scififilmnerd said: jerseykrs said: No one has a comment on Rob's copying?! Damn. I think it's so obvious it's pathetic.
But you've said it all and I agree and have nothing to add. LOL, right on!! | |
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scififilmnerd said: Sinister said: Im sorry but I have never been able to stand Jean Grey...At first I didn't like her character because of the nauseating relationship with Scott (which the dialog and storylines improved) But the whole "Phoenix" thing is what ticks me off...First if she is this all powerful alpha mutant she sure does not show it in battle (I mean when they actually were letting her in the field teams missions) and with that said she is too powerful. It's like the whole Im really powerful so let me power down to fight you...It just never worked for me..
If you're talking about when she originally transformed into Phoenix, it was by editorial decree. Claremont and Cockrum loved having a female hero who was cosmic - the X-Men's equivalent of Thor. But then editorial stepped in and said that they couldn't have a hero that was cosmic in the X-Men. So they had to power her down to STorm's level and then come up with an explanationm as to why she could no longer access Phoenix-level powers. And the explanation was that she wasn't mature enough to handle the Phoenix power, so her subconscious denied her access, sort of like a safety block closing down, to protect her sanity. When John Byrne replaced Cockrum, Byrne didn't share Claremont and Cockrum's interest in Phoenix. In fact, he didn't like her at all. He felt she made the rest of the team redundant. So, although she became an X-Man in #110, she was immediately moved to the sidelines and the plot was hatched to make her develop into a villain. But when push came to shove, Claremont and Byrne couldn't find it within themselves to make her be truly evil, which is why X-Men #137 initially ended with her having the Phoenix exorcised from her. They said she went mad - then she got better. That's when Jim Shooter stepped in, because this didn't fit with what he had approved - a storyline about a hero that got corrupted by power. And for destroying a star system, he demanded she be punished - for instance that she be jailed by the Shi'ar on an asteroid to suffer torture for eternity. (Which happened to Loki in Norse Mythology and later to Doomsday in Superman.) But Claremont and Byrne couldn't make themselves do that to Jean Grey, so they figured thee'd rather just kill her off. Which they did. And they liked the solution, because now it had become a story about the triumph of the human spirit. But that was then... Of course, it should be mentioned that Claremont & Byrne initially intended for Phoenix to only be dead for a few issues. They planned on bringing her back, via her phoenix abilities, in a different form (as a sort of mystery character, who would later be revealed to be Jean, to get her revival past Shooter). They ultimately ditched the idea though, since the fan reaction to her death was so powerful. Do not hurry yourself in your spirit to become offended, for the taking of offense is what rests in the bosom of the stupid ones. (Ecclesiastes 7:9) | |
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scififilmnerd said: JediMaster said: Oh, Claremont will dig that up in Excalibur, and it will be something no one will even care about. That book is a prime example of how badly Claremont needs to retire. Why? According to Preview's Top 100 most ordered comics, Excalibur is selling quite well, so he must be doing somethin right. [Edited 6/10/05 13:45pm] Much like John Byrne, he's just riding on his name. I know lots of people who pick up Claremont's books, just because its Claremont. They agree that his writing has become lackluster, but continue to get his stuff because of his past glories. Excalibur is, hands-down, the worst thing I've ever read with his name on it. Do not hurry yourself in your spirit to become offended, for the taking of offense is what rests in the bosom of the stupid ones. (Ecclesiastes 7:9) | |
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scififilmnerd said: sextonseven said: That was so wrong. I hope someone undoes that travesty soon. I will not remember Chuck Austen's run on 'Uncanny' as one of the better ones. Did you have to bring that up? I had happily repressed it. And the whole Nightcrawler's dad storyline. The horror of it! Oh, man! That story was just friggin' AWFUL!!!!! Do not hurry yourself in your spirit to become offended, for the taking of offense is what rests in the bosom of the stupid ones. (Ecclesiastes 7:9) | |
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jerseykrs said: Just so everyone knows, I'm a dude.
