Ice Cream Castles

Initial tracking took place on 13 January, 1984 at Sunset Sound, Hollywood, CA, USA. The song's title is a phrase used in Joni Mitchell's song Both Sides, Now (from Clouds, 1969, and also released as a single, although the song was first released by Judy Collins in 1968). While reflecting about the song's history on Facebook in 2014, Jesse Johnson stated, "Morris & I recorded a song name "Old & Ingnorant" [sic] in Mpls the next day M & I fly out to meet P. In LA, at Sunset Sound he dug it and the track was rerecorded, rewritten, and became "Ice Cream Castles"! ... (Prince kept telling me "It's so cool how you played the bass on the AND instead of the 1" great compliment even though at that time I didn't know what he was talking about...yeah of course I do now!)"

-PrinceVault

.

* There was a discussion thread here with an interview by Jesse Johnson where he talked about the recordings of a lot of the Time music, anyone remember that link??

(26) INT. SHOESHINE STAND -- DOWNTOWN -- DAY

Morris sits in the chair, his Stacy
Adams worked on by an old, grizzled
SHOESHINE BOY in his mid-sixties, with
large jowls and silver close-cropped
hair. Jerome stands nearby, watches
intently--

MORRIS
(musing)
The girl has expensive tastes.
I wonder if she can sing.

JEROME
As fine as she is...she
doesn't have to know how to
sing.

MORRIS
(grace)
I know that's right.
(to Shoeshine)
Hey -- watch it now.

The Shoeshine Boy looks up balefully --
Morris smiles, then grits his teeth--

MORRIS
I want you to stay out of the
set tonight. I want you to
work the floor.

JEROME
What for?

MORRIS
I want to know when that sweet
thing shows up. You stay by
the door, you see her, you
come get me, cool?

JEROME
Cool. I come get you -- let
you know the girl's there.

MORRIS
Well, not if I'm with my other
babes. That wouldn't be cool.
I don't want to break their
hearts, and you know how I
feel abouy that. So we ought
to have like, a signal.

JEROME
A password.


MORRIS
Okay. What's the password?

JEROME
You got it.

MORRIS
Got what?

JEROME
The password.

MORRIS
The password is what?

JEROME
Exactly.

MORRIS
The password is exactly?

JEROME
No, it's--

MORRIS
-- Hold it now. Slow down.
The babe walks in and you see
her.

JEROME
I see her.

MORRIS
You come get me.

JEROME
I come get you.

MORRIS
And I'll probably have a
couple little sexies on the
stand-by, and we don't want to
upset them, do we? So you
just glide by me and
say...what?

JEROME
Okay.

MORRIS
The password is okay?

JEROME
Far as I'm concerned.

MORRIS
Dammit! Say the password.

JEROME
What.

MORRIS
Say the password, sperm
breath!

JEROME
The password is what.

MORRIS
(frustrated)
That's what I'm asking you!

JEROME
(more frustrated)
It's the password!

MORRIS
The password is it?

JEROME
(exasperated)
Ahhhhh! The password is what!

MORRIS
It! You just said so!

JEROME
The password isn't it! The
password is--

MORRIS
-- What?

JEROME
Got it!

MORRIS
1 got it?

JEROME
Right.

MORRIS
It or right?

JEROME
(perplexed)
What??

The Shoeshine Boy looks up slowly --
regards them with a soulfull look--

SHOESHINE BOY
Either of you do heavy drugs?

Part 3

Despite being the last inspired of all three albums, but undoubtedly supported by [Morris Day's] charismatic appearance in the "Purple Rain" motion picture, [Ice Cream Castle] sold better then both previously albums, attaining platinum status (1 million sold copies). It was also the first album that really attracts a white following. It hits position #3 at the Billboard R&B-Charts and #24 at the Pop-Charts. Again three singles were released: The first Ice cream castles reached #11 at the R&B-Charts but didn't make it to the Pop-Charts. The biggest success so far came with the second single, Jungle love, which hits #6 at the R&B-Carts and #20 at the Pop-Charts. The bird, as the third single, peaked #33 at the R&B-Charts and #36 at the Pop-Charts.

The b-side of Ice cream castles was again a non-album [Prince] penned song called Tricky, which was actually sung by [Prince] with an altered voice. This track was recorded by [Prince] (all instruments & lead-vocals) with [Morris Day] (drums) in February 1984 at Hollywood Sunset Sound, when the work on the album was completed. A really funky workout, the song is a good-natured jab directed to an artist who has seen better days and who is told quite bluntly to retire. The target of the song was actually George Clinton, one of [Prince]'s favorite idols.

