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Reply #60 posted 07/11/05 12:09pm

VoicesCarry

TheCrucialExperience said:

VoicesCarry said:



Actually, Chris is stalling the production because he wants final editing rights, not $$$$$. It is absolutely ridiculous for a star to have final editing rights. He ain't the fucking director.


Like I said, you have A LOT to learn about Hollywood. Don't be too sure of that mindset that actors don't get final cut. Arnold, Stallone, and Willis have clauses in their contracts that allow them the leeway to do just that. It's not that uncommon of a deal to have, especially if you pull in the money.


Final cut approval is COMPLETELY different from editing rights.
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Reply #61 posted 07/11/05 12:13pm

VoicesCarry

TheCrucialExperience said:

Rhondab said:

lawd.....


americans always base success if a person is famous only in america. jackie was huge internationally before his american movies ya'll.

Chris tucker didn't make him.


Remember mtv gave Jackie a lifetime achievement award before he even made an american movie.


So how much was Jackie making per film BEFORE he hooked up with Tucker? And I'm sorry, but in Hollywood, if you don't do well in the states, the film is rarely a success overseas. So yeah, you measure it off American audiences. I didn't make that standard up, it's just the way it is. jackie may be an INTL star, but he cant carry shit in America as a leading man by himself.


That isn't true. Most films make more than half their gross in international markets. Kingdom Of Heaven, the Orlando Bloom crusades flick from earlier this year, struggled to break $50M on a $120M budget, and yet it has made over $200M internationally. Even a complete stinker like Alexander made over $100M internationally.
[Edited 7/11/05 12:14pm]
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Reply #62 posted 07/11/05 12:17pm

VoicesCarry

TheCrucialExperience said:

VoicesCarry said:



For the Rush Hour flicks. At least Jackie doens't have a huge-ass ego that demands equal salary, since he accepted $15M for Rush Hour 2 while Chris got $20M.

You have A LOT to learn about Hollywood. Jackie COULDN'T demand that much because Tucker carries the film. Tucker's films do better in America than Jackie's films. Jackie can't carry a film. He needed Owen Wilson in the Shanghai series. Did you see The Tuxedo? eek He carried that film all the way to the trash! biggrin lol


1. WHAT Tucker films do better in America?!?!?! Money Talks made $41M way back in '97, that's about it. On Chan's side, Shanghai Noon made $57M, Shanghai Knights pulled in $60.4M - even a stinker like Tuxedo still crossed $50M.

2. Your opinion about who carries the film does not mean much when it's a buddy comedy. Chris Tucker is not Julia Roberts, box office-wise. If it was Julia Roberts starring alongside Jackie, you might have a point.
[Edited 7/11/05 12:18pm]
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Reply #63 posted 07/11/05 12:20pm

TheCrucialExpe
rience

avatar

VoicesCarry said:

TheCrucialExperience said:


How do you know the studios are refusing to pay him that much? Where are you getting this info?

And nom the reason he backed out of those films is because he didn't want to keep doing those types of films and jeapordize his 20 a pick status. He knew those films would flop. It had nothing to do with his demands, HE backed out of those project after he blew up from Rush Hour 1.


It's not hard to keep up with what's going on in the industry. wink

I can't give you a source, but way back in '02, the producers of Mr. President (which became Head Of State) dismissed him when he asked for $25M + gross %. If he's asking for editing rights on RH3, I don't find it very hard to believe that his ego is probably as big as his friend MJ's and he's been turned down for several pictures due to his demands. Undercover Brother would have been an excellent picture for him to make.


I don't know where your source got their info from, but that wasn't even CLOSE to why he backed out of it.

