AMY is great! Really haunting doc. So sad she is gone. | |
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Agreed! I just love her music. She had style and knew how to write and deliver a song. | |
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Yes, she was great, and what a voice; but in the other hand her life; how i wish she had lived enough to get over her problems. | |
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[img:$uid]http://img.photobucket.com/albums/v286/supernova638/MV5BMzE4MDk5NzEyOV5BMl5BanBnXkFtZTgwNDM4NDA3NjE._V1_SX640_SY720__zps4jl4v2jn.jpg[/img:$uid] | |
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. . Last Year At Marienbad: 8.5/10. Very, very fascinating movie... It feels very artificial, unrealistic and at times seems rather like a theater piece. But that's the point, it plays a lot with structure and perception of reality. Hey loudmouth, shut the fuck up, right? | |
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Horrible Bosses 2 was quite entertaining. Not as classic as 1 but nice. Good 2 c them all still fucking up shit. Forgot there even was a 2. 4 . For all time I am with you, you are with me. | |
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Last night we saw "Deadpool". It was awesome! [Edited 2/21/16 10:52am] | |
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My 10 year old son loved Deadpool. I thought it had some pretty funny parts but the violence may be a bit much for many younger kids. | |
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Dead Pool might be the most overrated film of the last decade. The same goes to "Creed" 2015
It's the same old story about box fighters, the story line isn't strong enough to justify this film. Btw it's a good thing Michael weren't nominated, because his acting isn't anything special, neither Silvester's acting. So overrated. It does not deserve the Best Picture nomination. It´s not a bad film. I eNjoyed it. 2/5
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Hudson said:
That was fun. 3/5. What? | |
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JustErin said:
5/5. What? | |
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A simple review or an attempted love letter to our current seemingly ceaseless...
Picnic (1955) In spite of all the greatness it has no doubt cultivated, I figured out ages ago that the Oscars were far from the ideal. Art celebrated in all its unfettered corners, set aglow atop a red-carpeted glee that pauses briefly in the face of its most astonishing. I could list dozens — probably more like hundreds — of times the ball has been dropped in favor of doing the kinds of things committees so predictably deliver: a pleasantry that says neither enough to offend nor inspire that which we could have never imagined. There are all types of bias and human failings here to attempt a feeble explanation. The representation is not nearly as wide or varied as its constituency, an endless trail of political nonsense, a natural favoring of one's own culture, and countless other even less flattering things about ourselves that continue to contribute to the photoshopped stares that greet each grocery checkout. But this on the positive side — all quite by happenstance — brings me even more wide-eyed into an appreciation of what the Academy Awards, and society itself, is slowly — sometimes quite painfully so — inching toward like some billion-headed millipede. Perhaps it's this monster that steals away my sleep this fine day. I woke up at 4:45 a.m. this morning and couldn't for the life of several sacrificial sheep get back to a deeper place. Channels had already started flipping in hopes of finding that perfect background to serenade my wasn't-even-aware-it-happened. But then, as if by magic, Turner Classic Movies shows a new entry starting shortly in their "31 Days of Oscar" series. The movie, "Picnic", from 1955, which I had never even heard of, was top rated (later found out that it was nominated for Best Picture at the 1956 Academy Awards), was widescreen (2.35:1), and was being presented in high definition (1080i). "This is great," I thought, as I settled back into my double-stacked grin, propped up just so as the opening credits danced about my formerly frustrated head. "You idiot," I thought, "this is the only sleep you need!" Then, totally and unapologetically abrupt, barely minutes into opening my new bag of chips that had me temporarily floating on air like some kid who had just realized that bedtime had been overlooked, I was punched square in my perfectly coiffed serendipity. "Could this really be happening?" I asked myself as this picture unfolded like a whiff from some untreated linen buried in the attic. The internal dialogue continued. "Are we really this superficial? Okay. But this deeply flawed? Tell me, why is the foundation around my bed shaking? And why am I starting to question even the pathetic little I thought I already knew?" Let me quickly get this delusion handed over to the real beginning. I started, ahem, this movie started, as William Holden's previously railed feet hit the ground all hobo-like on Labor Day weekend in a small, unsuspecting Kansas town, the kind so inaccurate it could only happen on some Pacific backlot. William's character, later revealed as a wandering college flunky