independent and unofficial
Prince fan community
Welcome! Sign up or enter username and password to remember me
Forum jump
Forums > General Discussion > Which period of history would you like to go back to?
« Previous topic  Next topic »
Page 2 of 3 <123>
  New topic   Printable     (Log in to 'subscribe' to this topic)
Reply #30 posted 07/15/07 10:03am

alwayslate

littlemissG said:



Why does the angel have clothes??
Why do many Christian think the natural is unnatural?

i don't feel like getting all philosophical today. It was the only pic of Adam and Eve I could find that didn't have them depicted as white people.
  - E-mail - orgNote - Report post to moderator
Reply #31 posted 07/15/07 10:10am

babooshleeky

avatar

xplnyrslf said:

Woodstock, August 15-18, 1969. If only to see if Ted Nugent really was as squeeky clean as he states.

I would like to go to that itme too! I missed it and always thought I missed something good. I was a teeny baby then biggrin
tinkerbell
  - E-mail - orgNote - Report post to moderator
Reply #32 posted 07/15/07 10:15am

FarrahMoan

Teacher said:

As a person who believes in reincarnation, this is something I think of, if not daily then very often. I don't belong in this era, not at all. Sometimes my longing gets almost too much to bear, that's how disconnected I feel from this world. I don't belive in regression through hypnosis or some shit like that, mainly cos I think that if I did, I would promptly kill myself afterwards cos I can't go back.
I'll take it historically from early to late:

Medieval - anywhere between 12th to 14th century, England. I don't expect any of y'all to know the difference between those centuries even if it hit you on the head though. disbelief

Renaissance - that would be 15th century if you were in Italy, 16th in the rest of Europe.

18th century - France, unfortunately I was prolly an aristocrat early, early enough not to be beheaded in 1789 that is lol cos I think I might have contributed gladly to aforementioned beheadings later confused

Victorian age - again, England.

Native American - the world is cruel so first I was one and then I got to be white and see what "I" had done.

That's really how far it goes, anything later than that I don't feel any connection with.

shrug

Damn! I always wanted to express this feeling but I could never quite find the right words. Thanks, man! The "1980's" seemed so cool to me. I don't know why, but there was something about the loose lifestyles, I guess. Oh, and you can't forget about "The Flower Power Era of The 1960's". I watched a little too much of "Austin Powers". lol I love the spoof of "Goldfinger" when the leading lady of that film is satired. I also like the part when "Mike Myers" was flushing that guy's head down the toilet and he kept asking, "Who does Numba 2 WWWORRRRK FFFFOORRR!?!!?" all while "Tom Arnold's" going, "You tell him buddy!" Man, it looks like I'm missing out.
  - E-mail - orgNote - Report post to moderator
Reply #33 posted 07/15/07 10:24am

Teacher

FarrahMoan said:

Damn! I always wanted to express this feeling but I could never quite find the right words. Thanks, man! The "1980's" seemed so cool to me. I don't know why, but there was something about the loose lifestyles, I guess. Oh, and you can't forget about "The Flower Power Era of The 1960's". I watched a little too much of "Austin Powers". lol I love the spoof of "Goldfinger" when the leading lady of that film is satired. I also like the part when "Mike Myers" was flushing that guy's head down the toilet and he kept asking, "Who does Numba 2 WWWORRRRK FFFFOORRR!?!!?" all while "Tom Arnold's" going, "You tell him buddy!" Man, it looks like I'm missing out.


YW, but disbelief I'm a woman, ALL woman. wink
  - E-mail - orgNote - Report post to moderator
Reply #34 posted 07/15/07 10:27am

FarrahMoan

Teacher said:

FarrahMoan said:

Damn! I always wanted to express this feeling but I could never quite find the right words. Thanks, man! The "1980's" seemed so cool to me. I don't know why, but there was something about the loose lifestyles, I guess. Oh, and you can't forget about "The Flower Power Era of The 1960's". I watched a little too much of "Austin Powers". lol I love the spoof of "Goldfinger" when the leading lady of that film is satired. I also like the part when "Mike Myers" was flushing that guy's head down the toilet and he kept asking, "Who does Numba 2 WWWORRRRK FFFFOORRR!?!!?" all while "Tom Arnold's" going, "You tell him buddy!" Man, it looks like I'm missing out.


