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Thread started 08/26/13 1:40pm

Militant

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moderator

The new Nine Inch Nails album has leaked.

I put in my pre-order ages ago so I don't feel bad about downloading the leak.

So happy Trent is back! I'm only 3 songs in but so far I've loved all of them.

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Reply #1 posted 08/26/13 1:50pm

IstenSzek

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i'm at song 11 now and so far i've only had 2 moments where i though "hmm, not sure"

not 2 songs though, just two *moments*

very good album this far. a bit of a cross between "with teeth" and the earlier albums,

also has some HTDA elements (which i liked very much, by the way).

and true love lives on lollipops and crisps
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Reply #2 posted 08/26/13 1:56pm

IstenSzek

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omg

"In Two"

dead

and true love lives on lollipops and crisps
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Reply #3 posted 08/26/13 2:03pm

Militant

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"Satellite" is KICKING MY ASS!!!! What a fucking deadly groove!!!!

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Reply #4 posted 08/26/13 2:11pm

IstenSzek

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fresh pot of coffee. on to the second listen, this time with headphones music

and true love lives on lollipops and crisps
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Reply #5 posted 08/26/13 5:00pm

IstenSzek

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listened 3 times in a row. great album nod

and true love lives on lollipops and crisps
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Reply #6 posted 08/27/13 1:33am

FragileUnderto
w

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excited

Cant believe my purple psychedelic pimp slap pimp2

And I descend from grace, In arms of undertow
I will take my place, In the great below
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Reply #7 posted 08/27/13 1:42am

FragileUnderto
w

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Stream the full album on iTunes biggrin

Cant believe my purple psychedelic pimp slap pimp2

And I descend from grace, In arms of undertow
I will take my place, In the great below
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Reply #8 posted 08/27/13 5:20am

FragileUnderto
w

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Nine Inch Nails – Tour Rehearsal 2013 (Leaked)

2 hours 20 minutes

Soundboard

http://cdn.antiquiet.com/wp-content/uploads/2013/08/NIN-rehearsal-626x626.jpg

Setlist:
Copy Of A
Sanctified
Came Back Haunted
1,000,000
March Of The Pigs
Piggy
The Frail / The Wretched
Terrible Lie
Closer
Gave Up
Help Me I’m In Hell
Me I’m Not
Find My Way
The Way Out Is Through
Wish
Survivalism
Only
The Hand That Feeds
Head Like A Hole
Hurt
Burn
The Day The World Went Away
The Frail / The Wretched
Dissapointed
What If We Could
I’m Afraid Of Americans

Cant believe my purple psychedelic pimp slap pimp2

And I descend from grace, In arms of undertow
I will take my place, In the great below
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Reply #9 posted 08/27/13 6:12am

Graycap23

cool

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Reply #10 posted 08/27/13 6:27am

TrueFunkSoldie
r2

sounds great !! turns out the first single is one of my least favorite songs on the album.

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Reply #11 posted 08/27/13 1:21pm

dancerella

TrueFunkSoldier2 said:

sounds great !! turns out the first single is one of my least favorite songs on the album.

I often find that's what happens afteryou've heard the entire album. The first single always seems weaker than the rest. I actually like Came back haunted but so far my faves are Copy of A, Satelite, Everything and All time low.

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Reply #12 posted 08/27/13 2:21pm

3rdeyedude

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Militant said:

"Satellite" is KICKING MY ASS!!!! What a fucking deadly groove!!!!

for real this could be a club hit!

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Reply #13 posted 08/27/13 2:37pm

JackieBlue

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Been anticipating this album for a long time. So far so good. music

Been gone for a minute, now I'm back with the jump off
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Reply #14 posted 08/28/13 10:40am

