Something is fishy about this whole situation. The photographer films an altercation in the street, then follow them into the subway, only to watch and film the man being pushed in front of the train? Someone please explain this one. Am I missing something here? | |
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This is sad. The photographer who took the picture was wrong for doing that, but he said the victim struggled for a minute while others stood by and did nothing.
"What really surprises me is the people who were 100 feet or 150 feet away from Mr. Han did not reach out to help him," Abbasi said. "The people standing near the 50th street exit could have grabbed him and moved him."
Count sixty seconds to yourself, that's a long time. Way to go New Yorkers. | |
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hold on.. i've been following this story and i never heard that this started on the streets where did you read this ? | |
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The man who took the photograph is a reporter and was on the Today show explaining that he was covering another story and saw the altercation.
He witnessed Mr. Hun (I think that is the victim's name?) being pushed onto the tracks and he then took photos of the man, as soon as the man stood up he was struck by the train.
I believe there were a series of photograhs taken as he was struck, and photos leading up to him being pushed onto the tracks.
The photographer did NOT help him because he was afraid of the pan-handler also. He ducked in the crowd to not be pushed onto the tracks as well. He knew the agressor saw him taking pictures of the incident.
BUT>>> this photographer made good money with that photo and sold it to the Post.
He should be ashamed of himself profitting from someone's brutal death.
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By St. Boogar and all the saints at the backside door of Purgatory! | |
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Anguished fotog: Critics ...condemn me
R. Umar Abbasi
Post freelance photographer R. Umar Abbasi captured the dramatic moments before Ki Suk Han was struck by a downtown Q train. A day after the pictures were published, a flurry of criticism erupted — from other media and over social media like Twitter. He recounted the or deal to The Post yesterday:
I was on an assignment, waiting for a train at the 49th Street subway platform, when I suddenly heard people gasping.
The announcement had come over the loudspeaker that the train was coming — and out of the periphery of my eye, I saw a body flying through the air and onto the track. I just started running. I had my camera up — it wasn’t even set to the right settings — and I just kept shooting and flashing, hoping the train driver would see something and be able to stop. I had no idea what I was shooting. I’m not even sure it was registering with me what was happening. I was just looking at that train coming. It all went so quickly; from the time I heard the shouting until the time the train hit the man was about 22 seconds. At the same time, the perp was running toward me. I was afraid he might push me onto the tracks. David McGlynn
The victim was so far away from me, I was already too far away to reach him when I started running. The train hit the man before I could get to him, and nobody closer tried to pull him out. What keeps playing over in my mind, what haunts me when I think back on it, is that the man did not scream at all. I didn’t hear the man cry for help. And then I was standing there, with this poor man, twisted like a rag doll, and it was so painfully hopeless. A young doctor named Laura Kaplan came immediately. She was so brave, the way she remained calm. She asked if anyone knew CPR, and there was a man who kneeled down next to her who said, “I don’t know how to do it, but I will try if you tell me.” And they just kept trying, even though there was no hope. Then a crowd came over with camera phones and they were pushing and shoving, trying to look at the man and taking videos. I was screaming at them to get back, so the doctor could have room because they were closing in on her; she thanked me. I remember telling a woman — whom I later learned was the MTA chaplain — to give the man his last rites. It was one of the most horrible things I have ever seen, to watch that man dying there. When it was over, I didn’t look at the pictures. I didn’t even know at all that I had even captured the images in such detail. I didn’t look at them. I didn’t want to. It was just too emotional a day. I brought the camera memory card back to the office and turned it in. Two detectives came and looked at the photos and I just sat in a chair. When I finally looked at them late that night, my heart started racing. It was terrible, seeing it happen all over again. I didn’t sleep at all. All I can hear is that man’s head against that train: Boom! Boom! Boom! I have to say I was surprised at the anger over the pictures, of the people who are saying: Why didn’t he put the camera down and pull him out? But I can’t let the armchair critics bother me. They were not there. They have no idea how very quickly it happened. They do not know what they would have done. Before I went into the subway, I had been up in Times Square, and my camera was still set for outside lighting. The flash was on 1/64th of a second, which would be split-second recharging. People think I had time to set the camera and take photos, and that isn’t the case. I just ran toward that train. The sad part is, there were people who were close to the victim, who watched and didn’t do anything. You can see it in the pictures. The truth is I could not reach that man; if I could have, I would have. But the train was moving faster than I could get there. | |
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Oh never mind. I mistaken the freelance photographer from the victim here
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Here's the link to that interview. http://today.msnbc.msn.com/?_r=1
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Very interesting. Worth NY tax dollars to build something like this. Would save a lot of lives, I believe. | |
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Thanks for the link... I was going by my memory and I might be inaccurate.
But seriously.... I think this freelancer is a POS for this. He is even pictured talking to the perp.