YW, but disbelief I'm a woman, ALL woman. wink

Oh, sorry, ma'am! lol
  - E-mail - orgNote - Report post to moderator
Reply #35 posted 07/15/07 10:28am

Teacher

FarrahMoan said:

Teacher said:



YW, but disbelief I'm a woman, ALL woman. wink

Oh, sorry, ma'am! lol


lol no prob, you're not the first to think I'm a man either... I should get a new acct called "fsizetits"... confused
  - E-mail - orgNote - Report post to moderator
Reply #36 posted 07/15/07 11:34am

JDInteractive

avatar

Fury said:

JDInteractive said:



If you had a time machine (which I do) where would you travel back to and why?!


anybody else have a Medieval Times restaurant in their area? $50 to eat grub with your hands and watch a jousting contest ....no thank you.



That reminds me of that Jim Carrey film. I thought that scene was quite amusing actually.
There's Joy In Expatriation.
  - E-mail - orgNote - Report post to moderator
Reply #37 posted 07/17/07 6:21am

alphastreet

from 1970 to 1985 so I could experience j5 and michaelmania from a different perspective. I was born in 1983 and was exposed to his work early in life, mostly off the wall and thriller stuff a year or so before bad came out and I knew how huge he was, but it would be interesting anyways

when colour tv and rock and roll became a phenomenon

the 20's when the flappers were having fun partying and women were being independent and deviant

when second wave feminism movements were taking place in the 60's
[Edited 7/17/07 6:23am]
  - E-mail - orgNote - Report post to moderator
Reply #38 posted 07/17/07 6:25am

Mach

  - E-mail - orgNote - Report post to moderator
Reply #39 posted 07/17/07 6:42am

reneGade20

avatar







Ancient Egypt for me.....
He was like a cock who thought the sun had risen to hear him crow.
(George Eliot)

the video for the above...evillol
http://www.youtube.com/wa...re=related
  - E-mail - orgNote - Report post to moderator
Reply #40 posted 07/17/07 6:34pm

alwayslate

In the beginning...
  - E-mail - orgNote - Report post to moderator
Reply #41 posted 07/17/07 6:35pm

ZombieKitten

first week of June
  - E-mail - orgNote - Report post to moderator
Reply #42 posted 07/17/07 6:39pm

2ndRevolution

Late 70's early 80's New York to see the beginning of the Hip Hop movement.
http://prince.org/msg/100/263154?&pg=2
*omG..thread of the millenium*
  - E-mail - orgNote - Report post to moderator
Reply #43 posted 07/17/07 9:48pm

heartbeatocean

avatar

SynthiaRose said:



I'd like to go back to Native America before settlers came and nearly extinguished all of them.

I would like to learn from them about the land, nature, and the Great Spirit. I'd like to run with wolves, ride horses, hunt and fish with them (& would also like to sip some potions and have powerful dreams smile )


oh god yes
  - E-mail - orgNote - Report post to moderator
Reply #44 posted 07/17/07 9:53pm

heartbeatocean

avatar

Any era that would hire me as the artist of the court, paid full time
like Michelangelo
or have an anonymous benefactor like Tchiakovsky
  - E-mail - orgNote - Report post to moderator
Reply #45 posted 07/17/07 9:59pm

missfee

avatar

Harlem Renaissance Era







from Wikipedia:
The Harlem Renaissance (also known as the Black Literary Renaissance and New Negro Renaissance) refers to the flowering of African American literature, art, and drama during the 1920s and 1930s. Though centered in Harlem, New York, the movement impacted urban centers throughout the United States. Black novelists, poets, painters, and playwrights began creating works rooted in their own culture instead of imitating the styles of Europeans and white Americans.

The Harlem Renaissance began as a result of the changes in the African American community after the end of the Civil War. The African American community had established a middle class, especially in the cities. The Great Migration brought hundreds of thousands of African Americans to the cities of the Northern United States. Harlem, in New York City, became a center of social and literary change in the early 20th century. Alongside the social change was a political undercurrent, fostered by groups such as the newly-formed NAACP and individuals such as Marcus Garvey and W.E.B. Du Bois. Jazz and Blues, staple music of the South, came to the North with the migrants and was played in the nightclubs and hotspots of Harlem.

