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ICON LENA HORNE DEAD AT 92! **SIGH** Sorry if this is a dupe.
RIP Miss Horne. What a legend and a beauty. Barrier-breaking jazz star Lena Horne dies at 92 NEW YORK — Lena Horne, the enchanting jazz singer and actress known for her plaintive, signature song "Stormy Weather" and for her triumph over the bigotry that allowed her to entertain white audiences but not socialize with them, has died. She was 92. Horne died Sunday at NewYork-Presbyterian Hospital, said hospital spokeswoman Gloria Chin, who would not release details. "Her timeless legacy will forever be celebrated as part of the fabric of American popular music, and our deepest sympathies go out to her family, friends, and fans worldwide as we all mourn the loss of one of music's signature voices," Neil Portnow, president and CEO of the Recording Academy, said Monday in a statement. Horne, whose striking beauty often overshadowed her talent and artistry, was remarkably candid about the underlying reason for her success: "I was unique in that I was a kind of black that white people could accept," she once said. "I was their daydream. I had the worst kind of acceptance because it was never for how great I was or what I contributed. It was because of the way I looked." "I knew her from the time I was born, and whenever I needed anything she was there. She was funny, sophisticated and truly one of a kind. We lost an original. Thank you Lena," Liza Minnelli said Monday. Her father, director Vincente Minnelli, brought Horne to Hollywood to star in "Cabin in the Sky," in 1943. In the 1940s, Horne was one of the first black performers hired to sing with a major white band, to play the Copacabana nightclub in New York City and when she signed with MGM, she was among a handful of black actors to have a contract with a major Hollywood studio. In 1943, MGM Studios loaned her to 20th Century-Fox to play the role of Selina Rogers in the all-black movie musical "Stormy Weather." Her rendition of the title song became a major hit and her most famous tune. Horne had an impressive musical range, from blues and jazz to the sophistication of Rodgers and Hart in such songs as "The Lady Is a Tramp" and "Bewitched, Bothered and Bewildered." In 1942's "Panama Hattie," her first movie with MGM, she sang Cole Porter's "Just One of Those Things," winning critical acclaim. In her first big Broadway success, as the star of "Jamaica" in 1957, reviewer Richard Watts Jr. called her "one of the incomparable performers of our time." Songwriter Buddy de Sylva dubbed her "the best female singer of songs." "It's just a great loss," said Janet Jackson Monday. "She brought much joy into everyone's lives — even the younger generations, younger than myself. She was such a great talent. She opened up such doors for artists like myself." Horne was perpetually frustrated with racism. "I was always battling the system to try to get to be with my people. Finally, I wouldn't work for places that kept us out. ... It was a damn fight everywhere I was, every place I worked, in New York, in Hollywood, all over the world," she said in Brian Lanker's book "I Dream a World: Portraits of Black Women Who Changed America." While at MGM, Horne starred in the all-black "Cabin in the Sky," but in most movies, she appeared only in musical numbers that could be cut when shown in the South and she was denied major roles and speaking parts. Horne, who had appeared in the role of Julie in a "Show Boat" scene in a 1946 movie about Jerome Kern, seemed a logical choice for the 1951 movie, but the part went to a white actress, Ava Gardner, who did not sing. "Metro's cowardice deprived the musical (genre) of one of the great singing actresses," film historian John Kobal wrote. "She was a very angry woman," said film critic-author-documentarian Richard Schickel, who worked with Horne on her 1965 autobiography. "It's something that shaped her life to a very high degree. She was a woman who had a very powerful desire to lead her own life, to not be cautious and to speak out. And she was a woman, also, who felt in her career that she had been held back by the issue of race. So she had a lot of anger and disappointment about that." Early in her career, Horne cultivated an aloof style out of self-preservation. Later, she embraced activism, breaking loose as a voice for civil rights and as an artist. In the last decades of her life, she rode a new wave of popularity as a revered icon of American popular music. Her 1981 one-woman Broadway show, "Lena Horne: The Lady and Her Music," won a special Tony Award and two Grammy Awards. (Horne won another Grammy, in 1995 for "An Evening With Lena Horne.") In it, the 64-year-old singer used two renditions — one straight and the other gut-wrenching — of "Stormy Weather" to give audiences a glimpse of the spiritual odyssey of her five-decade career. Lena Mary Calhoun Horne was born in Brooklyn on June 30, 1917, to a leading family in black society. Her daughter, Gail Lumet Buckley, wrote in her 1986 book "The Hornes: An American Family" that among their relatives was Frank Horne, an adviser to President Franklin D. Roosevelt. She was largely raised by her grandparents as her mother, Edna Horne, who pursued a career in show business and father Teddy Horne separated. Lena dropped out of high school at age 16 and joined the chorus line at the Cotton Club, the fabled Harlem night spot where the entertainers were black and the clientele white. She left the club in 1935 to tour with Noble Sissle's orchestra, billed as Helena Horne, the name she continued using when she joined Charlie Barnet's white orchestra in 1940. A movie offer from MGM came when she headlined a show at the Little Troc nightclub with the Katherine Dunham dancers in 1942. Her success led some blacks to accuse Horne of trying to "pass" in a white world with her light complexion. Max Factor even developed an "Egyptian" makeup shade especially for her. But she refused to go along with the studio's efforts to portray her as an exotic Latina. "I don't have to be an imitation of a white woman that Hollywood sort of hoped I'd become," Horne once said. "I'm me, and I'm like nobody else." READ MORE HERE http://www.chron.com/disp...98385.html [Edited 5/10/10 11:17am] | |
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92 is a ripe old age. I was hoping she would make 100. She was strikingly beautiful right up until her 80s. I hope she will receive a proper tribute on TCM, BET and TVONE at least. [Edited 5/10/10 11:20am] | |
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TCM will show four of her films (including Cabin in the Sky) in primetime on Friday, May 21. We don’t mourn artists because we knew them. We mourn them because they helped us know ourselves. | |
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Genesia said: TCM will show four of her films (including Cabin in the Sky) in primetime on Friday, May 21.
oh thank you jeebus. I have to clear some space on my tivo and record. She and Dorothy D are among my favs. | |
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R.I.P. Ms Horne I'm firmly planted in denial | |
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Genesia said: TCM will show four of her films (including Cabin in the Sky) in primetime on Friday, May 21.
Was that already planned? If not, I'm impressed with TCM pulling something together for a memoriam....retrospective of an actor/actress film career. | |
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TD3 said: Genesia said: TCM will show four of her films (including Cabin in the Sky) in primetime on Friday, May 21.
Was that already planned? If not, I'm impressed with TCM pulling something together for a memoriam....retrospective of an actor/actress film career. No, it wasn't planned. But they do this frequently when someone of note in Hollywood (or Hollywood history) dies. I'm sure they had her video obit ready to run, too - and that it's already in rotation. We don’t mourn artists because we knew them. We mourn them because they helped us know ourselves. | |
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A kiss on the lips, is betta than a knife in the back ~ Sheila E Darkness isn't the absence of light, it's the absence of U ~ Prince | |
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