And this is why Liefeld is a plagiarist. There are MANY more examples in old CBG's and Wizards, and probably on the net if you dig deep enough. Look at these examples and TRY to tell me he's 100% original. http://julien-gautier.clu..._copie.jpg He sucks. #1 Limited facial expressions, generally ranging from barely-restrained anger to sheer "constipated" look #2 Concealment of characters' feet (which are often drawn very badly when occasionally visible) #3 Concealment of characters' wrists, most of his own designs would have bracers or plant-pot style gloves to cover his inability to figure out how wrists work #4 Bizarre proportions such as tiny heads, wrists, and ankles and oversized breasts and muscles (look at cap below, he looks several feet thick) #5 Poses that appear to be both illogical (in the context of the plot) and anatomically impossible, or at least uncomfortable #6 Skewed perspective: often a picture will be began in one perspective then be finished in another. (See Captain America again, clearly started in profile view then switched to three-fourths perspective.) BTW, look at how BAD the above drawing is. It's horrible. There are tons of struggling talented artists that don't get any of his run, he sucks. That guy is the single worst artist in the entire comic community. He is the very epitome of a hack! I just don't see how anyone can like his stuff (nor do I know anyone who does). How does he keep getting hired by the big two? Do not hurry yourself in your spirit to become offended, for the taking of offense is what rests in the bosom of the stupid ones. (Ecclesiastes 7:9) | |
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Uh oh!!! Y'all read the review of the X3 script yet? It's not Storm or Magneto that die, but rather Cyclops and Professor X AT THE HANDS OF PHOENIX!!! Oh man, am I bummed out! I had high hopes for this one, and they've just been dashed!
http://www.aintitcoolnews...i?id=20443 Do not hurry yourself in your spirit to become offended, for the taking of offense is what rests in the bosom of the stupid ones. (Ecclesiastes 7:9) | |
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JediMaster said: scififilmnerd said: Why? According to Preview's Top 100 most ordered comics, Excalibur is selling quite well, so he must be doing somethin right. [Edited 6/10/05 13:45pm] Much like John Byrne, he's just riding on his name. I know lots of people who pick up Claremont's books, just because its Claremont. They agree that his writing has become lackluster, but continue to get his stuff because of his past glories. Excalibur is, hands-down, the worst thing I've ever read with his name on it. Excalibur has been cancelled so you got your wish. | |
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scififilmnerd said: doctamario said: I want to see Larocca and Austen gone for good. I never liked Austen anyway, his lack of detail and Saturday morning cartoon like style is such an unbelievable turn off for me. I don't know what people see in him. That style was good for Excalibur, a funny book, but not X-Men.
You mean Alan Davis, right? (Chuck Austen was the horrible writer who's run on the X-Men I've already happily repressed.) I looove Alan Davis. I wish I could draw as well as he can. I love Alan Davis also, but he'll be leaving Uncanny in a few months. I read Tom Raney might take over the art. | |
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scififilmnerd said: I'll take Claremont on the X-Men before any "new, hot writer" any time. He doesn't screw things up. He knows the characters and their histories and the individual parts they play in the bigger picture. Why, he even gets their accents right, unlike, say Peter Milligan, who forgot all about Rogue's accent in his first issue. I'll admit that Joss Whedon seems to have a good grasp of the characters, which is a very good thing, but he has yet to write a story that actually grabs me. I agree that I'd rather have Claremont writing X-Men than not. However, I think Joss Whedon is doing a great job on Astonishing and has given new life and depth to some of the characters (most notably, Kitty Pryde). He is to the X-Men now what Claremont was in the late 70s/early 80s. | |
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sextonseven said: scififilmnerd said: I'll take Claremont on the X-Men before any "new, hot writer" any time. He doesn't screw things up. He knows the characters and their histories and the individual parts they play in the bigger picture. Why, he even gets their accents right, unlike, say Peter Milligan, who forgot all about Rogue's accent in his first issue. I'll admit that Joss Whedon seems to have a good grasp of the characters, which is a very good thing, but he has yet to write a story that actually grabs me. I agree that I'd rather have Claremont writing X-Men than not. However, I think Joss Whedon is doing a great job on Astonishing and has given new life and depth to some of the characters (most notably, Kitty Pryde). He is to the X-Men now what Claremont was in the late 70s/early 80s. Totally agree. His characterizations are truer to Claremont's original comics than even Claremont's stuff today. Do not hurry yourself in your spirit to become offended, for the taking of offense is what rests in the bosom of the stupid ones. (Ecclesiastes 7:9) | |
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sextonseven said: JediMaster said: Much like John Byrne, he's just riding on his name. I know lots of people who pick up Claremont's books, just because its Claremont. They agree that his writing has become lackluster, but continue to get his stuff because of his past glories. Excalibur is, hands-down, the worst thing I've ever read with his name on it. Excalibur has been cancelled so you got your wish. Glad to hear it. A run best forgotten. Now, maybe they can eliminate the stupidity that is Callisto with tenacles altogether from continuity. Do not hurry yourself in your spirit to become offended, for the taking of offense is what rests in the bosom of the stupid ones. (Ecclesiastes 7:9) | |
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scififilmnerd said: doctamario said: I want to see Larocca and Austen gone for good. I never liked Austen anyway, his lack of detail and Saturday morning cartoon like style is such an unbelievable turn off for me. I don't know what people see in him. That style was good for Excalibur, a funny book, but not X-Men.