After the end of World War I, many African American soldiers came home to a nation that did not always respect their accomplishments. Race riots and other civil injustices occurred throughout 1919.

Historians disagree as to when the Harlem Renaissance began and ended. It is unofficially recognized to have spanned from 1919 until the early or mid 1930s although its ideas lived on much longer. The zenith of this "flowering of Negro literature", as James Weldon Johnson preferred to call the Harlem Renaissance, is placed between 1924 (the year that Opportunity magazine hosted a party for black writers where many white publishers were in attendance) and 1929 (the year of the stock market crash and then resulting Great Depression).

Most of the participants in the African American literary movement descended from a generation whose parents or grandparents were slaves, and themselves having lived through the gains and losses of Reconstruction after the American Civil War. Many of these people were part of the Great Migration out of the South and other racially stratified communities who sought relief from prejudices and a better standard of living in the North and Midwest regions of the United States. Others were Africans and people of African descent from the Caribbean who had come to the United States hoping for a better life. Uniting most of them was their convergence in Harlem, New York City.

Characterizing the Harlem Renaissance was an overt racial pride that came to be represented in the idea of the New Negro who through intellect, the production of literature, art, and music could challenge the pervading racism and stereotypes of that era to promote progressive or socialist politics, and racial and social integration. The creation of art and literature would serve to "uplift" the race. There would be no set style or uniting form singularly characterizing art coming out of the Harlem Renaissance. Rather, there would be a mix of celebrating a wide variety of cultural elements, including a Pan-Africanist perspective, "high-culture" and the "low-culture or low-life," from the traditional form of music to the blues and jazz, traditional and new experimental forms in literature like modernism, and in poetry, for example, the new form of jazz poetry. This duality would eventually result in a number of African American artists of the Harlem Renaissance coming into conflict with conservatives in the black intelligentsia who would take issue with certain depictions of black life in whatever medium of the arts.

The Harlem Renaissance was one of primarily African American involvement and an interpersonal support system of black patrons, black owned businesses and publications. On the periphery, however, it was supported by a number of white Americans who provided various forms of assistance, opening doors which otherwise would have remained closed to the publicizing of their work outside of the black American community. This support often took the form of patronage or publication. Then, there were those whites interested in so-called "primitive" cultures, as many whites viewed black American culture at that time, and wanted to see this "primitivism" in the work coming out of the Harlem Renaissance. Other interpersonal dealings between whites and blacks can be categorized as exploitative because of the desire to capitalize on the "fad", and "fascination" of the African American being in "vogue". This vogue of the African American would extend to Broadway, as in Porgy and Bess, and into music where in many instances white band leaders would defy racist attitude to include the best and the brightest African American stars of music and song. For blacks, their art was a way to prove their humanity and demand for equality. For a number of whites, preconceived prejudices were challenged and overcome. In the early 20th century the Harlem Renaissance reflected social and intellectual changes in the African American community. An increase of education and employment opportunities had developed by the turn of the century.

Contributions that lead to the rise of the Harlem Renaissance included the great migration of African Americans to the northern cities and World War I. Factors leading to the decline of this era include the Great Depression.

Corresponding with the Harlem Renaissance was the beginning of mainstream publishing. Many authors began to publish novels, magazines and newspapers during this time. Publishers began to attract a great amount of attention from the nation at large. Some famous authors during this time included Jean Toomer, Jessie Fauset, Claude McKay, Zora Neale Hurston, James Weldon Johnson and Alain Locke and Eric D. Walrond.

The Harlem Renaissance would help lay the foundation of the Civil Rights Movement. Moreover, many black artists coming into their own creativity after this literary movement would take inspiration from it.


worship "Drop Me Off in Harlem" music
I will forever love and miss you...my sweet Prince.
  - E-mail - orgNote - Report post to moderator
Reply #46 posted 07/17/07 10:09pm

reneGade20

avatar

missfee said:

Harlem Renaissance Era







from Wikipedia:
The Harlem Renaissance (also known as the Black Literary Renaissance and New Negro Renaissance) refers to the flowering of African American literature, art, and drama during the 1920s and 1930s. Though centered in Harlem, New York, the movement impacted urban centers throughout the United States. Black novelists, poets, painters, and playwrights began creating works rooted in their own culture instead of imitating the styles of Europeans and white Americans.

