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Printable version (Log in to 'subscribe' to this topic)alexnvrmind, do u disagree that the 'act' of discarding the PRINCE name inevitably gave rise 2 spiritual growth?
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alexnvrmnd said: setyrmindphree said: Where did he "admit" that his first take of it being spiritual was wrong or a lie. I'm actually not challenging you, I would be interested in reading or listening to what he said. Because I don't know, and would like to, did the WB conflict start before or after the name change? Wasn't the name change in '93 sometime? Well, he admitted it by simply saying his reason for changing his name was for business or contracual reasons. That's pretty much saying "It wasn't what I said it was before" because before, all he said was that his reason for doing it was for something spiritual and some Higher Power told him what his name "really was". You could also argue that initially he was telling the truth, but came up with a more practical explanation later when it suited him. After all, if it was purely business reasons, why did he continue to use the symbol name for Emancipation, Crystal Ball and Rave which were all recorded when his contract for Warner's had been completed? On Rave he announced that 'Prince' was the producer - as though he was easing himself back into using the name.* *After reading the Vault, it appears he still had a publishing deal with Warner Chappell Music (which I gather is slightly different to Warner's proper) up until the end of 1999, which is why he kept using the symbol name. Prince has registered a lot of unreleased songs, perhaps those he registed while under Warner Chappell are the vault items he can't release? You can look at it that he had finally realised his symbol name was a hindrance, alienating his audience, and so came up with a bunch of digestable practical business reasons why he had started the symbol name in an attempt to get back to using the more marketable and seriously-taken name 'Prince' while still maintaining some dignity. You could also argue that he changed his name to try and get out of his record contract, but that his spirit picked the ACTUAL name to use. That way, both sides of the statements are valid. [Edited 12/29/05 11:33am] | |
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How you gonna get my back when you frontin'? | |
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MarcelJ said: Alan Leeds gets it. Prince lost HIS sound in the 90's by trying to incorporate what others were doing. When Emanicaption came out, a fellow Prince fan and keyboard player at that time for La Bouche told me he recognized several of the loops on that cd from libraries. I notice them everytime I played that cd after that.
I also agree that Prince seems to have refound his own sound the past three years and I'm hopeful we'll be seeing/hearing some good/great things from him again soon. Those loops that you are speaking about were all probably related to the tracks that Kirky J was involved in. -Mg The TRUTH.......only exist in 1 form.
The TRUTH. | |
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dewalliz said: Wowugotit said: Prince needs Wendy & Lisa so bad!!!!! God!!! Please reveal to Prince that he needs W&L![/b]
no he doesnt. anywoo i think that it is a great interview of alan leeds. so who's next matt fink or andre? what about brownmark? [Edited 12/28/05 19:51pm] Oh yes, Prince Wendy & lisa need each other bad, thoser 3 were born to compliment each orther's music!! GREAT INTERVIEW! Please, bring Susan ROGERS next! | |
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I sure learnt a lot today. Thanks BC! Tupac "Makaveli" Shakur (RIP 1971-1996) & Michael Jackson (RIP 1958-2009)
2 men that had their lives taken away the moment they were speaking out AND rebelling against the dark side of the music industry once too often. | |
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Good read. One man amounts to a great deal more than another man's opinion of him. "...and you believed that story? You believed that?" The Godfather Part II | |
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baXtos said: ... Please, bring Susan ROGERS next!
My site:
http://www.myspace.com/candace_66 | |
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baXtos said: dewalliz said: no he doesnt. anywoo i think that it is a great interview of alan leeds. so who's next matt fink or andre? what about brownmark? [Edited 12/28/05 19:51pm] Oh yes, Prince Wendy & lisa need each other bad, thoser 3 were born to compliment each orther's music!! GREAT INTERVIEW! Please, bring Susan ROGERS next! I think not!!! Also he needs to bring back Dr. Fink and get Sheila E in the mix. | |
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dewalliz said: ... When Wendy came along, her and Lisa ruined Prince's records with their weird psychedelic influence. Thank goodness Prince left that alone after he fired them....
But what about Parade? Do you hear a psychedelic influence on there? I don't think W&L should be held accountable for the sound of ATWIAD, that was Prince's idea. My site:
http://www.myspace.com/candace_66 | |
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CandaceS said: dewalliz said: ... When Wendy came along, her and Lisa ruined Prince's records with their weird psychedelic influence. Thank goodness Prince left that alone after he fired them....
But what about Parade? Do you hear a psychedelic influence on there? I don't think W&L should be held accountable for the sound of ATWIAD, that was Prince's idea. Are you deaf? Anyway back to the subject I think that Alan was very informative and detail oriented with the interview. I hope the org going to do more interviews from Prince's former associates. | |
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While I can understand the thought behind "Bring Wendy and Lisa back" or "Bring (insert random former bandmember here) back", even "Bring the Linn drum and Oberheims back", I think it may be missing the point.
