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"I Could Never Take The Place Of Your Man," [img]Sign O' The Times[/img] 
the entire restaurant sequence, Under The Cherry Moon Good night, sweet Prince | 7 June 1958 - 21 April 2016
Props will be withheld until the showing and proving has commenced. -- Aaron McGruder | |
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namepeace said:
the entire restaurant sequence, Under The Cherry Moon Yeah, that's one of my favorites, too. | |
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sinpenwhereyabeen? Good night, sweet Prince | 7 June 1958 - 21 April 2016
Props will be withheld until the showing and proving has commenced. -- Aaron McGruder | |
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sinisterpentatonic said: namepeace said:
the entire restaurant sequence, Under The Cherry Moon Yeah, that's one of my favorites, too. I really liked when Prince did it with Mary's mom by accident. | |
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namepeace said: sinpenwhereyabeen?
i've been here, just haven't been posting much. You're the one that hasn't been around.  | |
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The Shootout in Heat!
When Roy Scheider first seen the shark...and was startled "upright"...and said...."We're gonna need a bigger boat"...CLASSIC!  The man who does not read good books has no advantage over the man who cannot read them. -- Mark Twain.
BOB JOHNSON IS PART OF THE PROBLEM!! | |
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DexMSR said: The Shootout in Heat!
Nice  ... but what about this classic moment in HEAT:
"I'm gonna take you down."  [Edited 8/2/05 15:23pm] VOTE....EARLY | |
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The scene in "The Godfather Part II" When Fanucci goes to twist the light bulb back in the socket and Vito (Deniro) is waiting in the shadows to light him up.
 | |
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DiminutiveRocker said: DexMSR said: The Shootout in Heat!
Nice ... but what about this classic moment in HEAT:
"I'm gonna take you down."
[Edited 8/2/05 15:23pm] This movie is one of my all time favorites...I just may have to put it in right now...LOL! I loved that scene too in the diner...classic indeed! Not to mention these are two of my all time favorite actors! The man who does not read good books has no advantage over the man who cannot read them. -- Mark Twain.
BOB JOHNSON IS PART OF THE PROBLEM!! | |
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The verbal confrontation between Christopher Walken (Vincenzo Coccotti) and Dennis Hopper (Clifford Worley) in True Romance... I haven't killed anybody since 1984. Goddamn his soul to burn for eternity in fucking hell for making me get my hands dirty. Go over to this comedian's son's apartment, come back with something that tells me where that asshole went, so I can wipe this egg off my face and finish this fucked-up family for good. .. 
tA  Tribal Disorder
http://www.soundclick.com...rmusic.htm "Ya see, we're not interested in what you know...but what you are willing to learn. C'mon y'all." | |
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The scene where Goethe is driven through the camp in a convertible in my favorite film, Schildler's list.
The scene in The Lady Eve when Barbara Stanwyck says to Henry Fonda, "Oh, Hopsie, don't you know..." etc etc. The bit in Star Wars IV where Luke is looking off into the multiple suns/moons in the evening, and there is a wind blowing ever so softly through his blond locks.  Insatiable taught me everything I know about balls.
"I was born dancing! I came dancing out of my mom's vagina! Moonwalking and stuff..." - Number23 on the telphone. | |
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theAudience said:
The verbal confrontation between Christopher Walken (Vincenzo Coccotti) and Dennis Hopper (Clifford Worley) in True Romance... I haven't killed anybody since 1984. Goddamn his soul to burn for eternity in fucking hell for making me get my hands dirty. Go over to this comedian's son's apartment, come back with something that tells me where that asshole went, so I can wipe this egg off my face and finish this fucked-up family for good. ..
tA Tribal Disorder
http://www.soundclick.com...rmusic.htm you beat me to it there.....this was exactly the scene I was thinking about when I saw the title of this thread!!! 