Xibalba

Hesitation Marks was mastered in two different ways - the standard, “loud” mastering (which is what you’ll find on the CD, on iTunes, and everywhere else), and also an alternate “audiophile” mastering, which we’re offering as a free download option for anyone who purchases the album through nin.com. For the majority of people, the standard version will be preferable and differences will be difficult to detect. Audiophiles with high-end equipment and an understanding of the mastering process might prefer the alternate version.  Alan Moulder, who mixed the album, offers a more detailed explanation:  When we were mixing Hesitation Marks we decided to treat the mastering process in a slightly different way to the usual. Since we had tried to treat every other aspect of making this record differently to how we were used to, it seemed to make sense. We were mixing as we went along with the production of each song rather than at the end, so we thought that once we had a song pretty close we would send it off to Tom Baker, our long time serving mastering engineer, to give it some mastering treatment. Normally you wait until the record is finished being recorded and mixed, then take all the mixes to mastering. But we thought doing it again, as we went along, might make us push the process further and spend more time on mastering rather than rush through it at the end. Whilst doing this we became aware of how much low bass information there was on the record. Since that can define how loud of a level the mastering can be, we were faced with a dilemma: do we keep the bass and and have a significantly lower level record, or do we sacrifice the bass for a more competitive level of volume? The biggest issue in mastering these days tends to be how loud can you make your record. It is a fact that when listening back-to-back, loud records will come across more impressively, although in the long run what you sacrifice for that level can be quality and fidelity. So after much discussion we decided to go with two versions. On the main release Tom did exceptional work to maintain the integrity of our mixes and reproduce the low end as much as possible and still get a decent level, although it’s still nowhere as loud as a lot of modern records. The Audiophile Mastered Version is more true to how the mixes sounded to us in the studio when we were working on the songs. Have a listen, turn up the volume and enjoy the experience!   Mastering Engineer Tom Baker adds:   I believe it was Trent’s idea to master the album two different ways, and to my knowledge it has never been done before.  The standard version is “loud” and more aggressive and has more of a bite or edge to the sound with a tighter low end. The Audiophile Mastered Version highlights the mixes as they are without compromising the dynamics and low end, and not being concerned about how “loud” the album would be. The goal was to simply allow the mixes to retain the spatial relationship between instruments and the robust, grandiose sound.     NOTE: The standard mastered version is in no way inferior to the Audiophile Version - we wouldn’t release something inferior as the default. And vinyl purists rest assured, the vinyl edition was mastered to sound the very best for that format. The Audiophile Version is merely an alternate take on the mastering, which some people will appreciate. It’s meant to give a slightly different experience, not denigrate the standard version. Listen to each and come to your own conclusions.   If you ordered any format of Hesitation Marks from nin.com, you’ll be able to download one or both mastering versions, in whichever formats you prefer (MP3, FLAC, Apple Lossless, and WAV), beginning September 3rd.

Hesitation Marks was mastered in two different ways - the standard, “loud” mastering (which is what you’ll find on the CD, on iTunes, and everywhere else), and also an alternate “audiophile” mastering, which we’re offering as a free download option for anyone who purchases the album through nin.com. For the majority of people, the standard version will be preferable and differences will be difficult to detect. Audiophiles with high-end equipment and an understanding of the mastering process might prefer the alternate version.


Alan Moulder, who mixed the album, offers a more detailed explanation:

When we were mixing Hesitation Marks we decided to treat the mastering process in a slightly different way to the usual. Since we had tried to treat every other aspect of making this record differently to how we were used to, it seemed to make sense. We were mixing as we went along with the production of each song rather than at the end, so we thought that once we had a song pretty close we would send it off to Tom Baker, our long time serving mastering engineer, to give it some mastering treatment. Normally you wait until the record is finished being recorded and mixed, then take all the mixes to mastering. But we thought doing it again, as we went along, might make us push the process further and spend more time on mastering rather than rush through it at the end. Whilst doing this we became aware of how much low bass information there was on the record. Since that can define how loud of a level the mastering can be, we were faced with a dilemma: do we keep the bass and and have a significantly lower level record, or do we sacrifice the bass for a more competitive level of volume? The biggest issue in mastering these days tends to be how loud can you make your record. It is a fact that when listening back-to-back, loud records will come across more impressively, although in the long run what you sacrifice for that level can be quality and fidelity. So after much discussion we decided to go with two versions. On the main release Tom did exceptional work to maintain the integrity of our mixes and reproduce the low end as much as possible and still get a decent level, although it’s still nowhere as loud as a lot of modern records. The Audiophile Mastered Version is more true to how the mixes sounded to us in the studio when we were working on the songs. Have a listen, turn up the volume and enjoy the experience!