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NightGod said: While I can understand the thought behind "Bring Wendy and Lisa back" or "Bring (insert random former bandmember here) back", even "Bring the Linn drum and Oberheims back", I think it may be missing the point.
I'll go on record to say that my favorite "Prince era" did involve collaborations with some amazing people, but life isn't about going back to repeat the same old stuff, is it? Wendy and Lisa have matured and (to me at least) always been great songwriters and musicians, but I can't help but think that if Prince, Wendy and Lisa locked themselves away and recorded a new album, that most of those wishing for it would be disappointed. Why? They have all grown older and lead different lives than they did in the 80's. The end result, as beautiful and breathtaking as it would be, would not be Purple Rain part deux. Here's my idea of a more sensible wish for the future of Prince. I'd like to see Prince to collaborate with some talented new people. I'd like to hear him pushed in new directions, not pushed back to where he was 20 years ago. I agreed. Also I don't expecting Prince to repeat himself but damn he needs to bring that hardcore funk and rock that I missed but no I dont want a rehash since this is a different era. He can still have the sound that I missed in his new album but with new flavor though. | |
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Just so everybody is in the loop here, constructive criticism is welcomed on this thread, as are thoughts on Alan and his answers. However...ANY sign of veering too far off track, and I will ensure we get back on it - swiftly.
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He's collaborating with Clare Fischer again so maybe there's more truth to these W&L rumours than meets the eye. Put yourself on the worldwide org map! www.frappr.com/princeorg | |
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I agree with someone here who wrote that the 90's music was overrall pretty good--actually, the shit was great, at times. The slog, musically, has more to do with Prince's religious ideals, where risk is not part of the plan. His lyrics have to please the Watchtower masters, and his sound has to be pleasing to his new ideas about a more fascist and controlling God. Hardcore religious people just don't make good music. The religion stunts growth in the psyche--democracy is what brings out the fire and artistic want in artists. Prince is fried, in that respect.
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Many thanks to Mr. Leeds and 'nana for taking the time to put this together. It is a great read!
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JimmyNothing said: He's collaborating with Clare Fischer again so maybe there's more truth to these W&L rumours than meets the eye.
But he never stopped working with Clare Fisher. | |
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2freaky4church1 said: He is calculating, at this very moment, in becoming a by the numbers pop artist, devoid of any real artistry. It is all about the surface now--so we all better get used to it.
That's your view of it. None of us is are Prince's mind, and we don't even know any details of what's to come yet. | |
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thank you to Alan and all the orgers involved in this !!!
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BIG THANKS FOR YOUR TIME...
Work in progress at www.theblackalbum.info
(looking for grey and white vinyl numbers to add to the found list. | |
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eugnj420 said: I agree wholeheartedly about the comments on Prince and hip-hop.
There are very few good Prince "rap" tunes ("18 and over" sticks out in my mind as the only really good one.) I was sad to see Prince inject rap into his early 90's work. Even back then, it was clear that Prince was so above it, and not very good at it. I mean, come on man, you're a musical genuis. If I want guys who couldn't write an original melody or play an instrument to save their lives (excluding The Roots here), I'll turn to rap. But usually, I don't. First I have to say that Mr. Leeds seemed really sincere in his comments; I agree for the most part with his statements....Also, I agree that Prince had no business fucking with hip-hop, But the way I'm reading your post eugnj420, is that you are basically saying that hip-hop artists are talentless hacks... Prince wasn't above incorporating hip-hop because hip hop artists lacked artistic merit...During the early '90s D&P era, hip-hop was truly a beast...I love the homie Prince, but, at that point Nas, Dr. Dre, A Tribe Called Quest, De La Soul, Wu Tang Clan, Notorious BIG, Black Moon, and Mobb Deep were all releasing some of the genre's most influential and groundbreaking albums and collectively was making the same cultural impact P, MJ, and Madonna made in the '80s...Yeah, Prince was above trying to jump on the bandwagon; However, what it really comes down to is Prince lacked a fundamental respect and understanding of hip-hop music and culture as evident by his recruitment of Tony M. That's the real truth, not that fact that a Nas couldn't play guitar, bass, drums, or keyboard... | |
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thank you very much for putting this interview together! it was a great read! | |
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I guess this puts to rest the idea that DMSR and POSSESSED were accurate. Now maybe I can get some rest! lol
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this was wonderful....thanks to all involved in putting it together. | |
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I think fans of hiphop/rap can be far too precious about the genre of music. There's far too much concern about the artist being 'real' and from the street. Even within the field, acts have a go at each other for not being 'real' enough; it seems like you are not taken seriously unless you have been shot in a drive-by!
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metalorange said: somebody must have liked his hiphop imitative work, because Diamonds & Pearls was one of his biggest selling albums.
word . "You don't frighten us, English pig dogs. Go and boil your bottoms, sons of a silly person." | |
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Actually Irresistable Bitch and Heaven Must Be Near are arguably hip hop cuts although that prolly wasnt his intention. Funky as a mofo too. "...and you believed that story? You believed that?" The Godfather Part II | |
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Wonderful interview! | |
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