Under advice from his agent, he was asked not to do certain films that would jeopardize his earning power as an actor. Double Oh Soul and Undercover Brother along with Head of State were those so-called "Black Films" his agent advised him against.
"But what of black women? . . . I most sincerely doubt if any other race of women could have brought its fineness up through so devilish a fire." -- W.E.B. Du Bois --
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Reply #64 posted 07/11/05 12:21pm

TheCrucialExpe
rience

avatar

VoicesCarry said:

TheCrucialExperience said:



Like I said, you have A LOT to learn about Hollywood. Don't be too sure of that mindset that actors don't get final cut. Arnold, Stallone, and Willis have clauses in their contracts that allow them the leeway to do just that. It's not that uncommon of a deal to have, especially if you pull in the money.


Final cut approval is COMPLETELY different from editing rights.


Um, who told you that? It all entails the same thing.
"But what of black women? . . . I most sincerely doubt if any other race of women could have brought its fineness up through so devilish a fire." -- W.E.B. Du Bois --
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Reply #65 posted 07/11/05 12:24pm

VoicesCarry

TheCrucialExperience said:

VoicesCarry said:



It's not hard to keep up with what's going on in the industry. wink

I can't give you a source, but way back in '02, the producers of Mr. President (which became Head Of State) dismissed him when he asked for $25M + gross %. If he's asking for editing rights on RH3, I don't find it very hard to believe that his ego is probably as big as his friend MJ's and he's been turned down for several pictures due to his demands. Undercover Brother would have been an excellent picture for him to make.


I don't know where your source got their info from, but that wasn't even CLOSE to why he backed out of it.

Under advice from his agent, he was asked not to do certain films that would jeopardize his earning power as an actor. Double Oh Soul and Undercover Brother along with Head of State were those so-called "Black Films" his agent advised him against.


lol Do you know Chris personally? Or maybe you are Chris, considering he's not doing much else at the moment wink

Anyways, his agent is a moron if he kept him from doing Undercover Brother. Double O Soul might have been a hit, too, had they struck while the iron was hot. Oh well.

Not that I believe you considering you don't have a source, either. I know what I read, though. wink
[Edited 7/11/05 12:27pm]
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Reply #66 posted 07/11/05 12:27pm

jerseykrs

PLEASE STOP THIS INSANITY!
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Reply #67 posted 07/11/05 12:29pm

TheCrucialExpe
rience

avatar

VoicesCarry said:

TheCrucialExperience said:


You have A LOT to learn about Hollywood. Jackie COULDN'T demand that much because Tucker carries the film. Tucker's films do better in America than Jackie's films. Jackie can't carry a film. He needed Owen Wilson in the Shanghai series. Did you see The Tuxedo? eek He carried that film all the way to the trash! biggrin lol


1. WHAT Tucker films do better in America?!?!?! Money Talks made $41M way back in '97, that's about it. On Chan's side, Shanghai Noon made $57M, Shanghai Knights pulled in $60.4M - even a stinker like Tuxedo still crossed $50M.

2. Your opinion about who carries the film does not mean much when it's a buddy comedy. Chris Tucker is not Julia Roberts, box office-wise. If it was Julia Roberts starring alongside Jackie, you might have a point.
[Edited 7/11/05 12:18pm]


Like I said, you have A LOT to learn about the film industry. It isn't what you make, it's what you SPENT AND WHAT YOU MADE that determines the success of a film. Making 57 million BUT SPENDING 60 MILLION isn't a successful film. And you mentioned Shanghai Noon - basically they tried to cash in off the Rush Hour concept but used Owen Wilson in place of Tucker and set it as a Western. Again, jackie DIDN'T carry the film.

So if it doesn't matter who carries the film in a Buddy Pic, then tell that to Nick Nolte (48 Hours Series) and Danny Glover (Lethal Weapon Franchise). Are you saying Nick Nolte CARRIED 48 hours and Danny Glover CARRIED Lethal Weapon? Buddy Films are only called that because they play "Buddies/Partners" it has nothing to do with both stars carrying or not carrying the film. You have A LOT to learn about the film industry. wink
"But what of black women? . . . I most sincerely doubt if any other race of women could have brought its fineness up through so devilish a fire." -- W.E.B. Du Bois --
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Reply #68 posted 07/11/05 12:31pm

TheCrucialExpe
rience

avatar

VoicesCarry said:

TheCrucialExperience said:



I don't know where your source got their info from, but that wasn't even CLOSE to why he backed out of it.