The Harlem Renaissance began as a result of the changes in the African American community after the end of the Civil War. The African American community had established a middle class, especially in the cities. The Great Migration brought hundreds of thousands of African Americans to the cities of the Northern United States. Harlem, in New York City, became a center of social and literary change in the early 20th century. Alongside the social change was a political undercurrent, fostered by groups such as the newly-formed NAACP and individuals such as Marcus Garvey and W.E.B. Du Bois. Jazz and Blues, staple music of the South, came to the North with the migrants and was played in the nightclubs and hotspots of Harlem.

After the end of World War I, many African American soldiers came home to a nation that did not always respect their accomplishments. Race riots and other civil injustices occurred throughout 1919.

Historians disagree as to when the Harlem Renaissance began and ended. It is unofficially recognized to have spanned from 1919 until the early or mid 1930s although its ideas lived on much longer. The zenith of this "flowering of Negro literature", as James Weldon Johnson preferred to call the Harlem Renaissance, is placed between 1924 (the year that Opportunity magazine hosted a party for black writers where many white publishers were in attendance) and 1929 (the year of the stock market crash and then resulting Great Depression).

Most of the participants in the African American literary movement descended from a generation whose parents or grandparents were slaves, and themselves having lived through the gains and losses of Reconstruction after the American Civil War. Many of these people were part of the Great Migration out of the South and other racially stratified communities who sought relief from prejudices and a better standard of living in the North and Midwest regions of the United States. Others were Africans and people of African descent from the Caribbean who had come to the United States hoping for a better life. Uniting most of them was their convergence in Harlem, New York City.

Characterizing the Harlem Renaissance was an overt racial pride that came to be represented in the idea of the New Negro who through intellect, the production of literature, art, and music could challenge the pervading racism and stereotypes of that era to promote progressive or socialist politics, and racial and social integration. The creation of art and literature would serve to "uplift" the race. There would be no set style or uniting form singularly characterizing art coming out of the Harlem Renaissance. Rather, there would be a mix of celebrating a wide variety of cultural elements, including a Pan-Africanist perspective, "high-culture" and the "low-culture or low-life," from the traditional form of music to the blues and jazz, traditional and new experimental forms in literature like modernism, and in poetry, for example, the new form of jazz poetry. This duality would eventually result in a number of African American artists of the Harlem Renaissance coming into conflict with conservatives in the black intelligentsia who would take issue with certain depictions of black life in whatever medium of the arts.

The Harlem Renaissance was one of primarily African American involvement and an interpersonal support system of black patrons, black owned businesses and publications. On the periphery, however, it was supported by a number of white Americans who provided various forms of assistance, opening doors which otherwise would have remained closed to the publicizing of their work outside of the black American community. This support often took the form of patronage or publication. Then, there were those whites interested in so-called "primitive" cultures, as many whites viewed black American culture at that time, and wanted to see this "primitivism" in the work coming out of the Harlem Renaissance. Other interpersonal dealings between whites and blacks can be categorized as exploitative because of the desire to capitalize on the "fad", and "fascination" of the African American being in "vogue". This vogue of the African American would extend to Broadway, as in Porgy and Bess, and into music where in many instances white band leaders would defy racist attitude to include the best and the brightest African American stars of music and song. For blacks, their art was a way to prove their humanity and demand for equality. For a number of whites, preconceived prejudices were challenged and overcome. In the early 20th century the Harlem Renaissance reflected social and intellectual changes in the African American community. An increase of education and employment opportunities had developed by the turn of the century.

Contributions that lead to the rise of the Harlem Renaissance included the great migration of African Americans to the northern cities and World War I. Factors leading to the decline of this era include the Great Depression.

Corresponding with the Harlem Renaissance was the beginning of mainstream publishing. Many authors began to publish novels, magazines and newspapers during this time. Publishers began to attract a great amount of attention from the nation at large. Some famous authors during this time included Jean Toomer, Jessie Fauset, Claude McKay, Zora Neale Hurston, James Weldon Johnson and Alain Locke and Eric D. Walrond.

