shanti0608 said: mdiver said: In that case look at the work of Banksy. I love his stuff and it is very political. I am looking at a few of his pieces...i want one for here but it may not be to Val's taste Anything has to be better than your pop art that I tolerate around the house. | |
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no thread jacking!
artists people! name artists! [...i think i can, i think i can, i think i can...] | |
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sammij said: no thread jacking!
artists people! name artists! it's okay sammi! i've got my stuff on witkin, i'm good to go i'm liking kara walker | |
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mdiver said: evenstar said: really, what he's asking for is contemporary art (anything post WWII), it's not really just postmodernism actually. Yeah i was way confused when i read that on wiki....really...check out banksy wasn't his identity exposed, or something like that?? | |
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evenstar said: sammij said: no thread jacking!
artists people! name artists! it's okay sammi! i've got my stuff on witkin, i'm good to go i'm liking kara walker oh hell yes, her stuff is crazy that pictures is tame compared to what she usually shows keep looking! i have a book on her i've been dying to start reading, i think i just figured out my summer text [...i think i can, i think i can, i think i can...] | |
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evenstar said: mdiver said: Yeah i was way confused when i read that on wiki....really...check out banksy wasn't his identity exposed, or something like that?? not as far as i am aware but one of his works recently fetched stupid money | |
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http://en.wikipedia.org/w...ny_Saville
Not sure if she's considered "uncommon." But if "uncommon" means away from the Mainstream knowledgebase like Diego Rivera, Frida Kahlo, Anne Geddes, etc, then I think she fits the bill. -=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
Still it's nice to know, when our bodies wear out, we can get another -=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- | |
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Dauphin said: http://en.wikipedia.org/wiki/Jenny_Saville
Not sure if she's considered "uncommon." But if "uncommon" means away from the Mainstream knowledgebase like Diego Rivera, Frida Kahlo, Anne Geddes, etc, then I think she fits the bill. yes! thanks, she's great | |
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sammij said: horatio said: warhol
too easy but laurel if you want warhol info i have it open right now, just finished typing it up You could do Steve Kaufman who worked for Warhol and is a very busy and active artist right now. He actually completed Warhol's unfinished commissioned pieces at the time of his death. He does a lot Warhol-inspired pop art. I have a few of his pieces and he's really quite an interesting guy. http://www.stevekaufmanar...n_page.htm http://www.stevekaufmanpo...folio.html http://www.ultimateart.co...aufman.htm Another favorite of mine is Ron Wood, the guitarist for the Rolling Stones. I think he does some great stuff, mostly portraits of other musicians. He actually joined the Stones to pay for art school. http://www.ronniewood.com/ [Edited 3/4/08 13:28pm] | |
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Barbara Krueger
http://en.wikipedia.org/w...ara_Kruger Ed Ruscha http://en.wikipedia.org/w...ard_Ruscha Cy Twombly http://en.wikipedia.org/wiki/Cy_Twombly Sigmar Polke http://en.wikipedia.org/w...gmar_Polke | |
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I'm probably too late to help with your assignment, but post-modern (contemporary) art is my specialty!
Ed Ruscha and Joseph Bueys are both good suggestions, albeit a bit overdone, imo. Do you want a post-modern artist, or just someone post-1945, or someone contemporary (within the last 20 years)? My suggestions Post-Modern: William Kentridge*, Yinka Shonibare*, Cai Guo-Qiang*, Yasumasa Morimura, Matthew Barney , Xu Bing Post 1945: Bruce Naumann, Warhol, Tom Wesselman, Yves Klein, Carl Andre, Donald Judd, Sol Lewitt, Lee Bontecou, Louise Bourgeois contemporary (last 20 years): Lorna Simpson, Kerry James Marshall, Chuck Close, Cindy Sherman, Jeff Koons, Gillian Wearing*, Catherine Opie*, Richard Prince*, Jeff Wall, Sarah Sze, John Currin*, Paul Pfeiffer*, Jeff Koons I have researched and given tours on exhibitions for all of the artists marked with * and I wrote my MA Thesis on Kentridge, so I have a lot of info on those artists if you need/want it. I also have notes/files on most of the others because the museums where I've worked have pieces by those artists in their permanent collections. Just orgnote! EDIT: Okay, in my excitment about post-modern art, I missed the part about you already finding someone AND the part about how it should be 'uncommon' in terms of popularity. So for the most part my suggestions are not good---except Sarah Sze. Love her! Anyway--if you need any help with the rest of the course, just orgnote me, seriously. What textbook(s) are you using? Fineberg's "Art Since 1940"? I would love to see the syllabus/bibliography for the course. . [Edited 3/4/08 16:20pm] | |
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kara walker is a great example, and i'm sure it would be easy to research her. i know of at least two books about her that i see in bookstores all the time.
another idea is matthew barney. he's CERTAINLY unconventional. | |
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DevotedPuppy said: I'm probably too late to help with your assignment, but post-modern (contemporary) art is my specialty!