Under advice from his agent, he was asked not to do certain films that would jeopardize his earning power as an actor. Double Oh Soul and Undercover Brother along with Head of State were those so-called "Black Films" his agent advised him against.


lol Do you know Chris personally? Or maybe you are Chris, considering he's not doing much else at the moment wink

Anyways, his agent is a moron if he kept him from doing Undercover Brother. Double O Soul might have been a hit, too, had they struck while the iron was hot. Oh well.

Not that I believe you considering you don't have a source, either. I know what I read, though. wink
[Edited 7/11/05 12:27pm]


Yes, I know Chris. Cool dude. Pretty much acts like he does in his films. And his agent wasn't a moron, he was just trying to make sure that Tucker maintained his 20 million a pic by not doing films that would lessen his earning power.
"But what of black women? . . . I most sincerely doubt if any other race of women could have brought its fineness up through so devilish a fire." -- W.E.B. Du Bois --
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Reply #69 posted 07/11/05 12:31pm

VoicesCarry

TheCrucialExperience said:

VoicesCarry said:



lol Do you know Chris personally? Or maybe you are Chris, considering he's not doing much else at the moment wink

Anyways, his agent is a moron if he kept him from doing Undercover Brother. Double O Soul might have been a hit, too, had they struck while the iron was hot. Oh well.

Not that I believe you considering you don't have a source, either. I know what I read, though. wink
[Edited 7/11/05 12:27pm]


Yes, I know Chris. Cool dude. Pretty much acts like he does in his films. And his agent wasn't a moron, he was just trying to make sure that Tucker maintained his 20 million a pic by not doing films that would lessen his earning power.


Tell his agent that not doing any films also lessens his earning power.
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Reply #70 posted 07/11/05 12:40pm

VoicesCarry

TheCrucialExperience said:

VoicesCarry said:



1. WHAT Tucker films do better in America?!?!?! Money Talks made $41M way back in '97, that's about it. On Chan's side, Shanghai Noon made $57M, Shanghai Knights pulled in $60.4M - even a stinker like Tuxedo still crossed $50M.

2. Your opinion about who carries the film does not mean much when it's a buddy comedy. Chris Tucker is not Julia Roberts, box office-wise. If it was Julia Roberts starring alongside Jackie, you might have a point.
[Edited 7/11/05 12:18pm]


Like I said, you have A LOT to learn about the film industry. It isn't what you make, it's what you SPENT AND WHAT YOU MADE that determines the success of a film. Making 57 million BUT SPENDING 60 MILLION isn't a successful film. And you mentioned Shanghai Noon - basically they tried to cash in off the Rush Hour concept but used Owen Wilson in place of Tucker and set it as a Western. Again, jackie DIDN'T carry the film.

So if it doesn't matter who carries the film in a Buddy Pic, then tell that to Nick Nolte (48 Hours Series) and Danny Glover (Lethal Weapon Franchise). Are you saying Nick Nolte CARRIED 48 hours and Danny Glover CARRIED Lethal Weapon? Buddy Films are only called that because they play "Buddies/Partners" it has nothing to do with both stars carrying or not carrying the film. You have A LOT to learn about the film industry. wink


If you want to compare Eddie Murphy and Mel Gibson to Chris Tucker in terms of box office pull, then yeah. But AS I ALREADY SAID, you'd only have a point if someone like Julia Roberts was the costar. Mel or Eddie are comparable to Julia. But not Chris. And RH 1 & 2 were the films I was discussing, not buddy films in general (see something like The Wedding Crashers, with Owen Wilson & Vince Vaughn for something you can actually compare to RH 1 or 2).