Despite persistent rumors, it took over three years before the originally line-up of THE TIME finally got back together on stage. On 2nd October 1987, THE TIME reunite for a concert on the 6th annual Minnesota Black Music Award at the Roy Wilkins Auditorium in St. Paul's Civic Center, where [Prince] was inducted into the Minnesota Black Music Awards Hall of Fame. The ceremonies were emceed by [Jerome Benton], who was also a member of the eagerly awaited live-show by THE TIME, which was the undisputed highlight of this evening. All original members of the band, barring [Monte Moir], who was expecting the birth of his first child, treated the crowd of nearly 4,000 people to a set of some of their most popular songs. [Prince] wasn't present, choosing instead to attend a concert by David Bowie. There were also plans to reform THE TIME for another record and a possible tour. Since the band dissolved in late June 1984, most band members had launched highly successful careers as solo artists or producers, which meant that not everyone of them saw THE TIME as their main priority any longer. There was also tension between some of the members, which further complicated matters. The 1987 reunion proved premature, but the original line-up of the band eventually did get together to record another album one day. Finally it took another year and a half before things eventually fell into place. Somehow all reported bad feelings were put aside and a possibly new THE TIME album, once again produced by [Prince], was on the cards.

35) INT/BACKSTAGE ENTRANCE/CLUB -- NIGHT

Morris stands by the door surrounded by
several delicious BABES. One of them,
wearing a tight, red dress, looks
especially enticing. Morris leans in
closer -- her tasty breasts strain
against the spandex material--

MORRIS
Honey -- don't you ever try
and breastfeed no baby now.

GIRL
Why not?

MORRIS
Never mind ...

Jerome appears--

JEROME
What.

MORRIS
What?

JEROME
Right. What.

MORRIS
What??

JEROME
You got it.

Jerome snaps his head to the side -- Morris
looks, sees Vanity sitting at a table.
His eyes dance mischievously--

MORRIS
Ye-es
(to Girl)
What time is it?

GIRL
(coyly)
Tea time.

MORRIS
So, right.

Chili sauce (originally entitled as "Proposition #17") (5:48)
recorded 14th April 1983 by [Prince] with [Morris Day] & [Jesse Johnson] at Sunset Sound [7] • performed by [Prince] (all instruments) with [Morris Day] (lead vocals), [Jesse Johnson] (guitar), Novi Novog (violin) & Sharon Hughes (background vocals) • final mixing January 1984 at Sunset Sound [7]
written by [Prince] (uncredited) • registered to [Prince] (as Jamie Starr)
finally released 1984 on the Album [Ice Cream Castle] • 1984 on the promo 7"-Single [Jungle love]

Chili sauce (5:48)

.... (Ah, good evening Mr. Day. Two for dinner?)
Yes, give us one of those little sexy tables in the back.
.... (Oh, I'm sorry Sir, those are all taken.)
Jerome ...
.... (Urgh! I think maybe we can arrange it, Mr. Day.)
Thank you so much.
.... Oh Morris, was that necessary?
Jerome...
.... OK, OK, I'm sorry.
.... (Right this way, Sir.)

You know, this is an exciting establishment you have here.
.... (What I wouldn't give for a broken bottle.)
I can't hear you, what'd you say?
.... (I said ... I said, "Yes, we're remodeling"
Mm, hmm.
.... (Cocktails before dinner?)
Yes, two Pina Coladas.
.... Make mine a virgin.
.... (OK, will you be having a virgin as well?)
Yes! For dessert! Ha ha ha ha ha!
.... (Sir, I'm afraid I don't get it.)
Say, do you know how to do "the walk"?
.... Why? Certainly everyone can do "the walk".
Well honey, why don't you just walk your ass to the other side of the room?
.... (Fuck you too.)

Ah my dear, it's rough at the top.
Jerome? Ehem, get your pad and pencil. I think it's gonna be kinda right.
If my judge of character's correct, it's gonna be by the letter tonight.
Now stop me when I get to 17.
Excuse me, baby.

