, but i need to let myself go to that place and commit to it as well. it's why other than little goofy comments on the org, i can't do creative writing at work. i have to be able to go deep into the writing and when i get jerked out of it with the stuff they pay me to do here (heh), it completely ruins my flow. some people can write at work. i don't know how they do it. on the other hand, it's really difficult to write at home, because i feel a complete lack of structure. writing at a coffee shop or at the library is helpful, though deadlines are the best thing in the world for me. I have a voice recorder on my MP3 USB drive and I have a tape recorder. I usually hum my beats into there or put some vocal reminders in there, most of the time I carry a note pad and pen in my pocket, and if I don't have that, I write on my hand! | |
- E-mail - orgNote - Report post to moderator |
Anx said: anon said: Your wacky comments are indication that your imagination is in tact. Sometimes being in a place where stream of consciousness work flows freely you are also in a place of vulnerability...at risk of getting "caught up" in the work.
Discipline and imagination don't always go together. So maybe it frightens you to go to a place where you know you are at risk of being held captive, especially as grown up life seems to need you more. Crazy dilemma. well, i think i'm good with responsibility, but my mind needs to be centered and focused in that world. and i think i'm good with imagination, but i need to let myself go to that place and commit to it as well. it's why other than little goofy comments on the org, i can't do creative writing at work. i have to be able to go deep into the writing and when i get jerked out of it with the stuff they pay me to do here (heh), it completely ruins my flow. some people can write at work. i don't know how they do it. on the other hand, it's really difficult to write at home, because i feel a complete lack of structure. writing at a coffee shop or at the library is helpful, though deadlines are the best thing in the world for me. But on the other side of that, you could be so deep into something that it consumes all your thought anyway. So what would appear to be a creative quickie is actually taking advantage of a break to get down a bit more of what's been in your head. So maybe if you begin something and become passionate about it, it might not matter where you are. Why do you like playing around with my narrow scope of reality? - Stupify | |
- E-mail - orgNote - Report post to moderator |
As an advertising creative at a big name agency, I don't have the luxury of waiting for inspiration. I have to come up with ideas every day, with very strict deadlines. After ten years in this line of work, it's no big deal. I don't usually rely on routine, but it's a relaxing thought that I can do that if all else fails.
It also helps that I always work with a partner. Sometimes I have a bad day, sometimes she does, but rarely at the same time. I've learned that writer's block and like are all about fear of failure. So it really helps to say: okay, for the first half hour we're going to come up with the absolute worst we can. It's a lot of fun to think of corny, crappy ads and it gets the creative juices flowing without any pressure. By the time we move on to more serious stuff, we've had our warm up. And sometimes a crappy idea just needs a little adjusting to be pretty cool. My advice: inspired or not, start writing the second you get an assignment or idea. Write total crap if you need to, but write, write, write. Don't procrastinate, even if you don't have a clue sit down and do it and keep doing it. Inspiration may come in a flash, but usually AFTER a lot ofhard work, not BEFORE. | |
- E-mail - orgNote - Report post to moderator |
From my experience what stalls the flow your imagination the most is some unfinished project you've already given a lot of attention to but find extremely hard to properly finish. From that point, it's hard to progress freely to new kernels of works. | |
- E-mail - orgNote - Report post to moderator |
Hey Anx, have you ever read (or heard of) The Artist's Way by Julia Cameron? It's like a self-help book for creativity. She talks about "Artist Dates" where you go out once a week and treat your "inner artist" to some fun, like visiting a museum, going to see a movie, shoping at antique stores... anything that inspires you. The important thing is to do something you want to do and do it alone. I don't do this enough myself... | |
- E-mail - orgNote - Report post to moderator |
Imagination is synonymous with creativity, and I had to learn there's a difference between creativity and creating.
http://www.amazon.com/Cre...F8&s=books This book helped me a lot many moons ago. I'm sick and tired of the Prince fans being sick and tired of the Prince fans that are sick and tired! | |
- E-mail - orgNote - Report post to moderator |
VinaBlue said: Hey Anx, have you ever read (or heard of) The Artist's Way by Julia Cameron? It's like a self-help book for creativity. She talks about "Artist Dates" where you go out once a week and treat your "inner artist" to some fun, like visiting a museum, going to see a movie, shoping at antique stores... anything that inspires you. The important thing is to do something you want to do and do it alone. I don't do this enough myself...