and star athlete with amazing looks to match the privilege his dorm-mate (and reason for this train stop) enjoys atop all his daddy's grain elevators. A lofty position William's character is hoping to spark his own nomadic, listless drive. But a different sort of storm sparks among the women folk, stomping a warning down the throats of any young ladies foolish enough to forget their un-popped insecurities. Cue unabashed shirtless-ness, end-of-summer swooning, and the full scope of a seduction only half-imagined. Save for the actual movie, this still might sound intriguing. You would be wrong. William Holden in this youthful role, a man of 37 at this time in the real world — already 5 years removed from his very adult role in the masterpiece "Sunset Blvd." — feels closer to 50 than early-to-mid 20s. And at some level he's obviously aware and awkwardly projects "juvenile", like 16, in a desperate sweat to cover that which is now showing thanks to the removal of the rest of my bedding. Put James Dean in his place and maybe you've got something at least watchable. He's also beloved, more chronologically charismatic, and highly sought after by financiers. Unfortunately, he's also being offered pictures light years more capable of transporting his smoky never-before and can't-hardly-believe. As the next half hour of this Technicolor plays out with the ultra black-white simplicity of a musical void of any music or choreography, the movie breaks out into a documentary on the virtues of a Midwest picnic. I'm out of here. I secretly start to doubt my passion for film, my understanding of fair play, even my own humanity. I never stop movies intentionally. There is value gone unnoticed in almost everything. Observing which drop of paint falls farthest like there's money riding on it is virtue. But here I rub out the contestants beneath my now trembling fingers and call it a waste of time. Perhaps it gets better, and I already know that part of my distaste is about my own expectations being set on stun. But I have lost my own sense of the honorable, now all clumped to the floor beside the rest of my covers. If this movie gets any better, I figure it's even more practice at playing the fool and hopefully it'll find me again in a better place. For now it's my new anecdote for how far we can fall in our sometimes vain attempts at framing what makes us — all of us, not just the ones we currently choose to learn from and be moved by — feel special, inspired, at times even transcendent. It's tragic, really. We are all so alike. The one thing left I know for sure. Back to bed, per chance to forget. [1.5 unfinished stars out of 5] The Academy Awards are next Sunday, Feb. 28. --- [Edited 2/23/16 16:43pm] | |
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I hope this wins the Oscar for best doc. I haven't seen the others, but I really enjoyed this one. | |
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Is nominated? it does not deserve the nomination. | |
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The Revenant 3 stars out of 5.
I had to look up what the word Revenant meant. It's means "one who returns" and boy, does Leonardo DiCaprio as Hugh Glass ever return! With a vengence! But although the movie was supposed to be a true story, it had too many "Yeah, Right!" moments in it. I had to think huge liberties were taken. It's a satisfying story, but I don't think it deserves Best Picture. | |
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That's entirely your opinion and you know what they say about opinions! | |
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It's a fact because i say so. | |
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The 2015 Academy Award-Nominated Documentary Short Films: Last Day of Freedom (2015) - An animated account of Bill Babbitt's decision to support and help his brother in the face of war, crime and capital execution. 3.5/5 | |
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sexton said: The 2015 Academy Award-Nominated Documentary Short Films: Last Day of Freedom (2015) - An animated account of Bill Babbitt's decision to support and help his brother in the face of war, crime and capital execution. 3.5/5 You go deep. I respect that greatly. "Shoah" is my current fill-in-the-blank for the best film I've thus far encountered, though it seems somehow blasphemous to even include it with all the others. | |
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Because the fact that i enjoy a film does not mean i consider the film a great one or even good one. It's a good film, enjoyable but very weak and we have seen that story over and over again. | |
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Room 5 big stars of of 5 big stars
I have never seen a movie quite like this one. Chilling and beautiful at the same time. Director Lenny Abrahamson's Room is not to be confused with The Room the cult film by Tommy Wiseau. | |
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That's fine but i try not to do that. | |
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The 2015 Academy Award-Nominated Live Action Short Films: | |
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Nothing, sometimes it's a good thing to be more objective. | |
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