I bet you didn't know I had a piece of this restaurant, did you?
But it looks like I'm gonna have to buy the whole thing and fire that man.
May I taste that?
Excuse me, that's kinda weak. Here, try mine. You know...
.... Good God!
They say that saliva is an aphrodisiac.
You look so lovely tonight.
.... Why? Thank you.
Probably even better under exotic red lights.
I wish you could see my home, it's... it's so exciting.
In my bedroom, I have a brass waterbed.
.... Really?
Mm hmm. It's just surrounded by plants and lights and shit.
And all kinds of little erotic artifacts. We could have breakfast in bed.
.... Oh!
I have an Italian cook. Jerome Sa ... Sa ... Sagagagracci or something like that.
It's funny, your eyes when you stare at me like that. It causes my ... my stomach to quiver.
Oh Lord!

Do you like diamonds?
.... Mm, hmm!
Yeah?
.... Yeah!
I know it's rather masculine, but try this one on.
.... Wow!
My God darling, it fits. You must have strong hands.
But they're so soft. Like the oils in my morning bath.
.... (Somebody help me)

Darling?
.... Yeah.
I'm not usually so forward, but ... would you like to make love to me?
.... Hmmm?
I ... I could make it so nice.

Do you know what is meant by the words, uhh...? I hate to use them.
They're ... they're so harsh, so american. You know what I mean?
And yet on the other hand, they're exciting words. The words, "Chili sauce"
Oh Lord!

You know, I haven't made love in so long.
But with you, I know it would be just like riding a bike.
I'd remember everything I've ever learned.
Baby, if the Kid can't make you come, nobody can.
.... ((Morris ...))
Yeah.
.... ((17.))
Oh, um ...
What's it gonna be, baby?
.... Chili sauce.
Oh Lord!

© 1984 Tionna Music ASCAP. Written by [Prince] (as Jamie Starr). Taken from the album [Ice Cream Castle]

OldFriends4Sale said:

17 what?

(38) INT. VAN1TY'S TABLE AND CLUB -- NIGHT

She sits demurely. Morris' eyes are
wide and shining -- her beauty up close
astonishes him--

JEROME
Vanity, I'd like you to meet
Morris E. Day.

MORRIS
Hold it now -- just leave the
'E' alone.

JEROME
(clears throat)
Vanity...this is Morris Day


MORRIS
The pleasure's all mine.

she offers her hand -- he takes it
decorously--

JEROME
If you'd excuse me.

Morris signals him -- whispers into his
ear--

MORRIS
Too sexy ...
(a beat)
Have a waitress bring.a
bottle of their best
champacne.

He seats himself, fastens her with a
sexy, half-lidded look--

MORRIS
Your lips would make a
lollipop too happy.

VANITY
You think so, huh?

MORRIS
Ye-es.

Kim appears with a bottle of champacne
in ice--

KIM
Who's paying for this Morris?

MORRIS
I think you know that.
(a beat)
Jerome!

Jerome appears, opens the bottle with a
flair, performs a classy taste test.
Morris pulls out some cash, pays him,
who snatches the money, leaves--

MORRIS
Huh, keep the change--

He whispers to Jerome--

MORRIS
Get my change, will ya?

Jerome leaves, Morris purses his lips--



MORRIS
Oh, Lord...either somebody put
something in my drink, or you
are the finest (motherfucker)
I've seen in ages.

VANITY
Excuse me, what did you say?

MORRIS
Huh...you look nice tonight.

He leans in, speaks with a sexy voice--

MORRIS
It's rare that I out my cards
on the table when it comes to
meeting younq ladies, but ...
I'm going to make you love me.

VANITY
Is that a fact?

He folds his legs dramatically, his
Stacy Adams reflecting the light--

MORRIS
Just as sure as my Stacy Adams
are shiny.

Just then--

(50) EXT. PRINCE'S HOUSE AND STREET -- NIGHT

Vanity moves quickly along the side of
the house, trying desperately to find
her wav. Suddenly a HAND reaches out of
the darkness, GRABS her by the throat.
She SCREAMS, swings her bag desperately
-- something CRASHES, into the bushes--

VOICE
Damn, baby, hold it! Hold
it!!
(wails)
Oh, God -- God! You broke my
nose!

She sees it's Morris -- she's beside
herself with fear and rage--

VANITY
You shit! What the hell are
you doing here?

He struggles in the bushes -- DOGS start
BARKING--

MORRIS
Shh! Shh! Shh! oh, Lord help
me outta here.
(a beat)
Hee, hee -- I know you
wouldn't want to spend the
whole night with ol' pencil
dick.

