Ace said: I was a little disappointed. I love Chris, but I thought it was just alright. And the plot twist isn't plausible. I'd give Top Five a 2.5/5 too. It was okay, I liked the story enough, but there were too many elements added to the movie to spell out a plot that was already clear.... Rosario was in it though, so it was mostly good If you will, so will I | |
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Brick 5/5
Joseph Gordon-Levitt gives a great performance. | |
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I watched "The Last Stand" last night. It was SO GREAT to see Arnold Schwarzenegger back to form! | |
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Don't be shy, tell us how you REALLY feel.
actually, i felt the same way when I watched Casino Royale. my ex and i watched it together, he liked it a lot. i didn't.
i learned to appreciate mr. craig as bond ONLY after i watched 'skyfall'. he does a believable job there.
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The Legend of Billie Jean [1983] Act 1: Quite by unwitting serendipity I find myself slathered in an twistedly magnetic 80's teen movie that I didn't even know existed 20 minutes ago that seems to fashion itself as a bit of a modern-day Joan of Arc. Act 2: They're leaving IOUs in toy stores, pied piping for child abuse, and encountering non-shootout blood in a shootout. Am I still feeling its trailer park origins or am I getting hit on the back of the head with Milk Duds? Act 3: Oh my. I'm getting pelted. If I were Pat Benatar, whose song "Invincible" infuses the theme and this final chapter, all of the blood would've drained from my face as I began choking on my Bit-O-Honey. At 15 years of age this is Christian Slater's first movie. And he and his onscreen sister, Helen Slater (no real relation to Christian or Joan), looking as if she could inspire both genuine hostility and brisk t-shirt sales, seem to believe fervently in the material, even if most of what remains ultimately props them up on a stake for the inevitable fire sale. Under far different circumstances, like those Skittles in E.T., that little orange scooter ridden to catch a malt and a dip in the lake might have become a symbol for a youthful call to change led heroically by a femininity that fights selflessly against a far-reaching occupying injustice. Instead, it's just orange -- really, really orange. 2/5 | |
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Happy Christmas [2014] Professional actors improvising around a loose sketch for a plot concerned with contrasting the newfound realities of family with the selfishness of a younger sister who just broke up with her boyfriend. I appreciate the homemade spirit, the hardcore realism and the experimentation of not knowing what we'll find, but outside of the potential for personal growth of the people involved and Anna Kendrick's amazing smile, excruciatingly little seems to have been left under the tree. I feel like Scrooge. But I see little going on here that we couldn't write on the back of a cocktail napkin and shoot with the latest smartphones in someone's basement getaway. 1/5 | |
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