I lived in Chicago alone for three years and followed the course of The Artists's Way - it's awesome! The Artist Dates are great, but I especially enjoyed The Morning Pages! I would always confuse them and call them The Morning Papers (like the prince song, lol) - they helped alot. It's like EuroCinema says above - you start by just getting all the crap to come out first, but often, you can't stop and it leads to terrific things, especially if writing is your thing (in my case, it's not, but I still loved doing it - often surprised myself at my passion for it). | |
- E-mail - orgNote - Report post to moderator |
Adisa said: Imagination is synonymous with creativity, and I had to learn there's a difference between creativity and creating.
http://www.amazon.com/Cre...F8&s=books This book helped me a lot many moons ago. Adisa, you are right, this book kicks ass! Another good one by Robert Fritz is THE PATH OF LEAST RESISTANCE. Both that and CREATING are both about rearranging physical definitons in your life and habits in order to harness the creativity, so it flows easily like water through a pipe. Very inspirational and logical too! Another good one is ART AND FEAR by David Bayles & Ted Orland. It's short, but has alot of great ideas in it. Most significant: the idea of quantity verses quality. Two groups of art students were asked to go about their artmaking. Group 1's goal was to make as much art as possible, with no regard to quality. Just produce as much product as possible, with no emphasis on how good it actually was. Group 2's goal was to put all their efforts into one glorious project, with complete focus on sheer quality alone. Well, needless to say, Group 1 (quantity) came up with much more profound, striking, and genuine results. Group 2 (quality) produced hideous results, just a huge amalgam of layers-upon-layers of literal gunk. The moral? Just keep cranking 'em out, and with practice, you can't help but get better and better each time! Do it! [Edited 1/18/07 20:41pm] | |
- E-mail - orgNote - Report post to moderator |
I really have a lot I want to say about this topic, but I've just been so damn busy! Isn't that appropo. But I promise to come back to this. | |
- E-mail - orgNote - Report post to moderator |
And don't forget drugs! [Edited 1/18/07 23:32pm] | |
- E-mail - orgNote - Report post to moderator |
This book is a classic in the advertising industry and well worth looking into for any creative person.
HOWEVER... reading books can just as easily turn into more procrastination, distracting you from creating. Maybe actively using the techniques in a book will help you.Just reading it won't. Dón't end up reading book after book in time you could also use to create something! | |
- E-mail - orgNote - Report post to moderator |
novabrkr said: And don't forget drugs!
[Edited 1/18/07 23:32pm] I know you're joking, but it's a tragedy that many creative people have fallen into addiction because of the myth that drugs will somehow transform you into a genius. In the 40's/50's,many jazzmusicians believed heroin would turn them into virtuosos like Charlie Parker. Listen to a Keith Richards solo and you know that ain't exactly true Hallucinogens won't turn you into Hendrix either, as thousands of shitty psychedelic records have proven. And coke will make you think any crappy idea is fantastic - pity that most of your audience won't agree. It's not up to me to tell anyone how to live their lives. But don't buy into the lie that drugs are the solution to creative challenges. The only way to be creative is to work hard, have the courage to be yourself and express your own personality. | |
- E-mail - orgNote - Report post to moderator |
Untouchable said: I recently read something by Stephen King where he said that creativity is like finding a string in the grass. You never know where it's going to go. You just sort of spot it and follow it to see what it leads to. Often it goes nowhere, but when it does, it's an awesome thing. And, knowing where the string leads before you even follow it takes all the fun out the process, and often the end result seems stifled.
Another analogy he once said is like discovering the tip of a fossile in your backyard. You get excited by the prospect of finding anything at all, even though you have no idea what it is until you begin the process of unearthing your discovery. It's definitely all about the fun of finding out what you've got, but you never really know until you're done digging. I used to do these pencil drawings where I'd begin with a blank sheet of 8 1/2 x 11, and just start where it seemed like a hot spot at the time. Whether it was on an edge, a corner, or even smack in the middle somewhere, and the results were never the same twice. Sometimes I'd stop in one area and begin again in another, but no erasing allowed. Sometimes the whole page would end up filled, and other times I'd know just when to stop, justifying alot of blank space as part of the concept. I'm no expert, tho. I consider myself primarily a musician, however to me, filling up a space continuum is alot EASIER than a time continuum. And writing, like, music, is definitely more of a time context. But who's to say when you start writing that it's the first chapter and that all else must follow? Maybe you come up with a hot little piece of something, but realize that it's actually chapter 5 or 6, you know? [Edited 1/17/07 11:55am] I have read this book. It's interesting. The first half is kind of an auto-bio on Stephen King, the second half is a 'writing 101', in which the Master of Macabre shares his insight for the craft with us. "Writing is like uncovering a long, lost fossil." "Plaid shorts are completely over." | |
- E-mail - orgNote - Report post to moderator |
"What the Bleep do we know...."