The Harlem Renaissance would help lay the foundation of the Civil Rights Movement. Moreover, many black artists coming into their own creativity after this literary movement would take inspiration from it.


worship "Drop Me Off in Harlem" music



OOOHHH....good choice!! Can I come too?? music cool
He was like a cock who thought the sun had risen to hear him crow.
(George Eliot)

the video for the above...evillol
http://www.youtube.com/wa...re=related
  - E-mail - orgNote - Report post to moderator
Reply #47 posted 07/17/07 10:39pm

Lammastide

avatar

Interwar Paris or the cusp of the 1970s and '80s in the U.S.
Ὅσον ζῇς φαίνου
μηδὲν ὅλως σὺ λυποῦ
πρὸς ὀλίγον ἐστὶ τὸ ζῆν
τὸ τέλος ὁ χρόνος ἀπαιτεῖ.”
  - E-mail - orgNote - Report post to moderator
Reply #48 posted 07/17/07 11:01pm

JDInteractive

avatar

alwayslate said:

littlemissG said:



Why does the angel have clothes??
Why do many Christian think the natural is unnatural?

i don't feel like getting all philosophical today. It was the only pic of Adam and Eve I could find that didn't have them depicted as white people.


Exactly, with all due respect, let's not turn the thread away from the point of what it was all about eh?
There's Joy In Expatriation.
  - E-mail - orgNote - Report post to moderator
Reply #49 posted 07/18/07 7:59pm

SynthiaRose

reneGade20 said:

missfee said:

Harlem Renaissance Era







from Wikipedia:
The Harlem Renaissance (also known as the Black Literary Renaissance and New Negro Renaissance) refers to the flowering of African American literature, art, and drama during the 1920s and 1930s. Though centered in Harlem, New York, the movement impacted urban centers throughout the United States. Black novelists, poets, painters, and playwrights began creating works rooted in their own culture instead of imitating the styles of Europeans and white Americans.

The Harlem Renaissance began as a result of the changes in the African American community after the end of the Civil War. The African American community had established a middle class, especially in the cities. The Great Migration brought hundreds of thousands of African Americans to the cities of the Northern United States. Harlem, in New York City, became a center of social and literary change in the early 20th century. Alongside the social change was a political undercurrent, fostered by groups such as the newly-formed NAACP and individuals such as Marcus Garvey and W.E.B. Du Bois. Jazz and Blues, staple music of the South, came to the North with the migrants and was played in the nightclubs and hotspots of Harlem.

After the end of World War I, many African American soldiers came home to a nation that did not always respect their accomplishments. Race riots and other civil injustices occurred throughout 1919.

Historians disagree as to when the Harlem Renaissance began and ended. It is unofficially recognized to have spanned from 1919 until the early or mid 1930s although its ideas lived on much longer. The zenith of this "flowering of Negro literature", as James Weldon Johnson preferred to call the Harlem Renaissance, is placed between 1924 (the year that Opportunity magazine hosted a party for black writers where many white publishers were in attendance) and 1929 (the year of the stock market crash and then resulting Great Depression).

Most of the participants in the African American literary movement descended from a generation whose parents or grandparents were slaves, and themselves having lived through the gains and losses of Reconstruction after the American Civil War. Many of these people were part of the Great Migration out of the South and other racially stratified communities who sought relief from prejudices and a better standard of living in the North and Midwest regions of the United States. Others were Africans and people of African descent from the Caribbean who had come to the United States hoping for a better life. Uniting most of them was their convergence in Harlem, New York City.

Characterizing the Harlem Renaissance was an overt racial pride that came to be represented in the idea of the New Negro who through intellect, the production of literature, art, and music could challenge the pervading racism and stereotypes of that era to promote progressive or socialist politics, and racial and social integration. The creation of art and literature would serve to "uplift" the race. There would be no set style or uniting form singularly characterizing art coming out of the Harlem Renaissance. Rather, there would be a mix of celebrating a wide variety of cultural elements, including a Pan-Africanist perspective, "high-culture" and the "low-culture or low-life," from the traditional form of music to the blues and jazz, traditional and new experimental forms in literature like modernism, and in poetry, for example, the new form of jazz poetry. This duality would eventually result in a number of African American artists of the Harlem Renaissance coming into conflict with conservatives in the black intelligentsia who would take issue with certain depictions of black life in whatever medium of the arts.