Oh, and regarding the box office, you really need to stop being so American in your thinking. With an average budget approaching $55M (actually what was spent on Shanghai Noon, BTW) for a studio picture these days, it is rare that a film actually turns a profit based on US box office alone. Both Shanghai Noon and its sequel turned a healthy profit once international sales are counted - and I am not going to even bother telling you how much the films made in ancillary markets such as VHS and DVD. I think it's actually you who needs to learn something about Hollywood. For one, American theaters are not the main source of revenue for a studio, anymore.
[Edited 7/11/05 12:46pm]
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Reply #71 posted 07/11/05 1:38pm

TheCrucialExpe
rience

avatar

VoicesCarry said:

TheCrucialExperience said:



Yes, I know Chris. Cool dude. Pretty much acts like he does in his films. And his agent wasn't a moron, he was just trying to make sure that Tucker maintained his 20 million a pic by not doing films that would lessen his earning power.


Tell his agent that not doing any films also lessens his earning power.

Are you an agent? Can you confirm that this is the case?
"But what of black women? . . . I most sincerely doubt if any other race of women could have brought its fineness up through so devilish a fire." -- W.E.B. Du Bois --
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Reply #72 posted 07/11/05 1:43pm

VoicesCarry

TheCrucialExperience said:

VoicesCarry said:



Tell his agent that not doing any films also lessens his earning power.

Are you an agent? Can you confirm that this is the case?


I use common sense. If he isn't making any films, he earns $0. If he makes some films - even if they bomb - he's in the black.
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Reply #73 posted 07/11/05 1:45pm

TheCrucialExpe
rience

avatar

VoicesCarry said:

TheCrucialExperience said:



Like I said, you have A LOT to learn about the film industry. It isn't what you make, it's what you SPENT AND WHAT YOU MADE that determines the success of a film. Making 57 million BUT SPENDING 60 MILLION isn't a successful film. And you mentioned Shanghai Noon - basically they tried to cash in off the Rush Hour concept but used Owen Wilson in place of Tucker and set it as a Western. Again, jackie DIDN'T carry the film.

So if it doesn't matter who carries the film in a Buddy Pic, then tell that to Nick Nolte (48 Hours Series) and Danny Glover (Lethal Weapon Franchise). Are you saying Nick Nolte CARRIED 48 hours and Danny Glover CARRIED Lethal Weapon? Buddy Films are only called that because they play "Buddies/Partners" it has nothing to do with both stars carrying or not carrying the film. You have A LOT to learn about the film industry. wink


If you want to compare Eddie Murphy and Mel Gibson to Chris Tucker in terms of box office pull, then yeah. But AS I ALREADY SAID, you'd only have a point if someone like Julia Roberts was the costar. Mel or Eddie are comparable to Julia. But not Chris. And RH 1 & 2 were the films I was discussing, not buddy films in general (see something like The Wedding Crashers, with Owen Wilson & Vince Vaughn for something you can actually compare to RH 1 or 2).

Oh, and regarding the box office, you really need to stop being so American in your thinking. With an average budget approaching $55M (actually what was spent on Shanghai Noon, BTW) for a studio picture these days, it is rare that a film actually turns a profit based on US box office alone. Both Shanghai Noon and its sequel turned a healthy profit once international sales are counted - and I am not going to even bother telling you how much the films made in ancillary markets such as VHS and DVD. I think it's actually you who needs to learn something about Hollywood. For one, American theaters are not the main source of revenue for a studio, anymore.
[Edited 7/11/05 12:46pm]

Wait, who's comapring Mel to Tucker? I was showing YOU how ridiculous it is to say BOTH actors CARRY a BUDDY FILM, which is NOT always the case.