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I still don't see how these barriers could be built. As PDogz pointed out, there are different models of trains running through the subway so the openings would have to move according to which train is approaching the station. That would be VERY expensive. | |
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Or he could have just moved in the other direction and stood in between the support beams separating the northbound and southbound tracks. I don't recall any gate or wall between the two tracks at that station. He died because he panicked. Very sad. | |
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That's not him talking to the perp. That's the victim. | |
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That's lil tricky because he would have had to get over the third rail (the electricity) his best bet would have been to lay down flat between the 2 rails but i'm sure it happened really fast and i really don't understand why the trains can't slow down upon entering the station.. They slow down upon entering 42nd street (Grand Central) but that's because they have to come around a curve. | |
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Oh, OK I got confused since victim and the photographer are wearing similar outfits... well, at least he wasn't talking to the panhandler/murderer.
But still a shitty thing to do and my heart goes out to to the victim's family.
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But he's not officially charged | |
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The more I think about the photographer and what he did, the more angry I get.
First of all, I don't buy the excuse that he was using his flash to alert the train operator. If anything, the flash would have taken the operator's attention AWAY from the tracks and to the photographer instead. Maybe the operator didn't notice the victim earlier because he was distracted by the flashes?
Even if there was truly no way the photographer could have pulled the victim out in time, why the hell take pictures? Seriously ... why? What purpose does it serve?
Oh, wait a minute - there WAS a purpose, to make money! Obviously that was his motivation for taking the pictures, particularly since he claims that he was so upset about what happened that he didn't even want to look at them afterward.
If the photographer had a shred of decency, he would not have sold that picture to anyone. Making money off someone else's horrific death is revolting, and I'm talking to you too NY Post. "Never let nasty stalkers disrespect you. They start shit, you finish it. Go down to their level, that's the only way they'll understand. You have to handle things yourself." | |
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I'm telling you...I saw that coverstory/picture and I rolled my eyes in disgust (figuratively lol) and decided right then & there that I'll probably never buy another copy of the NY Post ever again. By St. Boogar and all the saints at the backside door of Purgatory! | |
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Beautiful subway.I ride the NYC subway.eeek 2014-Year of the Parties | |
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i'm just happy he's off the street.. The charges will come later | |
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In post 35 it looks like there is an opening that he could have ducked into. Nobody knows how they will react under such circumstance but it is a brings to mind the importance of remaining centered under difficult circumstances. So sad. 2010: Healing the Wounds of the Past.... http://prince.org/msg/8/325740 | |
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Thank GOD this crazy freak is caught. 2010: Healing the Wounds of the Past.... http://prince.org/msg/8/325740 | |
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i see that too. looks like some kind of doorway or something. the victim was likely in shock at the moment, deer in the headlights thing... | |
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The "doorway" is the space between the support rails and to get there he'd have to step over the 3rd rail which carries 600-750 volts of electricity. It's also not that low to step over - at least it doesn't look that low to me, from the platforms.
The whole thing is f*cked up.
The Post is a disgusting rag. I don't understand why people read it.
The check. The string he dropped. The Mona Lisa. The musical notes taken out of a hat. The glass. The toy shotgun painting. The things he found. Therefore, everything seen–every object, that is, plus the process of looking at it–is a Duchamp. | |
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In the NY Times, they reported the victim may have also been drinking.
Here is an article that discusses (seriously) what to do if you fall (or I suppose, are pushed) onto the subway tracks:
http://gawker.com/5965694/what-to-do-if-you-fall-onto-the-subway-tracks-run-away-seriously?tag=how-to The check. The string he dropped. The Mona Lisa. The musical notes taken out of a hat. The glass. The toy shotgun painting. The things he found. Therefore, everything seen–every object, that is, plus the process of looking at it–is a Duchamp. | |
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His wife indicated that he had been drinking | |
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I think we can all agree it's easier to jump over the third rail than climb back onto the platform. | |
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z
Maybe... everytime something like this happens I think about what I would do. I feel like I'd be so panicked that I'd trip trying to step over the 3rd rail and fry myself.
There's also the "try to lie flat in the muck between the rails and hope the train rolls over you" option.
If I see someone who seems a little "off" I subtlely (so as not to agitate them further) try to move away from them and try to stand in front of a column...that way no one can come up from behind and push me. They'd have to grab me from the front putting themselves between me and the train tracks.
The fact we even have to have this discussion is another thing that annoys me about society. It should be common sense to keep your hands to yourself and not push someone in front of a f*cking train.
The check. The string he dropped. The Mona Lisa. The musical notes taken out of a hat. The glass. The toy shotgun painting. The things he found. Therefore, everything seen–every object, that is, plus the process of looking at it–is a Duchamp. | |
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I think being pushed in front of an oncoming train is a pretty rare occurrence. What is more common is people falling onto the tracks on their own due to fainting, drunkenness or seizures. | |
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