VANITY
Your nose alright?

MORRIS
My nose is fine, I'm just
wondering if I fucked my shoes
up...
(a beat)
C'mon ...

They cut across the yard, head to the
street. The CADDY is parked at the
curb. Jerome leans against it, reading
a newspaper--

VANITY
Hi, Jerome. Wow! Nice
hubcaps.

He grins proudly from ear to ear -- the
Caddy sports new chrome wire wheels--

JEROME
You like them, huh?

VANITY
Beautiful.

Morris MOANS dismally--

MORRIS
Jerome...you think these can
be fixed?

His shoes are badly scuffed, the leather
torn across the top--

JEROME
I think they're dead, man.


VANITY
God, I'm sorry.

MORRIS
Shit -- it's so rough out
here.

Just then a PATROL CAR cruises by. The
COP regards them suspiciously. Morris
and Jerome snap to attention--

MORRIS
You lock the door, baby?
Let's go!

They pile into the Caddy, pull out.


(51) EXT. HIGHWAY -- NIGHT

The CADDY blazes by in the night. The
CITY LIGHTS glimmer spectacularly in the
distance.

(52) INT./EXT. CADDY -- NIGHT

Jerome drives. Morris and Vanity sit in
the backseat. He gazes at her ardently--

MORRIS
Jerome!

Jerome snaps a look in the rear-view --
Morris gives him a deft nod. Jerome
opens the glove compartment, searches
through the cassette tapes. He finds the
one he wants, snaps it into the player.
RESTAURANT AMBIANCE fills the car...

Note: The restaurant ambiance will grow
in volume, and will be followed by
exaggerated dinner music, punctuated
with strings and delicate cymbals. The
MUSIC plays throughout this scene -- and
Morris times his words to the ebb and
flow of the piece to insure the proper
dramatic effect.

...dinner MUSIC begins--

JEROME
Cocktails before dinner?

MORRIS
Yes -- two piña coladas.

VANITY
Uh...make mine a virgin.

JEROME
Okay...

Jerome braces his knees against the
wheel, pours two premixed coladas into
plastic glasses--

JEROME
(to Morris)
Will you be having a virgin as
well?

MORRIS
Ye-es! For dessert!!
Whawhak!

Jerome stifles a laugh, pours a rum
miniature into Morris' glass. He hands
them back--

MORRIS
Thank you. Here you are,
dear.

They savor their drinks -- Morris'
fervor grows by leaps and bounds--

MORRIS
Jerome, uh, get your pad and
pencil, I think it's gonna be
kinda right. If my judge of
character is correct, it's
going to be about loving
tonight.
(a beat)
Stop me when I get to
seventeen.

Jerome places a pad by his side, pencil
at the ready. He settles the Caddy to a
cruising 55 -- Morris looks deeply into
Vanity's eyes--

MORRIS
Excuse me, baby...I bet you
didn't know I had a piece of
this restaurant, did you?
(a beat)
May I taste that?

He takes Vanity's drink, slurps a
little, burps--

MORRIS
Huh, excuse me, that's kind of
weak...here, try mine.

She does, and begins coughing violently-
-

VANITY
Good God!

MORRIS
Y'know...they say that saliva
is an aphrodisiac.
(a beat)
You look so lovely tonight.

VANITY
(coughing)
Why...thank you.

MORRIS
Probably you'd look better
under exotic...red...liqhts.
(another though)
I wish you could see my home.
It's...it's so exciting.

He leans close to her, speaks in a soft,
sexy voice--

MORRIS
In my bedroom, I have a brass
waterbed ...

VANITY
Oooh!

MORRIS
I have an Italian cook, Gino
Izogochograchi, or something
like that.

She giggles, looks at him deeply--

MORRIS
It's funny...your eyes -- when
you stare at me like that, it
causes my stomach to qui-
quiver. Oh, Lord...

An idea flashes across his mind--

MORRIS
Do you like diamonds?

VANITY
Uh, huh.

MORRIS
Yeah ...?

VANITY
Yeah.

MORRIS
I know it's rather masculine,
but -- try this one on.

He slides a large glass diamond on her
finger--

VANITY
Ohhh!

MORRIS
My God, darling it fits.

He studies her hands closely--

MORRIS
You must have strong hands,
but -- they're so soft...like
oils in my bubble bath.
(a beat)
Damn ...

He leans close to her--

MORRIS
Darling...?