 [Edited 8/2/05 15:32pm] | |
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sinisterpentatonic said: namepeace said: sinpenwhereyabeen?
i've been here, just haven't been posting much. You're the one that hasn't been around. got me there! Good night, sweet Prince | 7 June 1958 - 21 April 2016
Props will be withheld until the showing and proving has commenced. -- Aaron McGruder | |
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abierman said: theAudience said:
The verbal confrontation between Christopher Walken (Vincenzo Coccotti) and Dennis Hopper (Clifford Worley) in True Romance... I haven't killed anybody since 1984. Goddamn his soul to burn for eternity in fucking hell for making me get my hands dirty. Go over to this comedian's son's apartment, come back with something that tells me where that asshole went, so I can wipe this egg off my face and finish this fucked-up family for good. ..
tA Tribal Disorder
http://www.soundclick.com...rmusic.htm you beat me to it there.....this was exactly the scene I was thinking about when I saw the title of this thread!!! Great scene. 
Walken & Hopper? How could it suck.
tA Tribal Disorder
http://www.soundclick.com...rmusic.htm "Ya see, we're not interested in what you know...but what you are willing to learn. C'mon y'all." | |
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The hearse scene from The Magnificent Seven, the epitome of how action and humor should work. Precursor to Butch Cassidy and The Sundance Kid. Good night, sweet Prince | 7 June 1958 - 21 April 2016
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Speaking of which . . .
The last stand in Butch Cassidy and The Sundance Kid Good night, sweet Prince | 7 June 1958 - 21 April 2016
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theAudience said:
The verbal confrontation between Christopher Walken (Vincenzo Coccotti) and Dennis Hopper (Clifford Worley) in True Romance... I haven't killed anybody since 1984. Goddamn his soul to burn for eternity in fucking hell for making me get my hands dirty. Go over to this comedian's son's apartment, come back with something that tells me where that asshole went, so I can wipe this egg off my face and finish this fucked-up family for good. ..
tA Tribal Disorder
http://www.soundclick.com...rmusic.htm Now that was one fucked up scene. 
Especially, that Sicillian/Nigger rap Dennis Hopper laid on him before being shot. To this day that scene still hasn't sat right with me. There were a lot of racial undertones in that flick.  | |
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Marlon Brando's incendiary "Friends, Romans, Countrymen" elegy in Julius Caesar. Good night, sweet Prince | 7 June 1958 - 21 April 2016
Props will be withheld until the showing and proving has commenced. -- Aaron McGruder | |
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sinisterpentatonic said: .
Now that was one fucked up scene.
Especially, that Sicillian/Nigger rap Dennis Hopper laid on him before being shot. To this day that scene still hasn't sat right with me. There were a lot of racial undertones in that flick. It's just Tarantino-screenwriting at his best, the racial undertone was meant to be.....we're talking about white-trash talking to mobster-scum: ----- Clifford Worley(Dennis Hopper): You're Sicilian, huh? Coccotti(Chris Walken): Yeah, Sicilian. Clifford Worley: Ya know, I read a lot. Especially about things... about history. I find that shit fascinating. Here's a fact I don't know whether you know or not. Sicilians were spawned by niggers. Coccotti: Come again? Clifford Worley: It's a fact. Yeah. You see, uh, Sicilians have, uh, black blood pumpin' through their hearts. Hey, no, if eh, if eh, if you don't believe me, uh, you can look it up. Hundreds and hundreds of years ago, uh, you see, uh, the Moors conquered Sicily. And the Moors are niggers. Coccotti: Yes... Clifford Worley: So you see, way back then, uh, Sicilians were like, uh, wops from Northern Italy. Ah, they all had blonde hair and blue eyes, but, uh, well, then the Moors moved in there, and uh, well, they changed the whole country. They did so much fuckin' with Sicilian women, huh? That they changed the whole bloodline forever. That's why blonde hair and blue eyes became black hair and dark skin. You know, it's absolutely amazing to me to think that to this day, hundreds of years later, that, uh, that Sicilians still carry that nigger gene. Now this... [Coccotti busts out laughing] Clifford Worley: No, I'm, no, I'm quoting... history. It's written. It's a fact, it's written. Coccotti: [Laughing] I love this guy. Clifford Worley: Your ancestors are niggers. Uh-huh. [Starts laughing, too] Clifford Worley: Hey. Yeah. And, and your great-great-great-great grandmother fucked a nigger, ho, ho, yeah, and she had a half-nigger kid... now, if that's a fact, tell me, am I lying? 'Cause you, you're part eggplant. [All laugh] [Edited 8/2/05 15:43pm] | |
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The ending of "Cool Hand Luke" when Paul Newman mocks the warden by saying "What we have here...is a failure to communicate", followed a split second later with a bullet between the eyes...