Oh, I know about ancillary, but what you fail to realize is that films are measured by their AMERICAN RELEASE in Hollywood, NOT overseas. If it bombs in the U.S. and it makes some noise over in Europe, Hollywood won't go there again. Now, as for ancillary, you're talking about VHS/DVD, Pay Per View, TV - factors that can on and on forever, but if it flops in America...it's considered a flop. I know those of you who aren't American despise that, but it's the turth, Ruth. There are many hit films that come over from Europe that Hollywood buys the rights to and release in America, and if it flops in America, it's considered a flop even though in Europe it may have been a hit. Sour grapes? Probably. But it's America, people. The greatest country in the entire world. wink
"But what of black women? . . . I most sincerely doubt if any other race of women could have brought its fineness up through so devilish a fire." -- W.E.B. Du Bois --
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Reply #74 posted 07/11/05 1:47pm

TheCrucialExpe
rience

avatar

VoicesCarry said:

TheCrucialExperience said:


Are you an agent? Can you confirm that this is the case?


I use common sense. If he isn't making any films, he earns $0. If he makes some films - even if they bomb - he's in the black.


Well, common sense means jack shit in Hollywood. Common sense doesn't always apply in Hollywood. Common sense would tell Hollywood NOT to keep doing remakes of TV Shows. wink
"But what of black women? . . . I most sincerely doubt if any other race of women could have brought its fineness up through so devilish a fire." -- W.E.B. Du Bois --
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Reply #75 posted 07/11/05 2:14pm

missfee

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I don't think they should even do a Rush Hour 3. I only liked the first one, the second one's jokes were corny and kept trying to remind you of the jokes in the first one. What else can they write about to keep an Asian man and a Black man running around the world to save somebody?
I will forever love and miss you...my sweet Prince.
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Reply #76 posted 07/11/05 2:18pm

TheCrucialExpe
rience

avatar

missfee said:

I don't think they should even do a Rush Hour 3. I only liked the first one, the second one's jokes were corny and kept trying to remind you of the jokes in the first one. What else can they write about to keep an Asian man and a Black man running around the world to save somebody?


Voices Carry, the line right there should shut us BOTH up! lol lol
"But what of black women? . . . I most sincerely doubt if any other race of women could have brought its fineness up through so devilish a fire." -- W.E.B. Du Bois --
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Reply #77 posted 07/11/05 2:29pm

VoicesCarry

TheCrucialExperience said:

VoicesCarry said:



I use common sense. If he isn't making any films, he earns $0. If he makes some films - even if they bomb - he's in the black.


Well, common sense means jack shit in Hollywood. Common sense doesn't always apply in Hollywood. Common sense would tell Hollywood NOT to keep doing remakes of TV Shows. wink


Common sense should tell you that any financial leverage Chris has gained from the RH films is only temporary in Hollywood. He should take advantage of it while he has the chance. It's like saving money for a rainy day and then never using it: what the fuck is the point?
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Reply #78 posted 07/11/05 3:22pm

TheCrucialExpe
rience

avatar

VoicesCarry said:

TheCrucialExperience said:



Well, common sense means jack shit in Hollywood. Common sense doesn't always apply in Hollywood. Common sense would tell Hollywood NOT to keep doing remakes of TV Shows. wink


Common sense should tell you that any financial leverage Chris has gained from the RH films is only temporary in Hollywood. He should take advantage of it while he has the chance. It's like saving money for a rainy day and then never using it: what the fuck is the point?


Oh, well hell! It's OBVIOUS you know MORE than an agent would, right? So tell me what actors you rep again? wink
"But what of black women? . . . I most sincerely doubt if any other race of women could have brought its fineness up through so devilish a fire." -- W.E.B. Du Bois --
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Reply #79 posted 07/11/05 4:28pm

missfee

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Crucial and Voices, please hug kisses comfort grouphug It's not that serious really...
I will forever love and miss you...my sweet Prince.
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Reply #80 posted 07/11/05 4:32pm

VoicesCarryFur
ther

TheCrucialExperience said:

VoicesCarry said:



Common sense should tell you that any financial leverage Chris has gained from the RH films is only temporary in Hollywood. He should take advantage of it while he has the chance. It's like saving money for a rainy day and then never using it: what the fuck is the point?


