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Thread started 01/04/08 1:03am

thebanishedone

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is prince pentatonic player exclusively?

i never anylised prince's guitar playing in terms of what he plays.
i know he uses pentatonic but every guitar player in the world use pentatonic even george benson.
but judging by his solos i think prince use other stuff in his guitar solos beside pentatonic.

when you listen to eric clapton the only thing you hear is pentatonic.
but in prince's playing you can hear a lots of things.

i heard on org that lets go crazy ending is not pentatonic but some jazz scale.
computer blue solo (melody) is some kinde of mode right?
does prince plays modes ?

if he does name the modes he plays and in what songs.
i belive he knows teory because prince said :beyonce sings in lydian mode.
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Reply #1 posted 01/04/08 1:13am

jonylawson

damn! thats some intellectual shit
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Reply #2 posted 01/04/08 2:50am

RealMusician

Compared to most other rock and funk guitarists, Prince does in fact have a bigger melodic vocabulary.

Most of his playing is still based on pentatonic or blues scales, but he throws in some other stuff now and then. Usually it's the rather common and accessible modes like mixolydian, aeolian or dorian. He also uses quite a lot of chromaticism, that's not related to any particular scale or tonality.

I've almost never heard him play any "jazz" scales, like the different modes of melodic minor, bebop scales, or diminished scales. Sometimes he'll use a little harmonic minor (you might recognize it as an "eastern" sound).

To me it's quite obvious that most of the time, Prince doesn't really "know" what he's doing, theoretically. He plays by ear and chooses whatever note he likes and can come up with at the moment. There is very little consequence to be found in the way he uses different scales or combinations of notes, which to me shows that he has a limited understanding of what notes "belong" together. But then again, that's also one of the things that makes him a unique musician.

I feel he's "searching" a lot when he's improvising. Instead of playing familiar patterns, he's looking for new notes - notes that he sometimes might (or might not) hear in his mind, but has yet to find on his instrument. Which, in a way, might be just what improvisation really is about.
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Reply #3 posted 01/04/08 2:52am

syble

RealMusician said:

Compared to most other rock and funk guitarists, Prince does in fact have a bigger melodic vocabulary.

Most of his playing is still based on pentatonic or blues scales, but he throws in some other stuff now and then. Usually it's the rather common and accessible modes like mixolydian, aeolian or dorian. He also uses quite a lot of chromaticism, that's not related to any particular scale or tonality.

I've almost never heard him play any "jazz" scales, like the different modes of melodic minor, bebop scales, or diminished scales. Sometimes he'll use a little harmonic minor (you might recognize it as an "eastern" sound).

To me it's quite obvious that most of the time, Prince doesn't really "know" what he's doing, theoretically. He plays by ear and chooses whatever note he likes and can come up with at the moment. There is very little consequence to be found in the way he uses different scales or combinations of notes, which to me shows that he has a limited understanding of what notes "belong" together. But then again, that's also one of the things that makes him a unique musician.

I feel he's "searching" a lot when he's improvising. Instead of playing familiar patterns, he's looking for new notes - notes that he sometimes might (or might not) hear in his mind, but has yet to find on his instrument. Which, in a way, might be just what improvisation really is about.




wow!
walk with crooked shoes www.myspace/syblepurplelishous
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Reply #4 posted 01/04/08 3:12am

Tame

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When Prince sings the lyrics to, "I like it there" Prince questions, "What can I say that Shakespeare hasn't said before?" The song lacks a full sweep in Iambic pentameterism, as do many of his lyrics, the songs are mostly trochaic, which in turn leads me to believe, Price is guilty of a little false advertisement. That's okay.
"The Lion Sleeps Tonight...
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Reply #5 posted 01/04/08 3:14am

syble

Tame said:

When Prince sings the lyrics to, "I like it there" Prince questions, "What can I say that Shakespeare hasn't said before?" The song lacks a full sweep in Iambic pentameterism, as do many of his lyrics, the songs are mostly trochaic, which in turn leads me to believe, Price is guilty of a little false advertisement. That's okay.




wow!
walk with crooked shoes www.myspace/syblepurplelishous
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Reply #6 posted 01/04/08 3:19am

lottielooloo19
68

i doubt it. just look what he can do with his voice! he mimics his guitar or does the guitar mimic his voice? confused
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Reply #7 posted 01/04/08 3:24am

syble

in the words of the great lyricist and quoting from coma pimp



like wow!
walk with crooked shoes www.myspace/syblepurplelishous
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Reply #8 posted 01/04/08 5:03am

RealMusician

lottielooloo1968 said:

i doubt it. just look what he can do with his voice! he mimics his guitar or does the guitar mimic his voice? confused


Actually, a voice ALWAYS mimics the MIND - or the "inner ear", so to speak (or the soul, if you want to be spiritual about it).
You can only sing the notes that you can hear inside!