The Harlem Renaissance was one of primarily African American involvement and an interpersonal support system of black patrons, black owned businesses and publications. On the periphery, however, it was supported by a number of white Americans who provided various forms of assistance, opening doors which otherwise would have remained closed to the publicizing of their work outside of the black American community. This support often took the form of patronage or publication. Then, there were those whites interested in so-called "primitive" cultures, as many whites viewed black American culture at that time, and wanted to see this "primitivism" in the work coming out of the Harlem Renaissance. Other interpersonal dealings between whites and blacks can be categorized as exploitative because of the desire to capitalize on the "fad", and "fascination" of the African American being in "vogue". This vogue of the African American would extend to Broadway, as in Porgy and Bess, and into music where in many instances white band leaders would defy racist attitude to include the best and the brightest African American stars of music and song. For blacks, their art was a way to prove their humanity and demand for equality. For a number of whites, preconceived prejudices were challenged and overcome. In the early 20th century the Harlem Renaissance reflected social and intellectual changes in the African American community. An increase of education and employment opportunities had developed by the turn of the century.

Contributions that lead to the rise of the Harlem Renaissance included the great migration of African Americans to the northern cities and World War I. Factors leading to the decline of this era include the Great Depression.

Corresponding with the Harlem Renaissance was the beginning of mainstream publishing. Many authors began to publish novels, magazines and newspapers during this time. Publishers began to attract a great amount of attention from the nation at large. Some famous authors during this time included Jean Toomer, Jessie Fauset, Claude McKay, Zora Neale Hurston, James Weldon Johnson and Alain Locke and Eric D. Walrond.

The Harlem Renaissance would help lay the foundation of the Civil Rights Movement. Moreover, many black artists coming into their own creativity after this literary movement would take inspiration from it.


worship "Drop Me Off in Harlem" music



OOOHHH....good choice!! Can I come too?? music cool



Take me!!

I love legendary Harlem. Miss it. cry
  - E-mail - orgNote - Report post to moderator
Reply #50 posted 07/18/07 9:29pm

missfee

avatar

SynthiaRose said:

reneGade20 said:




OOOHHH....good choice!! Can I come too?? music cool



Take me!!

I love legendary Harlem. Miss it. cry

Yes i know right!!!! That's always been the number one time period where I would have wanted to lived if i could go back in time. African American heritage was very rich during this time. And the music GOOD LORD excited Count Basie, Duke Ellington, Cab Calloway, Billie Holiday, Ella Fitzgerald, and the list goes on and on and on and on.....
I will forever love and miss you...my sweet Prince.
  - E-mail - orgNote - Report post to moderator
Reply #51 posted 07/18/07 9:30pm

missfee

avatar

reneGade20 said:

missfee said:

Harlem Renaissance Era







from Wikipedia:
The Harlem Renaissance (also known as the Black Literary Renaissance and New Negro Renaissance) refers to the flowering of African American literature, art, and drama during the 1920s and 1930s. Though centered in Harlem, New York, the movement impacted urban centers throughout the United States. Black novelists, poets, painters, and playwrights began creating works rooted in their own culture instead of imitating the styles of Europeans and white Americans.

The Harlem Renaissance began as a result of the changes in the African American community after the end of the Civil War. The African American community had established a middle class, especially in the cities. The Great Migration brought hundreds of thousands of African Americans to the cities of the Northern United States. Harlem, in New York City, became a center of social and literary change in the early 20th century. Alongside the social change was a political undercurrent, fostered by groups such as the newly-formed NAACP and individuals such as Marcus Garvey and W.E.B. Du Bois. Jazz and Blues, staple music of the South, came to the North with the migrants and was played in the nightclubs and hotspots of Harlem.

After the end of World War I, many African American soldiers came home to a nation that did not always respect their accomplishments. Race riots and other civil injustices occurred throughout 1919.