Oh, well hell! It's OBVIOUS you know MORE than an agent would, right? So tell me what actors you rep again? wink


You see any other actors making blockbusters and then say, "I ain't doing nothin' except for the sequels for the next 10 years so my asking price remains stable."

HILARIOUS strategy.

Anyway, hug. I'm done with this.
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Reply #81 posted 07/11/05 4:43pm

XxAxX

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well, who's right who's wrong? whatever the situation thing is i think tucker should have already ironed out the details of this particular deal so his 'negotiations' don't coincide with the actual release date of the picture. hasn't he already signed a contract for his work on the movie? he'd had to have done that going in, right? that's when this should have been done.

i'm biased i admit i'm a rabid jackie chan fan. he's one of the few celebrities in the world i'd actually like to meet in person. tucker has his strong points and he's a lot of fun, but imo the stunts jackie does in all his films more than give him first billing.

i hope these contract negotiations with tucker don't ruin his ability to work with chan.
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Reply #82 posted 07/11/05 5:54pm

NettieSmiles

2the9s said:

This story is going to be HUMONGOUS!

It's going to snowball and snowball.

nod


Remember the snowball fight of 2002!!! razz Hello my darling 9sy! wink
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Reply #83 posted 07/11/05 6:24pm

TheCrucialExpe
rience

avatar

missfee said:

Crucial and Voices, please hug kisses comfort grouphug It's not that serious really...

I'm not taking it seriously, just speaking my mind on it. It's all good.
"But what of black women? . . . I most sincerely doubt if any other race of women could have brought its fineness up through so devilish a fire." -- W.E.B. Du Bois --
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Reply #84 posted 07/11/05 6:25pm

TheCrucialExpe
rience

avatar

VoicesCarryFurther said:

TheCrucialExperience said:



Oh, well hell! It's OBVIOUS you know MORE than an agent would, right? So tell me what actors you rep again? wink


You see any other actors making blockbusters and then say, "I ain't doing nothin' except for the sequels for the next 10 years so my asking price remains stable."

HILARIOUS strategy.

Anyway, hug. I'm done with this.


It doesn't make sense to us, but we're not agents. Maybe there's a method to their madness or maybe there isn't.

Now, let's go have some banana daiquiris by the pool, shall we? razz wink
"But what of black women? . . . I most sincerely doubt if any other race of women could have brought its fineness up through so devilish a fire." -- W.E.B. Du Bois --
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Reply #85 posted 07/11/05 6:28pm

TheCrucialExpe
rience

avatar

XxAxX said:

well, who's right who's wrong? whatever the situation thing is i think tucker should have already ironed out the details of this particular deal so his 'negotiations' don't coincide with the actual release date of the picture. hasn't he already signed a contract for his work on the movie? he'd had to have done that going in, right? that's when this should have been done.

i'm biased i admit i'm a rabid jackie chan fan. he's one of the few celebrities in the world i'd actually like to meet in person. tucker has his strong points and he's a lot of fun, but imo the stunts jackie does in all his films more than give him first billing.

i hope these contract negotiations with tucker don't ruin his ability to work with chan.

Here' the kicker though: Even though Tucker carries the film, it's easier to replace him than it is Jackie because Jackie is the only comical martial artist around, at least known in the states. I mean, we can't imagine Jet Li taking over the role eek
"But what of black women? . . . I most sincerely doubt if any other race of women could have brought its fineness up through so devilish a fire." -- W.E.B. Du Bois --
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Reply #86 posted 07/11/05 6:33pm

Natsume

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jerseykrs said:

PLEASE STOP THIS INSANITY!

falloff
I mean, like, where is the sun?
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Reply #87 posted 07/11/05 8:57pm

Sinister

TheCrucialExperience said:

VoicesCarry said:



1. WHAT Tucker films do better in America?!?!?! Money Talks made $41M way back in '97, that's about it. On Chan's side, Shanghai Noon made $57M, Shanghai Knights pulled in $60.4M - even a stinker like Tuxedo still crossed $50M.