With an instrument, such as a guitar, you can do the same thing - and that's what most musicians strive for, to play what they actually "hear".
However, to translate what you hear in your mind into which buttons to push on the instrument of course requires a certain amount of knowledge.
Sometimes your "inner ear" might be more developed than your instrumental proficiency - with the result that you can't get all your ideas out.
Sometimes, I think that applies to Prince.

On the other hand, your instrumental skills can also be more developed than your ability to hear things in your mind - there are numerous examples of that.
In such cases, a person's fingers might be trained to play certain patterns, execute certain movements that produces certain sounds, although those sounds never even exist in the person's mind. And that's usually NOT something to strive for.

The easiest way to expose such a person is by asking him to sing the same things he's playing on the instrument.
If you can't do that, it usually means that your mind and ear are not involved, only the muscles.
[Edited 1/4/08 5:03am]
[Edited 1/4/08 5:05am]
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Reply #9 posted 01/04/08 6:14am

lottielooloo19
68

RealMusician said:

lottielooloo1968 said:

i doubt it. just look what he can do with his voice! he mimics his guitar or does the guitar mimic his voice? confused


Actually, a voice ALWAYS mimics the MIND - or the "inner ear", so to speak (or the soul, if you want to be spiritual about it).
You can only sing the notes that you can hear inside!

With an instrument, such as a guitar, you can do the same thing - and that's what most musicians strive for, to play what they actually "hear".
However, to translate what you hear in your mind into which buttons to push on the instrument of course requires a certain amount of knowledge.
Sometimes your "inner ear" might be more developed than your instrumental proficiency - with the result that you can't get all your ideas out.
Sometimes, I think that applies to Prince.

On the other hand, your instrumental skills can also be more developed than your ability to hear things in your mind - there are numerous examples of that.
In such cases, a person's fingers might be trained to play certain patterns, execute certain movements that produces certain sounds, although those sounds never even exist in the person's mind. And that's usually NOT something to strive for.

The easiest way to expose such a person is by asking him to sing the same things he's playing on the instrument.
If you can't do that, it usually means that your mind and ear are not involved, only the muscles.
[Edited 1/4/08 5:03am]
[Edited 1/4/08 5:05am]


thx! thts what i meant! lol i think p sometimes gets frustrated when his guitar cannot always get him where he wants 2 b...
[Edited 1/4/08 6:21am]
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Reply #10 posted 01/04/08 11:27am

prettymansson

at a certain point scales dont matter..you FEEL where the notes are..much like typing on a computer keyboard..and just like you could type !!!! to emphasize a point, you could also use ... or ?!?! or " "
they all have a place..and any musician at Prince's level of development will use them all and some that wont make any sense to some people..There Aint no rules ! and the ones that are there are usually learned then Unlearned by Badass Musicians ! wink
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Reply #11 posted 01/04/08 11:36am

Obsidian

biggrin Great topic!
He gets it! That's why the ladies love him...batting eyes
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Reply #12 posted 01/04/08 1:38pm

NDRU

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No he uses a lot of natural major & minor scales, too

When Doves Cry, So Far So Pleased, Sensual Everafter, Everlasting Now, Why U Wanna Treat Me So Bad and on and on

But that's still pretty basic. Fact is, not many guitar players really need to stray into weird scales, and pentatonic/blues can cover much of what we play. I'm sure he strays a bit into other scales, but not often.

It's not so much what you play, anyway, it's how you play it
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Reply #13 posted 01/04/08 1:40pm

NDRU

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And modes are really no different than major/minor scales, they just start on different places of them.

So using lydian, mixolydian, is the same as playing a major scale, just from a different starting points.
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Reply #14 posted 01/04/08 2:11pm

Graycap23

Prince unlike 99% of most artist, creates based on the creation itself.The rules are 4 the other guys.

Don't believe me? Just LISTEN 2 his more "princely" songs.
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Reply #15 posted 01/04/08 2:12pm

Genesia

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Tame said:

When Prince sings the lyrics to, "I like it there" Prince questions, "What can I say that Shakespeare hasn't said before?" The song lacks a full sweep in Iambic pentameterism, as do many of his lyrics, the songs are mostly trochaic, which in turn leads me to believe, Price is guilty of a little false advertisement. That's okay.