The ending of "Night Of The Living Dead", when you think everything's finally over and the main character has survived the onslaught of death by zombies...only to have the "rescuers" think he's a zombie and kill him.  That one fucked with me...
The "Mad World" scene in Donnie Darko...powerful and emotional. 
When Harrison Ford calmly--and slightly irritatedly--shoots the bad guy in black waving the HUGE machete in "Raiders Of The Lost Ark". The look on his face right before and after was priceless... 
 [Edited 8/2/05 16:03pm] | |
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Anything from Napoleon!  | |
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I don't believe there was any dialog. The scene just shifts to a drunken Kid Sheleen (Lee Marvin) atop an equally drunken horse. Jackson Two-Bears: Kid, Kid, what a time to fall off the wagon. Look at your eyes. Kid Sheleen: What's wrong with my eyes? Jackson Two-Bears: Well they're red, bloodshot. Kid Sheleen: You ought to see 'em from my side. Cat Ballou - 1965 tA Tribal Disorder
http://www.soundclick.com...rmusic.htm "Ya see, we're not interested in what you know...but what you are willing to learn. C'mon y'all." | |
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abierman said: sinisterpentatonic said: .
Now that was one fucked up scene.
Especially, that Sicillian/Nigger rap Dennis Hopper laid on him before being shot. To this day that scene still hasn't sat right with me. There were a lot of racial undertones in that flick. It's just Tarantino-screenwriting at his best, the racial undertone was meant to be.....we're talking about white-trash talking to mobster-scum: ----- Clifford Worley(Dennis Hopper): You're Sicilian, huh? Coccotti(Chris Walken): Yeah, Sicilian. Clifford Worley: Ya know, I read a lot. Especially about things... about history. I find that shit fascinating. Here's a fact I don't know whether you know or not. Sicilians were spawned by niggers. Coccotti: Come again? Clifford Worley: It's a fact. Yeah. You see, uh, Sicilians have, uh, black blood pumpin' through their hearts. Hey, no, if eh, if eh, if you don't believe me, uh, you can look it up. Hundreds and hundreds of years ago, uh, you see, uh, the Moors conquered Sicily. And the Moors are niggers. Coccotti: Yes... Clifford Worley: So you see, way back then, uh, Sicilians were like, uh, wops from Northern Italy. Ah, they all had blonde hair and blue eyes, but, uh, well, then the Moors moved in there, and uh, well, they changed the whole country. They did so much fuckin' with Sicilian women, huh? That they changed the whole bloodline forever. That's why blonde hair and blue eyes became black hair and dark skin. You know, it's absolutely amazing to me to think that to this day, hundreds of years later, that, uh, that Sicilians still carry that nigger gene. Now this... [Coccotti busts out laughing] Clifford Worley: No, I'm, no, I'm quoting... history. It's written. It's a fact, it's written. Coccotti: [Laughing] I love this guy. Clifford Worley: Your ancestors are niggers. Uh-huh. [Starts laughing, too] Clifford Worley: Hey. Yeah. And, and your great-great-great-great grandmother fucked a nigger, ho, ho, yeah, and she had a half-nigger kid... now, if that's a fact, tell me, am I lying? 'Cause you, you're part eggplant. [All laugh] Tarantino.....it's like he's obsessed with that word or something.
If Samuel L. Jackson didn't defend him when Spike Lee attacked him, i probably would've boycotted his films long ago, though it seems i've done that already.