You mean Alan Davis, right? (Chuck Austen was the horrible writer who's run on the X-Men I've already happily repressed.) I looove Alan Davis. I wish I could draw as well as he can. Yes, I meant Alan Davis. Of all the comic art I've ever seen, I hate his the most. I don't understand what value his art has. It's so light and happy looking it doesn't fit the X-Men very well. [Edited 6/13/05 13:58pm] Don't hurt me, I'm a newb. I'm supposed to be stupid. | |
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doctamario said: scififilmnerd said: You mean Alan Davis, right? (Chuck Austen was the horrible writer who's run on the X-Men I've already happily repressed.) I looove Alan Davis. I wish I could draw as well as he can. Yes, I meant Alan Davis. Of all the comic art I've ever seen, I hate his the most. I don't understand what value his art has. It's so light and happy looking it doesn't fit the X-Men very well. [Edited 6/13/05 13:58pm] I disagree. I think he's one of the top 10 best X-Men artists ever. | |
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sextonseven said: doctamario said: Yes, I meant Alan Davis. Of all the comic art I've ever seen, I hate his the most. I don't understand what value his art has. It's so light and happy looking it doesn't fit the X-Men very well. [Edited 6/13/05 13:58pm] I disagree. I think he's one of the top 10 best X-Men artists ever. Me, too. Now if only he'd do more issues. He hasn't had a long run on anything since Excalibur. FREE THE 29 MAY 1993 COME CONFIGURATION!
FREE THE JANUARY 1994 THE GOLD ALBUM CONFIGURATION | |
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scififilmnerd said: sextonseven said: I disagree. I think he's one of the top 10 best X-Men artists ever. Me, too. Now if only he'd do more issues. He hasn't had a long run on anything since Excalibur. He fit Excalibur's lighthearted style quite well. But he's been quite prolific and he's getting up there in age(especially Claremont). Maybe it's time for them to retire. Well, what do you guys think of him as a writer? He did X-Men and UXM simultaneously at one time. [Edited 6/14/05 2:00am] Don't hurt me, I'm a newb. I'm supposed to be stupid. | |
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scififilmnerd said: sextonseven said: I disagree. I think he's one of the top 10 best X-Men artists ever. Me, too. Now if only he'd do more issues. He hasn't had a long run on anything since Excalibur. I like him as well. I also really dig Kubert's work on the X books, and Ethan Van Sciver MUST be mentioned, as he was the best artist during Morrison's run. Do not hurry yourself in your spirit to become offended, for the taking of offense is what rests in the bosom of the stupid ones. (Ecclesiastes 7:9) | |
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scififilmnerd said: But I skipped Frank Miller's last Batman work, the Dark Night sequel because the preview art looked awful and the Spawn/Batman crossover was so bad, I got rid of it practically right away.
good you did, because it was awful. embarrasing, especially as a sequel to the great dark night ********************************************
Phantom, rough on roughnecks... Old Jungle Saying ******************************************** | |
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prinssi said: scififilmnerd said: But I skipped Frank Miller's last Batman work, the Dark Night sequel because the preview art looked awful and the Spawn/Batman crossover was so bad, I got rid of it practically right away.