Ed Ruscha and Joseph Bueys are both good suggestions, albeit a bit overdone, imo. Do you want a post-modern artist, or just someone post-1945, or someone contemporary (within the last 20 years)? My suggestions Post-Modern: William Kentridge*, Yinka Shonibare*, Cai Guo-Qiang*, Yasumasa Morimura, Matthew Barney , Xu Bing Post 1945: Bruce Naumann, Warhol, Tom Wesselman, Yves Klein, Carl Andre, Donald Judd, Sol Lewitt, Lee Bontecou, Louise Bourgeois contemporary (last 20 years): Lorna Simpson, Kerry James Marshall, Chuck Close, Cindy Sherman, Jeff Koons, Gillian Wearing*, Catherine Opie*, Richard Prince*, Jeff Wall, Sarah Sze, John Currin*, Paul Pfeiffer*, Jeff Koons I have researched and given tours on exhibitions for all of the artists marked with * and I wrote my MA Thesis on Kentridge, so I have a lot of info on those artists if you need/want it. I also have notes/files on most of the others because the museums where I've worked have pieces by those artists in their permanent collections. Just orgnote! EDIT: Okay, in my excitment about post-modern art, I missed the part about you already finding someone AND the part about how it should be 'uncommon' in terms of popularity. So for the most part my suggestions are not good---except Sarah Sze. Love her! Anyway--if you need any help with the rest of the course, just orgnote me, seriously. What textbook(s) are you using? Fineberg's "Art Since 1940"? I would love to see the syllabus/bibliography for the course. . [Edited 3/4/08 16:20pm] wow, thanks! Art since 1940 is the one he's got us reading, and that's the only formal text. the professor is mainly a studio art teacher rather than an art historian, so i don't have high hopes for this class. we spent today watching the pollock movie ed harris did. | |
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evenstar said: DevotedPuppy said: I'm probably too late to help with your assignment, but post-modern (contemporary) art is my specialty!
Ed Ruscha and Joseph Bueys are both good suggestions, albeit a bit overdone, imo. Do you want a post-modern artist, or just someone post-1945, or someone contemporary (within the last 20 years)? My suggestions Post-Modern: William Kentridge*, Yinka Shonibare*, Cai Guo-Qiang*, Yasumasa Morimura, Matthew Barney , Xu Bing Post 1945: Bruce Naumann, Warhol, Tom Wesselman, Yves Klein, Carl Andre, Donald Judd, Sol Lewitt, Lee Bontecou, Louise Bourgeois contemporary (last 20 years): Lorna Simpson, Kerry James Marshall, Chuck Close, Cindy Sherman, Jeff Koons, Gillian Wearing*, Catherine Opie*, Richard Prince*, Jeff Wall, Sarah Sze, John Currin*, Paul Pfeiffer*, Jeff Koons I have researched and given tours on exhibitions for all of the artists marked with * and I wrote my MA Thesis on Kentridge, so I have a lot of info on those artists if you need/want it. I also have notes/files on most of the others because the museums where I've worked have pieces by those artists in their permanent collections. Just orgnote! EDIT: Okay, in my excitment about post-modern art, I missed the part about you already finding someone AND the part about how it should be 'uncommon' in terms of popularity. So for the most part my suggestions are not good---except Sarah Sze. Love her! Anyway--if you need any help with the rest of the course, just orgnote me, seriously. What textbook(s) are you using? Fineberg's "Art Since 1940"? I would love to see the syllabus/bibliography for the course. . [Edited 3/4/08 16:20pm] wow, thanks! Art since 1940 is the one he's got us reading, and that's the only formal text. the professor is mainly a studio art teacher rather than an art historian, so i don't have high hopes for this class. we spent today watching the pollock movie ed harris did. For as much "praise" as it received, that was a pretty dull movie. LOL | |
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BANKSY
Fucking BANKSY!!! But I don't know what genre he falls under | |
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Tom said: evenstar said: wow, thanks! Art since 1940 is the one he's got us reading, and that's the only formal text. the professor is mainly a studio art teacher rather than an art historian, so i don't have high hopes for this class. we spent today watching the pollock movie ed harris did. For as much "praise" as it received, that was a pretty dull movie. LOL yeah. i'm absolutely disgusted he wasted an entire class having us watch it. i know i'm a geek, but for fuck's sake, i expect 3 hours of lecture and slides/powerpoint, not a movie. | |
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Jean Micheal Basquiat also check out this http://www.funartists.com/ some of my buddies have there stuff on there and make thousands off there art. Carpenters bend wood, fletchers bend arrows, wise men fashion themselves.