Shakespeare also used trochaic quadrameter. In MacBeth, for example, the witches speak in trochaic quadrameter when they are talking among themselves...

Double, double toil and trouble;
Fire burn, and caldron bubble.


But they speak in iambic pentameter when they speak to humans.
We don’t mourn artists because we knew them. We mourn them because they helped us know ourselves.
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Reply #16 posted 01/04/08 2:35pm

mirrorbestfrie
nd

prince don't know his scales and theory....and some of yall still call him the best....
would u hire a baker who dont know seasoning?


would u hire a dentist who dont know all his stuff?

i told yall prince was musically deficient
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Reply #17 posted 01/04/08 3:29pm

kdj997

mirrorbestfriend said:

prince don't know his scales and theory....and some of yall still call him the best....
would u hire a baker who dont know seasoning?


would u hire a dentist who dont know all his stuff?

i told yall prince was musically deficient


People l;ike you are just bitter because despite that he's still a million times more creative than folks like you, who have to make up for a lack of real creativity by knowing these scales and theories. The truth is those scales and musical theories are only in existence as a way for people who don't have the real creativity a way to understand. It's like giving them a synthetic way to create when their brains don't really have the complexity for it, I think that's the best way to explain it. Other than that I'd say, stop hating on Prince, bitch.
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Reply #18 posted 01/04/08 3:47pm

Accujack

mirrorbestfriend said:

prince don't know his scales and theory....and some of yall still call him the best....
would u hire a baker who dont know seasoning?





If I tasted the baker's cooking and it happened to be the best I'd ever tasted, then I couldn't give a shit less if he knew his seasoning.
He is exactly who we thought he was
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Reply #19 posted 01/04/08 3:52pm

SEXYMF2002

Accujack said:

mirrorbestfriend said:

prince don't know his scales and theory....and some of yall still call him the best....
would u hire a baker who dont know seasoning?





If I tasted the baker's cooking and it happened to be the best I'd ever tasted, then I couldn't give a shit less if he knew his seasoning.



cool Dont sweat the comment. You gotta remember this is the same guy who posted about Prince needing to work with Soulja Boy... confused
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Reply #20 posted 01/04/08 5:07pm

mirrorbestfrie
nd

SEXYMF2002 said:

Accujack said:


If I tasted the baker's cooking and it happened to be the best I'd ever tasted, then I couldn't give a shit less if he knew his seasoning.



cool Dont sweat the comment. You gotta remember this is the same guy who posted about Prince needing to work with Soulja Boy... confused

youeeeee
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Reply #21 posted 01/04/08 5:12pm

Kstyles00

RealMusician said:

Compared to most other rock and funk guitarists, Prince does in fact have a bigger melodic vocabulary.

Most of his playing is still based on pentatonic or blues scales, but he throws in some other stuff now and then. Usually it's the rather common and accessible modes like mixolydian, aeolian or dorian. He also uses quite a lot of chromaticism, that's not related to any particular scale or tonality.

I've almost never heard him play any "jazz" scales, like the different modes of melodic minor, bebop scales, or diminished scales. Sometimes he'll use a little harmonic minor (you might recognize it as an "eastern" sound).

To me it's quite obvious that most of the time, Prince doesn't really "know" what he's doing, theoretically. He plays by ear and chooses whatever note he likes and can come up with at the moment. There is very little consequence to be found in the way he uses different scales or combinations of notes, which to me shows that he has a limited understanding of what notes "belong" together. But then again, that's also one of the things that makes him a unique musician.

I feel he's "searching" a lot when he's improvising. Instead of playing familiar patterns, he's looking for new notes - notes that he sometimes might (or might not) hear in his mind, but has yet to find on his instrument. Which, in a way, might be just what improvisation really is about.




Prince plays the way you have describe because he can not read music, he has stated this in an interview and does play by ear and pure emotion, which makes him a musical genius in my mind cool He does play the mixolydian scale on "Alex Da Paris" I learned to play this song a couple of years ago.
[Edited 1/4/08 17:13pm]
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Reply #22 posted 01/04/08 5:20pm

mirrorbestfrie
nd

Kstyles00 said:

RealMusician said:

Compared to most other rock and funk guitarists, Prince does in fact have a bigger melodic vocabulary.