VANITY
Yeah...?

MORRIS
I'm not usually so forward,
but -- would you like to make
love to me? I can make it so
nice ...

She giggles freely, looks at him with
big eyes--

MORRIS
Do you know what is meant by
the words, huh, I hate to use
them, they're so harsh, so
American...I mean, and yet on
the other hand, they're
exciting words. The words...
(pause)
...chili sauce. Oh, Lord.
(a beat)



MORRIS
You know, I haven't made love
in so long, but with you I
know it would be just like
riding a bike. I'd remember
everything I've ever learned.
(a beat)
Baby, if the kid can't make
you come, nobody can.

Jerome checks off his pad--

JEROME
(whispers)
Morris..!

MORRIS
Yeah...?

JEROME
Seventeen.

Morris fixes Vanity with his half-
lidded, pouty-lip look--

MORRIS
Huh, what's it gonna to be
baby?

She's on the spot, thinks fast--

VANITY
PULL OVER THERE!

MORRIS
What?!

JEROME
What?!

VANITY
Over there -- that's where I
live.

Jerome SKIDS the car to a stop. They're
directly in front of a slick, hi-rise
apartment building--

MORRIS
Here...?

VANITY
Yes.

MORRIS
Uh, what one is it?



VANITY
That one, right there, see?
On the 14th floor.

MORRIS
It's nice, huh?

VANITY
Oh, it's great. Real pretty.
Big open rooms, balconies,
fireplace -- the works.

He smiles lovingly--

MORRIS
Jerome!

Jerome puts the Caddy into
gear, pulls off into the night-
-

VANITY
Hey, wait! C'mon!
(a beat)
Okay -- where are you taking
me?

MORRIS
Home.
(smiling)
You and me are a lot alike.- I
like that. So, I'd like to
help you out. I think I have
something you may be
interested, in.

VANITY
Oh yeah -- what?

Jerome hands Morris a cassette -- Morris
waves it in front of her nose--

MORRIS
A little song and dance. That
is, if you can sing and dance.

VANITY
(defensively)
Prince is goinq to help me.

Jerome and Moris suppress their laughter-
-

JEROME
Motherfucker needs a haircut.


MORRIS
Hee, hee, uh, excuse me. No
he won't. He's never done
anything in his whole life for
anybody but himself.

VANITY
Guys better than you have
promised me things before.

MORRIS
I know that's right, but--

Jerome hands him a card with an address
on it. Morris hands the card to her--

MORRIS
(con't)
-- not Morris Day.
(he smiles)

Jerome pulls up in front of her motel.
Vanity reads the card--

MORRIS
Come by any time.

Jerome on the Purple Rain tour

Miami 1985 last show of the Purple Rain Tour. Jerome and jellybean backstage with some of the crew

I didn't know that that was supposed to be Vanity/Apollonia. No wonder the Kid was jealous and always thought that she was with someone else.

iZsaZsa said:

I didn't know that that was supposed to be Vanity/Apollonia. No wonder the Kid was jealous and always thought that she was with someone else.

lol Yeah Vanity was a prize Sexy Sassy Sharp

(53) EXT. MOTEL/INT. CADDY -- TWILIGHT

She gets out of the car, stands on the
sidewalk. Morris pushes the window
button -- nothing happens--

MORRIS
Jerome!

Jerome leans over, taps the glass -- the
window glides down--

MORRIS
(to Vanity)
One more thing ...

Jerome snaps the glove compartment,
hands Morris a neatly folded camisole.
Morris presents it to her--

MORRIS
Here's a little something for
you. If you get cold when you
wear it, call me.

He snaps his fingers -- Jerome pulls the
Caddy away with a screech.

(54) EXT. VANITY'S MOTEL -- TWILIGHT

Vanity stands on the sidewalk a moment,
slightly bewildered and very amused.
She watches the Cadillac screech around
the bend. She turns, goes into the
motel.

PRINCE stands in the alleyway across the
street, his motorcycle parked nearby.
He watches as Vanity cuts inside.

Busted. He makes so much more sense now.

iZsaZsa said:

Busted. He makes so much more sense now.