Don't Talk About It, Be About It! | |
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evenstar said: wow, thanks! Art since 1940 is the one he's got us reading, and that's the only formal text. the professor is mainly a studio art teacher rather than an art historian, Imposter! so i don't have high hopes for this class. we spent today watching the pollock movie ed harris did.
You should have watched "Who the F*ck is Jackson Pollock?", at least that was a documentary. My first semester of grad school everyone in my program was required to take a seminar called The Projected Image. Most of us had studied art history as undergrads and were in a master program about modern art. We didn't look at one. single. slide. for the entire course. (Oh, the irony of seeing zero 'projected images' in that course.) We also had to read Gilles Deleuze's books on cinema and didn't watch any of the films he discussed. When we asked the professor if we could take one class to watch whatever film he was like, "I'm trained as a philosopher--we're used to thinking about things in the abstract." The best part of the course was that it was on Friday afternoons from 4pm-6pm and by the time it ended we were all so annoyed we would go to the bar afterward for drinks and bitching, so we got to know each other. | |
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Anxiety said: kara walker is a great example, and i'm sure it would be easy to research her. i know of at least two books about her that i see in bookstores all the time.
another idea is matthew barney. he's CERTAINLY unconventional. Cremaster but so strangely cool to watch. [...i think i can, i think i can, i think i can...] | |
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evenstar said: wow, thanks! Art since 1940 is the one he's got us reading, and that's the only formal text. the professor is mainly a studio art teacher rather than an art historian, so i don't have high hopes for this class. we spent today watching the pollock movie ed harris did. don't knock us! [...i think i can, i think i can, i think i can...] | |
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sammij said: evenstar said: wow, thanks! Art since 1940 is the one he's got us reading, and that's the only formal text. the professor is mainly a studio art teacher rather than an art historian, so i don't have high hopes for this class. we spent today watching the pollock movie ed harris did. don't knock us! the art students in the class call the art history majors geeks for wanting lecture & slides!! | |
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DevotedPuppy said: evenstar said: wow, thanks! Art since 1940 is the one he's got us reading, and that's the only formal text. the professor is mainly a studio art teacher rather than an art historian, Imposter! so i don't have high hopes for this class. we spent today watching the pollock movie ed harris did.
You should have watched "Who the F*ck is Jackson Pollock?", at least that was a documentary. My first semester of grad school everyone in my program was required to take a seminar called The Projected Image. Most of us had studied art history as undergrads and were in a master program about modern art. We didn't look at one. single. slide. for the entire course. (Oh, the irony of seeing zero 'projected images' in that course.) We also had to read Gilles Deleuze's books on cinema and didn't watch any of the films he discussed. When we asked the professor if we could take one class to watch whatever film he was like, "I'm trained as a philosopher--we're used to thinking about things in the abstract." The best part of the course was that it was on Friday afternoons from 4pm-6pm and by the time it ended we were all so annoyed we would go to the bar afterward for drinks and bitching, so we got to know each other. i HAD to take two philosophy classes for general ed and then i got the hell out of that department- they drove me NUTS. | |
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evenstar said: sammij said: don't knock us! the art students in the class call the art history majors geeks for wanting lecture & slides!! i like both types of class equally lots kinda.... 3 hour lectures kill me. [...i think i can, i think i can, i think i can...] | |
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sammij said: evenstar said: the art students in the class call the art history majors geeks for wanting lecture & slides!! i like both types of class equally lots kinda.... 3 hour lectures kill me. 3 hour art classes were torture for me | |
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evenstar said: sammij said: i like both types of class equally lots kinda.... 3 hour lectures kill me. 3 hour art classes were torture for me in the DARK even! oh god! but 5 hour STUDIO classes?! [...i think i can, i think i can, i think i can...] | |
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sammij said: evenstar said: 3 hour art classes were torture for me in the DARK even! oh god! but 5 hour STUDIO classes?! oh yeah, i meant studio 5 hours? my 3 hour italian renaissance class last semester was awesome | |
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evenstar said: sammij said: in the DARK even! oh god! but 5 hour STUDIO classes?! oh yeah, i meant studio 5 hours? my 3 hour italian renaissance class last semester was awesome looks like we're on separate sides of the spectrum - which adds to our collective awesomeness of course we should open a gallery! [...i think i can, i think i can, i think i can...] | |
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sammij said: evenstar said: oh yeah, i meant studio 5 hours? my 3 hour italian renaissance class last semester was awesome looks like we're on separate sides of the spectrum - which adds to our collective awesomeness of course we should open a gallery! yes!! i'm taking gallery/museum management class right now actually & yup, i love everything about art, i just can't make it | |
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evenstar said: sammij said: looks like we're on separate sides of the spectrum - which adds to our collective awesomeness of course we should open a gallery! yes!! i'm taking gallery/museum management class right now actually & yup, i love everything about art, i just can't make it see, this could work i'll let you know once i get my masters [...i think i can, i think i can, i think i can...] | |
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