I will say Jackie Brown was a decent flick even though he was riding on Elmore leonard's back with that one. | |
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theAudience said:
I don't believe there was any dialog. The scene just shifts to a drunken Kid Sheleen (Lee Marvin) atop an equally drunken horse. Jackson Two-Bears: Kid, Kid, what a time to fall off the wagon. Look at your eyes. Kid Sheleen: What's wrong with my eyes? Jackson Two-Bears: Well they're red, bloodshot. Kid Sheleen: You ought to see 'em from my side. Cat Ballou - 1965 tA Tribal Disorder
http://www.soundclick.com...rmusic.htm cat ballouuuuu... ihavent seen that movie in yearrrrrs | |
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the sherrif is a Ni*ding* what he say? he said the sherrif is near | |
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sinisterpentatonic said: Tarantino.....it's like he's obsessed with that word or something.
If Samuel L. Jackson didn't defend him when Spike Lee attacked him, i probably would've boycotted his films long ago, though it seems i've done that already.
I will say Jackie Brown was a decent flick even though he was riding on Elmore leonard's back with that one. you're probably right, Tarantino is certainly obsessed with Blaxploitation.....still it is smart screen-writing! Spike Lee should shut up, it is not like he's a goody-goody either.....just look at his potrayal of the jewish lesbian in 'She Hate Me', that was close to anti-semitism (and that's just one example!).....I think Lee is full of envy (I'm sure he wishes he could have written it!) and tries to act by being so-called political correct..... | |
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Jim: How many times have I told you to wash your hands after a weekly cross burning? Bart: For my next impression, Jesse Owens. 
Hedley Lamarr: My mind is a raging torrent, flooded with rivulets of thought cascading into a waterfall of creative alternatives. Taggart: God darnit Mr. Lamarr, you use your tongue prettier than a twenty dollar whore. Taggart: I got it. I got it. Hedley Lamarr: You do? Taggart: We'll work up a "Number 6" on 'em. Hedley Lamarr: "Number 6"? I'm afraid I'm not familiar with that one... Taggart: Well, that's where we go a-ridin' into town, a whampin' and whompin' every livin' thing that moves within an inch of its life. Except the women folks, of course. Hedley Lamarr: You spare the women? Taggart: NAW. We rape the shit out of them at the Number 6 Dance later on. Hedley Lamarr: Marvelous. Taggart: What do you want me to do sir? Hedley Lamarr: I want you to round up ever vicious criminal and gun slinger in the west. Take this down. [Taggart looks for a pen and paper while Hedley talks] Hedley Lamarr: I want rustlers, cut throats, murderers, bounty hunters, desperados, mugs, pugs, thugs, nitwits, halfwits, dimwits, vipers, snipers, con men, Indian agents, Mexican bandits, muggers, buggerers, bushwhackers, hornswogglers, horse thieves, bull dykes, train robbers, bank robbers, ass-kickers, shit-kickers and Methodists. Taggart: [finding pen and paper] Could you repeat that, sir? Blazing Saddles - 1974 tA Tribal Disorder
http://www.soundclick.com...rmusic.htm "Ya see, we're not interested in what you know...but what you are willing to learn. C'mon y'all." | |
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The opening of the Ark of the Covenant in Raiders of the Lost Ark.
 
The last gunfight in "The Good, The Bad, & the Ugly".  | |
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Tommy DeVito: I'm funny how, I mean funny like i'm a clown, I amuse you? I make you laugh, i'm here to fuckin' amuse you? How the FUCK am I FUNNY? WHAT THE FUCK IS SO FUNNY ABOUT ME? Tell me, tell me what's funny. Henry Hill: Get the fuck outta here, Tommy Tommy DeVito: Ha ha. I almost had you. ~Goodfellas tA Tribal Disorder
http://www.soundclick.com...rmusic.htm "Ya see, we're not interested in what you know...but what you are willing to learn. C'mon y'all." | |
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The first 15 minutes or so of Full Metal Jacket.
Every dialog in Snatch. The explanation of "fuggedaboudit" in Donnie Brasco. | |
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