Most of his playing is still based on pentatonic or blues scales, but he throws in some other stuff now and then. Usually it's the rather common and accessible modes like mixolydian, aeolian or dorian. He also uses quite a lot of chromaticism, that's not related to any particular scale or tonality.

I've almost never heard him play any "jazz" scales, like the different modes of melodic minor, bebop scales, or diminished scales. Sometimes he'll use a little harmonic minor (you might recognize it as an "eastern" sound).

To me it's quite obvious that most of the time, Prince doesn't really "know" what he's doing, theoretically. He plays by ear and chooses whatever note he likes and can come up with at the moment. There is very little consequence to be found in the way he uses different scales or combinations of notes, which to me shows that he has a limited understanding of what notes "belong" together. But then again, that's also one of the things that makes him a unique musician.

I feel he's "searching" a lot when he's improvising. Instead of playing familiar patterns, he's looking for new notes - notes that he sometimes might (or might not) hear in his mind, but has yet to find on his instrument. Which, in a way, might be just what improvisation really is about.




Prince plays the way you have describe because he can not read music, he has stated this in an interview and does play by ear and pure emotion, which makes him a musical genius in my mind cool He does play the mixolydian scale on "Alex Da Paris" I learned to play this song a couple of years ago.
[Edited 1/4/08 17:13pm]


makes him second rate...until he learns how to read music and learn his scales and theory like quincy jones,pharell williams,chick corea,herbie hancock.....he wont be considered a genius by other musicians
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Reply #23 posted 01/04/08 5:24pm

johnnyreeferse
ed

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I'm sure Prince knows his scales and music theory. It's not necesarry to read music to know these things. Most guitar players know learn scales when they learn to play. Once you get good enough, you don't have to think about playing. What it somes down to, is that there's only 12 notes in our western scale and that's that. You just shut up and play yer guitar.
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Reply #24 posted 01/04/08 5:33pm

Accujack

Don't know if Prince knows music theory or how to read music, but for the sake of argument, let's assume he doesn't.
He made:
Dirty Mind
1999
Purple Rain
Parade
SOTT
Lovesexy
Etc.
How would these albums be any better if he did know these things?
You can't improve upon perfection.
He is exactly who we thought he was
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Reply #25 posted 01/04/08 5:34pm

mirrorbestfrie
nd

Accujack said:

Don't know if Prince knows music theory or how to read music, but for the sake of argument, let's assume he doesn't.
He made:
Dirty Mind
1999
Purple Rain
Parade
SOTT
Lovesexy
Etc.
How would these albums be any better if he did know these things?
You can't improve upon perfection.

they would be alot better becausw he would know not to use parallel octaves and correct voice leading
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Reply #26 posted 01/04/08 5:41pm

Accujack

mirrorbestfriend said:

Accujack said:

Don't know if Prince knows music theory or how to read music, but for the sake of argument, let's assume he doesn't.
He made:
Dirty Mind
1999
Purple Rain
Parade
SOTT
Lovesexy
Etc.
How would these albums be any better if he did know these things?
You can't improve upon perfection.

they would be alot better becausw he would know not to use parallel octaves and correct voice leading

I'll be totally honest with you. I don't have a fucking clue what you are talking about, and I'm not so sure that you do either.
I know you're just yanking some chains (at least I hope you are). You know good and well that shit don't have anything to do with making great pop records.
He is exactly who we thought he was
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Reply #27 posted 01/04/08 5:42pm

mirrorbestfrie
nd

Accujack said:

mirrorbestfriend said:


they would be alot better becausw he would know not to use parallel octaves and correct voice leading

I'll be totally honest with you. I don't have a fucking clue what you are talking about, and I'm not so sure that you do either.
I know you're just yanking some chains (at least I hope you are). You know good and well that shit don't have anything to do with making great pop records.

yes it does...thats why quincy is so good
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Reply #28 posted 01/04/08 5:56pm

Accujack

Explain to me how Quincy Jones' music is any "better" than anyone else's.
I could care less about music theory. Just like anyone else, I like what I like because I like it.
He is exactly who we thought he was
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Reply #29 posted 01/04/08 6:21pm

Dance

RealMusician said:

he has a limited understanding of what notes "belong" together


Yeah, I hate it when I'm listening to a great song and realize that the notes don't belong together.

Who are these tools that mismatch notes?

If only they'd spent 20 years studying how to piece together music like a car part instead of playing shit that sounds good.
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