Mastering Engineer Tom Baker adds:
I believe it was Trent’s idea to master the album two different ways, and to my knowledge it has never been done before.

The standard version is “loud” and more aggressive and has more of a bite or edge to the sound with a tighter low end.

The Audiophile Mastered Version highlights the mixes as they are without compromising the dynamics and low end, and not being concerned about how “loud” the album would be. The goal was to simply allow the mixes to retain the spatial relationship between instruments and the robust, grandiose sound.

NOTE:
The standard mastered version is in no way inferior to the Audiophile Version - we wouldn’t release something inferior as the default. And vinyl purists rest assured, the vinyl edition was mastered to sound the very best for that format. The Audiophile Version is merely an alternate take on the mastering, which some people will appreciate. It’s meant to give a slightly different experience, not denigrate the standard version. Listen to each and come to your own conclusions.
If you ordered any format of Hesitation Marks from nin.com, you’ll be able to download one or both mastering versions, in whichever formats you prefer (MP3, FLAC, Apple Lossless, and WAV), beginning September 3rd.
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Reply #15 posted 08/28/13 10:48am

2freaky4church
1

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How about nine and a half inch nails?

All you others say Hell Yea!! woot!
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Reply #16 posted 08/28/13 11:38am

Gunsnhalen

jerkoff lovin it.

Pistols sounded like "Fuck off," wheras The Clash sounded like "Fuck Off, but here's why.."- Thedigitialgardener

All music is shit music and no music is real- gunsnhalen

Datdonkeydick- Asherfierce

Gary Hunts Album Isn't That Good- Soulalive
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Reply #17 posted 08/30/13 6:40pm

alexzander

Im liking what Im hearing so far...Except that its so loud that its Distorted. I'll be getting the 'Audiophile' version in the hopes that its a little more pleasing to the ear.

This is what you want...This is what you get.
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Reply #18 posted 08/31/13 8:03am

2020

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Gonna check it out for sure
I've only heard Copy of A and its really good
The greatest live performer of our times was is and always will be Prince.

Remember there is only one destination and that place is U
All of it. Everything. Is U.
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Reply #19 posted 08/31/13 10:21am

xLiberiangirl

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It's a very good album. The songs sounds amazing with headphones imo! All Time Low, Various Methods to Escape and Satellite are my fav tracks so far.

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Reply #20 posted 08/31/13 11:08am

Xibalba

NIN: Hesitation Marks - Russell Mills Artwork/Packaging Teaser

►►Best viewed in full screen 1080p HD◄◄



Nine Inch Nails 2013, Pt. 1 (VEVO Tour Exposed)

►►Best viewed in full screen 1080p HD◄◄



Nine Inch Nails - Reading Festival 25th August 2013 (Complete Broadcast)

►►Best viewed in 480p HD◄◄



Enjoy...and you're welcome. wink

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Reply #21 posted 09/01/13 12:51am

spacedolphin

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Picked up a copy of this bad boy yesterday, some stirling work on these tracks, I only had to skip 2-3 songs, so it's the best CD I've given a whirl in 5 years. Well, it's literally the only CD I've bought in 5 years, but still.

music I'm afraid of Americans. I'm afraid of the world. music
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Reply #22 posted 09/01/13 3:02pm

TheDigitalGard
ener

The album is great but to be honest I'm enjoying the live performances more.

The video from Reading and the tour rehearsals are fantasic, pity It's in mp3 though.


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Reply #23 posted 09/03/13 9:37am

Xibalba

Hesitation Marks Bonus content - Trent Reznor In Conversation With...



Made in America Music Festival, Philadelphia (1st September 2013 - Show #15)

(Compared to the shockingly awful way the Reading set was filmed, this is spectacular)

[1080p]



Fuji Rocks Festival, Naeba, Japan (26th July 2013 - Show #1)

[1080p]



Lollapalooza Festival, Chicago, Il. (2nd August 2013 - Show #3)

[1080p]

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