good you did, because it was awful. embarrasing, especially as a sequel to the great dark night Completely agree. It was like he just took the money DC gave him, and just turned in some crap. He didn't even try! Hell, the ending was just a pathetic rip-off of Batman Beyond: Return of the Joker, only it made less sense. It was obvious that Miller knew diddly-squat about Dick Grayson's character. Hopefully, he's done some research for the All-Star Batman & Robin series. It has the potential to be fantastic, or craptacular. Do not hurry yourself in your spirit to become offended, for the taking of offense is what rests in the bosom of the stupid ones. (Ecclesiastes 7:9) | |
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JediMaster said: scififilmnerd said: Me, too. Now if only he'd do more issues. He hasn't had a long run on anything since Excalibur. I like him as well. I also really dig Kubert's work on the X books, and Ethan Van Sciver MUST be mentioned, as he was the best artist during Morrison's run. Which Kubert? Adam or Andy? And is there anyone on the planet who isn't into Davis? I mean goddamn! [Edited 6/14/05 15:01pm] Don't hurt me, I'm a newb. I'm supposed to be stupid. | |
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doctamario said: And is there anyone on the planet who isn't into Davis? I mean goddamn! Nope. Only you. | |
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doctamario said: JediMaster said: I like him as well. I also really dig Kubert's work on the X books, and Ethan Van Sciver MUST be mentioned, as he was the best artist during Morrison's run. Which Kirby? Adam or Andy? Actually, I was referring to Adam, but Andy's stuff kicks ass as well. Both of them turn in good work on the first "Ultimate X-Men" storyarcs. Do not hurry yourself in your spirit to become offended, for the taking of offense is what rests in the bosom of the stupid ones. (Ecclesiastes 7:9) | |
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What does everyone think of The League of Extraordinary Gentlemen?
I heard the movie was godawful. | |
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all XMEN comics rule me & | |
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sextonseven said: What does everyone think of The League of Extraordinary Gentlemen?
I heard the movie was godawful. The series rocked, the movie sucked ass!!! Do not hurry yourself in your spirit to become offended, for the taking of offense is what rests in the bosom of the stupid ones. (Ecclesiastes 7:9) | |
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Nothing touches 100 BULLETS at the moment in my opinion | |
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purpledoveuk said: Nothing touches 100 BULLETS at the moment in my opinion
:headbang:it's the shit, dude. Totally. What do u think's going to happen at this end of the current arc? Been wondering who else here was into that. Don't hurt me, I'm a newb. I'm supposed to be stupid. | |
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JediMaster said: sextonseven said: What does everyone think of The League of Extraordinary Gentlemen?
I heard the movie was godawful. The series rocked, the movie sucked ass!!! Alan Moore said in a Wizard interview that he had no intention of seeing the movie. Don't hurt me, I'm a newb. I'm supposed to be stupid. | |
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doctamario said: JediMaster said: The series rocked, the movie sucked ass!!! Alan Moore said in a Wizard interview that he had no intention of seeing the movie. Wish I hadn't! Do not hurry yourself in your spirit to become offended, for the taking of offense is what rests in the bosom of the stupid ones. (Ecclesiastes 7:9) | |
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doctamario said: purpledoveuk said: Nothing touches 100 BULLETS at the moment in my opinion
:headbang:it's the shit, dude. Totally. What do u think's going to happen at this end of the current arc? Been wondering who else here was into that. You know what I m just enjoying teh ride and ashamed to admit that I don't really get it all but,as we are only about half way through, Im sure it will all fall into place. I only got into it about 8 months ago so Im relying on the collections to fill me in. What your understanding of what happening (I never knew the minute men actually existed in real life...which goes to explain a lot). I thought it was a big game of 'chess' between Graves and Shepherd but now that Shepherds dead Im lost again | |
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purpledoveuk said:[quote] doctamario said: What your understanding of what happening (I never knew the minute men actually existed in real life...which goes to explain a lot). It's my understanding that the major historical crime in #50 was supposed to be duplicated(still a mystery). When Graves, leader of the MM, declined, Augustus Medici ordered the MM killed. In Atlantic City, they were supposedly all killed off, but what really happened was that they ended up in different parts of the country(don't know how they escaped death) with no memory of the Trust. At the right time, they can be activated with a key word. When the time is right, they'd be brought back as part of the mysterious plan that Graves has in mind, and has yet to clearly reveal. This is all kind of an allegory(well, sorta IMO) of how Azzarello sees how American politics really works. The Trust representing the myth(?) of the Illuminati or whatever they call themselves being the uber-rich families of the world controlling what really is going on. What I like so much about this series is that it's so fun coming up with all these tons of theories when trying to figure out what's going on. Not many comics require us to think the way we do here. But if u have anymore questions on the series, orgnote me. I love discussing this stuff. [Edited 6/16/05 11:35am] Don't hurt me, I'm a newb. I'm supposed to be stupid. | |
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