is a good docu/movie that might provide an opening or 2 Imagination Contemplation Intagr8n Creativity Illussion Coalumination | |
- E-mail - orgNote - Report post to moderator |
robertes71 said: Untouchable said: I recently read something by Stephen King where he said that creativity is like finding a string in the grass. You never know where it's going to go. You just sort of spot it and follow it to see what it leads to. Often it goes nowhere, but when it does, it's an awesome thing. And, knowing where the string leads before you even follow it takes all the fun out the process, and often the end result seems stifled.
Another analogy he once said is like discovering the tip of a fossile in your backyard. You get excited by the prospect of finding anything at all, even though you have no idea what it is until you begin the process of unearthing your discovery. It's definitely all about the fun of finding out what you've got, but you never really know until you're done digging. I used to do these pencil drawings where I'd begin with a blank sheet of 8 1/2 x 11, and just start where it seemed like a hot spot at the time. Whether it was on an edge, a corner, or even smack in the middle somewhere, and the results were never the same twice. Sometimes I'd stop in one area and begin again in another, but no erasing allowed. Sometimes the whole page would end up filled, and other times I'd know just when to stop, justifying alot of blank space as part of the concept. I'm no expert, tho. I consider myself primarily a musician, however to me, filling up a space continuum is alot EASIER than a time continuum. And writing, like, music, is definitely more of a time context. But who's to say when you start writing that it's the first chapter and that all else must follow? Maybe you come up with a hot little piece of something, but realize that it's actually chapter 5 or 6, you know? [Edited 1/17/07 11:55am] I have read this book. It's interesting. The first half is kind of an auto-bio on Stephen King, the second half is a 'writing 101', in which the Master of Macabre shares his insight for the craft with us. "Writing is like uncovering a long, lost fossil." Another great book is "The Creative Habit" by choreographer Twyla Tharp. "Plaid shorts are completely over." | |
- E-mail - orgNote - Report post to moderator |
And Anx is no where to be found....too much advice Anx, or did ya
forget you put a thread in here? | |
- E-mail - orgNote - Report post to moderator |
EuroCinema said: novabrkr said: And don't forget drugs!
[Edited 1/18/07 23:32pm] I know you're joking, but it's a tragedy that many creative people have fallen into addiction because of the myth that drugs will somehow transform you into a genius. In the 40's/50's,many jazzmusicians believed heroin would turn them into virtuosos like Charlie Parker. Listen to a Keith Richards solo and you know that ain't exactly true Hallucinogens won't turn you into Hendrix either, as thousands of shitty psychedelic records have proven. And coke will make you think any crappy idea is fantastic - pity that most of your audience won't agree. It's not up to me to tell anyone how to live their lives. But don't buy into the lie that drugs are the solution to creative challenges. The only way to be creative is to work hard, have the courage to be yourself and express your own personality. I dont' really do a lot of drugs, but when I smoke or have a few drinks, it makes me a little less self conscious, and as a result I might write things that I would think are shit, but then when I come back to them sober, they're actually good ideas, and I can flesh them out more sober. But sometimes disconnecting your mind is a good way to get a great germ of an idea to play with later on. The trick is also to remember HOW you were able to disconnect your mind and learn to do it sober. It's hard, but once you learn to do so, it makes being creative a lot less of a struggle. | |
- E-mail - orgNote - Report post to moderator |
something i have been doing a lot taking pictures of sunsets | |
- E-mail - orgNote - Report post to moderator |
obsessed said: And Anx is no where to be found....too much advice Anx, or did ya
forget you put a thread in here? Anx has a tendency to ask a really profound question and then let us wrestle with it. He's like the Deist form of God that way. | |
- E-mail - orgNote - Report post to moderator |
GangstaFam said: obsessed said: And Anx is no where to be found....too much advice Anx, or did ya
forget you put a thread in here? Anx has a tendency to ask a really profound question and then let us wrestle with it. He's like the Deist form of God that way. I'll keep that in mind.... Well at least there are lots of thoughts goin' on in here... but I'm not planning to wrestle with it... | |
- E-mail - orgNote - Report post to moderator |