2. Your opinion about who carries the film does not mean much when it's a buddy comedy. Chris Tucker is not Julia Roberts, box office-wise. If it was Julia Roberts starring alongside Jackie, you might have a point.
[Edited 7/11/05 12:18pm]


Like I said, you have A LOT to learn about the film industry. It isn't what you make, it's what you SPENT AND WHAT YOU MADE that determines the success of a film. Making 57 million BUT SPENDING 60 MILLION isn't a successful film. And you mentioned Shanghai Noon - basically they tried to cash in off the Rush Hour concept but used Owen Wilson in place of Tucker and set it as a Western. Again, jackie DIDN'T carry the film.

So if it doesn't matter who carries the film in a Buddy Pic, then tell that to Nick Nolte (48 Hours Series) and Danny Glover (Lethal Weapon Franchise). Are you saying Nick Nolte CARRIED 48 hours and Danny Glover CARRIED Lethal Weapon? Buddy Films are only called that because they play "Buddies/Partners" it has nothing to do with both stars carrying or not carrying the film. You have A LOT to learn about the film industry. wink


No offense but if you "know so much about the biz" you would know how much of a draw Jackie is worldwide and how popular he has been for umm lets see decades or so...So Jackie has every right to call Chris out cause in comparison he has done nothing compared to Jackie...Movie success does not begin and end in America...Global success should not be taken for granted or dismissed cause Jackie is not a top american draw.
clever clever quotation - attention getting quote - sad yet witty remark - look at me! Im deep quote- song lyric about my ex cause that bitch stole my mp3 player! - line from movie I liked - Prince lyric - not very clever sig mocking other sigs
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Reply #88 posted 07/11/05 9:10pm

lilgish

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This is just HYPE for the movie, ya know like the stevie CD. wink
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Reply #89 posted 07/11/05 9:28pm

TheCrucialExpe
rience

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Sinister said:

TheCrucialExperience said:



Like I said, you have A LOT to learn about the film industry. It isn't what you make, it's what you SPENT AND WHAT YOU MADE that determines the success of a film. Making 57 million BUT SPENDING 60 MILLION isn't a successful film. And you mentioned Shanghai Noon - basically they tried to cash in off the Rush Hour concept but used Owen Wilson in place of Tucker and set it as a Western. Again, jackie DIDN'T carry the film.

So if it doesn't matter who carries the film in a Buddy Pic, then tell that to Nick Nolte (48 Hours Series) and Danny Glover (Lethal Weapon Franchise). Are you saying Nick Nolte CARRIED 48 hours and Danny Glover CARRIED Lethal Weapon? Buddy Films are only called that because they play "Buddies/Partners" it has nothing to do with both stars carrying or not carrying the film. You have A LOT to learn about the film industry. wink


No offense but if you "know so much about the biz" you would know how much of a draw Jackie is worldwide and how popular he has been for umm lets see decades or so...So Jackie has every right to call Chris out cause in comparison he has done nothing compared to Jackie...Movie success does not begin and end in America...Global success should not be taken for granted or dismissed cause Jackie is not a top american draw.


I hate to break this to you but the fact remains "You ain't made it til you made it in the states." Now, you overseas people may hate that but you know it's true or else why else would Jackie even come to the U.S.? TO MAKE MONEY IN FILMS BECAUSE THIS IS THE FILM CAPITAL OF THE WORLD. China isn't.

Jackie can do all he wants in China as a filmmaker/actor, but the GENERAL American audience doesn't give a damn, ALL they care about is American films and thus far, Jackie NEEDS another sidekick to have a successful film in the U.S.

Hard facts from a hard world.
"But what of black women? . . . I most sincerely doubt if any other race of women could have brought its fineness up through so devilish a fire." -- W.E.B. Du Bois --
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Forums > General Discussion > Jackie Chan blames Chris Tucker for delay