Historians disagree as to when the Harlem Renaissance began and ended. It is unofficially recognized to have spanned from 1919 until the early or mid 1930s although its ideas lived on much longer. The zenith of this "flowering of Negro literature", as James Weldon Johnson preferred to call the Harlem Renaissance, is placed between 1924 (the year that Opportunity magazine hosted a party for black writers where many white publishers were in attendance) and 1929 (the year of the stock market crash and then resulting Great Depression).

Most of the participants in the African American literary movement descended from a generation whose parents or grandparents were slaves, and themselves having lived through the gains and losses of Reconstruction after the American Civil War. Many of these people were part of the Great Migration out of the South and other racially stratified communities who sought relief from prejudices and a better standard of living in the North and Midwest regions of the United States. Others were Africans and people of African descent from the Caribbean who had come to the United States hoping for a better life. Uniting most of them was their convergence in Harlem, New York City.

Characterizing the Harlem Renaissance was an overt racial pride that came to be represented in the idea of the New Negro who through intellect, the production of literature, art, and music could challenge the pervading racism and stereotypes of that era to promote progressive or socialist politics, and racial and social integration. The creation of art and literature would serve to "uplift" the race. There would be no set style or uniting form singularly characterizing art coming out of the Harlem Renaissance. Rather, there would be a mix of celebrating a wide variety of cultural elements, including a Pan-Africanist perspective, "high-culture" and the "low-culture or low-life," from the traditional form of music to the blues and jazz, traditional and new experimental forms in literature like modernism, and in poetry, for example, the new form of jazz poetry. This duality would eventually result in a number of African American artists of the Harlem Renaissance coming into conflict with conservatives in the black intelligentsia who would take issue with certain depictions of black life in whatever medium of the arts.

The Harlem Renaissance was one of primarily African American involvement and an interpersonal support system of black patrons, black owned businesses and publications. On the periphery, however, it was supported by a number of white Americans who provided various forms of assistance, opening doors which otherwise would have remained closed to the publicizing of their work outside of the black American community. This support often took the form of patronage or publication. Then, there were those whites interested in so-called "primitive" cultures, as many whites viewed black American culture at that time, and wanted to see this "primitivism" in the work coming out of the Harlem Renaissance. Other interpersonal dealings between whites and blacks can be categorized as exploitative because of the desire to capitalize on the "fad", and "fascination" of the African American being in "vogue". This vogue of the African American would extend to Broadway, as in Porgy and Bess, and into music where in many instances white band leaders would defy racist attitude to include the best and the brightest African American stars of music and song. For blacks, their art was a way to prove their humanity and demand for equality. For a number of whites, preconceived prejudices were challenged and overcome. In the early 20th century the Harlem Renaissance reflected social and intellectual changes in the African American community. An increase of education and employment opportunities had developed by the turn of the century.

Contributions that lead to the rise of the Harlem Renaissance included the great migration of African Americans to the northern cities and World War I. Factors leading to the decline of this era include the Great Depression.

Corresponding with the Harlem Renaissance was the beginning of mainstream publishing. Many authors began to publish novels, magazines and newspapers during this time. Publishers began to attract a great amount of attention from the nation at large. Some famous authors during this time included Jean Toomer, Jessie Fauset, Claude McKay, Zora Neale Hurston, James Weldon Johnson and Alain Locke and Eric D. Walrond.

The Harlem Renaissance would help lay the foundation of the Civil Rights Movement. Moreover, many black artists coming into their own creativity after this literary movement would take inspiration from it.


worship "Drop Me Off in Harlem" music



OOOHHH....good choice!! Can I come too?? music cool

sure you can!!!!
I will forever love and miss you...my sweet Prince.
  - E-mail - orgNote - Report post to moderator
Reply #52 posted 07/18/07 9:32pm

Ocean

One where I could wear corsets and plunging necklines drooling
  - E-mail - orgNote - Report post to moderator
Reply #53 posted 07/18/07 9:41pm

AnckSuNamun

avatar

reneGade20 said:







Ancient Egypt for me.....

thumbs up!
rose looking for you in the woods tonight rose Switch FC SW-2874-2863-4789 (Rum&Coke)
  - E-mail - orgNote - Report post to moderator
Reply #54 posted 07/18/07 9:42pm

AnckSuNamun

avatar

JDInteractive said:

Id go back to the Medieval times where I can shag busty wenches, drink mead and eat chicken legs whose bones I can discard on the floor once Id finished. No that I dont do those things today of cause but different environment and all that...