Yeah the original script made so much more sense to certain questions like the Kids jealousy

OldFriends4Sale said:

And the lyric in When Doves Cry about him being like his Father (abusive, I knew that) and her being like his Mother (You're always running around, you're a Goddamned sinner!) - now I'm like, "Oh!"!

iZsaZsa said:

OldFriends4Sale said:

Yeah the original script made so much more sense to certain questions like the Kids jealousy

And the lyric in When Doves Cry about him being like his Father (abusive, I knew that) and her being like his Mother (You're always running around, you're a Goddamned sinner!) - now I'm like, "Oh!"!

Yep and the 'Twin' scene in the basement with his mother

OldFriends4Sale said:

What's the 'Twin' scene?

iZsaZsa said:

OldFriends4Sale said:

Yep and the 'Twin' scene in the basement with his mother

What's the 'Twin' scene?

usually called the 'Incest Scene'

after the Father tells her he would die 4 her

the Kid is left with the mother and she goes on how

they look alike and she pencils his mole like hers etc

OldFriends4Sale said:

iZsaZsa said:

OldFriends4Sale said:

usually called the 'Incest Scene'

after the Father tells her he would die 4 her

the Kid is left with the mother and she goes on how

they look alike and she pencils his mole like hers etc

Be warned lol

http://prince.org/msg/7/381728 Purple Rain movie project pt 1

http://prince.org/msg/7/384740 Purple Rain movie project pt 2

It's always been my opinion, that the Barn scene's music would have been If the Kid Can't Make U Come

(62) INT. BARN -- DAY

ANOTHER ANGLE
RAIN patters srtongly against the barn.
A deep THUNDER rolls. She's on top of
him, moving deliciously, her body
glowing in the purple, dawn light.
Moist, purple water shadows streak and
course her skin as she moves slowly,
then deliberately against him. He
watches her avidly, his hands firmly on
her thighs, and thrusts into her again
and again...and again.

If the kid can't make you come (7:33)
recorded 14th-22th April 1983 by [Prince] with [Morris Day] & [Jesse Johnson] at Sunset Sound [7] • performed by [Prince] (all instruments) with [Morris Day] (lead vocals), [Jesse Johnson] (guitar/drums) & Sharon Hughes (background vocals) • final mixing January 1984 at Sunset Sound [7]
written by [Prince] (uncredited) • registered to [Prince] (as Jamie Starr)
finally released 1984 on the Album [Ice Cream Castle]

If the kid can't make you come (7:33)

You like my crib, baby?
Well, come a little closer. Don't be shy.

Darlin', I want you so bad. I can almost taste the smell of your skin.
And honey, I'd be so sad, if you didn't break down and let me in.
You better let me in, baby. Don't you know ...

If the Kid can't make you come, nobody can.

Am I gettin' through, baby?

Sweetheart, I can be gentle as a lamb. If that's what gets you off.
I wanna get you off, baby.
And lover, straddle my brass and we'll dance in the land of the hard and soft.
I don't care, baby. Whatever gets you off?

If the kid can't make you come, nobody can.

Need I say more, baby?
Do you wanna straddle my brass?

If the kid can't make you come, nobody ...

That's a pretty blouse.
.... Thank you.
Take it off.
.... Is that better?
A little bit, I'd rather see it live in concert though.
.... Well, I'll tell you what, cutie. I'll let you take that off.
Oh yes!
This little hook went to Holland. This little hook went to France.
This little hook went to London. And this little hook went to...
.... Uhmm.
Oh Lord! Honey, don't you ever try and breastfeed no baby.
.... Why not?
Never mind. What time is it?
.... Titty time.
I know that's right.
.... Uhmm.

What's my name?
.... Morris.
No, come on baby, what's my real name?
.... Uuh, uh, uhh.
Talk to me, talk to me.
.... M ... Mo ... Mor ... Morris!
Yes! Oh baby, you're just too sexy.
.... Morris?
Yeah baby.
.... What's my name?
It's baby, ain't it?
.... Oh Morris, what's my ...
Ah ga ga ga ga!
.... Oh, Morris!
Too sexy!

I bet you never thought I'd be this good, did you?

Let me hear the pledge of allegiance, baby.
.... What do you mean?
You know, like you used to do in school.
.... You got to be kidding. I guess you're not.
Come on baby, Morris is listening.
.... OK... I pledge allegiance ... to the flag... of the United States... of America ...
.... and to the republic... for which it stands.
Oh Lord! You're just too sexy.
.... Uuh.
Ain't nobody bad like me?

© 1984 Tionna Music ASCAP. Written by [Prince] (as Jamie Starr). Taken from the album [Ice Cream Castle]