And watch public hangings and beheadings. eek
rose looking for you in the woods tonight rose Switch FC SW-2874-2863-4789 (Rum&Coke)
  - E-mail - orgNote - Report post to moderator
Reply #55 posted 07/18/07 9:43pm

AnckSuNamun

avatar

alwayslate said:

littlemissG said:



Why does the angel have clothes??
Why do many Christian think the natural is unnatural?

i don't feel like getting all philosophical today. It was the only pic of Adam and Eve I could find that didn't have them depicted as white people.

falloff
rose looking for you in the woods tonight rose Switch FC SW-2874-2863-4789 (Rum&Coke)
  - E-mail - orgNote - Report post to moderator
Reply #56 posted 07/18/07 9:49pm

AnckSuNamun

avatar

FarrahMoan said:

IAintTheOne said:

1970s

Though, I wasn't born, I'd like to explore the "1980's" and the "1960's"!

I was a child in the 80's.....and I'd think it'd be interesting to see it from a teen's perspective or a person in their early 20's. At least the music aspect would be cool. As far as other things from that era....I wouldn't trade anything for experiencing 80's toys and the birth of Nintendo. lol
rose looking for you in the woods tonight rose Switch FC SW-2874-2863-4789 (Rum&Coke)
  - E-mail - orgNote - Report post to moderator
Reply #57 posted 07/18/07 10:15pm

PaisleyPark508
3

avatar

I would go back to the "Little House on the Prairie" years, circa 1875.
I always loved that show and books while growing up. I always dreamed of what it would be like to live in a little Prarie town, where everyone knows everyone, a simple kinda life.
  - E-mail - orgNote - Report post to moderator
Reply #58 posted 07/18/07 11:30pm

reneGade20

avatar

AnckSuNamun said:

FarrahMoan said:


Though, I wasn't born, I'd like to explore the "1980's" and the "1960's"!

I was a child in the 80's.....and I'd think it'd be interesting to see it from a teen's perspective or a person in their early 20's. At least the music aspect would be cool. As far as other things from that era....I wouldn't trade anything for experiencing 80's toys and the birth of Nintendo. lol



The 80's were cool.....I was a teen at the beginning of the decade...when MTV blew the fuck up....Prince, MJ, Madonna ruled....it was a great time.....

...when I develop my time machine, I'll scoop you up and we'll go hang out....especially since I would be able to apply my accumulated knowledge to those situations.....

...a teen in the 80's....growing up in New Orleans.....thumbs up! I had it good....but now, it would be OFF THE HOOK!!!
He was like a cock who thought the sun had risen to hear him crow.
(George Eliot)

the video for the above...evillol
http://www.youtube.com/wa...re=related
  - E-mail - orgNote - Report post to moderator
Reply #59 posted 07/18/07 11:39pm

karmatornado

avatar

reneGade20 said:

AnckSuNamun said:


I was a child in the 80's.....and I'd think it'd be interesting to see it from a teen's perspective or a person in their early 20's. At least the music aspect would be cool. As far as other things from that era....I wouldn't trade anything for experiencing 80's toys and the birth of Nintendo. lol



The 80's were cool.....I was a teen at the beginning of the decade...when MTV blew the fuck up....Prince, MJ, Madonna ruled....it was a great time.....

...when I develop my time machine, I'll scoop you up and we'll go hang out....especially since I would be able to apply my accumulated knowledge to those situations.....

...a teen in the 80's....growing up in New Orleans.....thumbs up! I had it good....but now, it would be OFF THE HOOK!!!


I was ages 1 - 10 in the 80's. It was fun. But I loved my early 90's youth. Kriss Kross will make ya Jump! Jump! lol I think for me it would be the 60's cause all the cool shit happened then.
Carpenters bend wood, fletchers bend arrows, wise men fashion themselves.

Don't Talk About It, Be About It!
  - E-mail - orgNote - Report post to moderator
Page 2 of 3 <123>
  New topic   Printable     (Log in to 'subscribe' to this topic)
« Previous topic  Next topic »
Forums > General Discussion > Which period of history would you like to go back to?